D&D 5E Bards: How did these become a thing?

Minigiant

Legend
Supporter
I don't know about your lame bards but all my bards when I play or DM are all rockers, rappers, metalheads, crooners, and such who make the effects in their lyrics, verses, solos, offensives words, and putdowns.

My random encounters tables have "Evil Elvis", "Moonwalker", and "Drow fighter with hypeman and DJ" on them.
 

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Conceptually, it's Celtic. Bards were composers and reciters of epic poetry which was the common form of entertainment. These peoples memories were fantastic. I've heard they could hear a thousand words a single time and be able to recite them back flawlessly. In a world without writing, memory develops much better, and the bards were the best of the best. Poetry was used to remember such tales simply because it's easier to remember a rhyme or pattern than it is to remember unstructured prose.

There's quite a bit of crossover between a bard and a druid, historically speaking, since they both were Celtic professions involved with poetry -- again, no writing among commoners, so knowledge is often memorized as poetry. Druids were simply focused more on administration, religion, and medicine, and bards were focused more on the poetry. Bards were heralds of knowledge; remember, poetry = song = knowledge.

Bards held some religious status, since some of their compositions were eulogies. Again, this is similar to druids. You hear Scottish tales of "warrior-poets" in movies like Braveheart. They're talking about warrior-bards. The norse concept of a skald -- the historic concept, not the Bard/Barbarian multiclass people always make -- is basically equivalent to a historic bard. The equivalence of magic an music is something I think we appreciate even today. We still speak of being enchanted and charmed by a tale or moving ballad. These people dedicated their lives to their trade in a time when art for art's sake was not at all common.

Mechanically, the original Bard was published in The Strategic Review (the original name for Dragon magazine) and when the AD&D 1e PHB was printed, it was published as specialty class in the Appendix of the PHB along with the psionics stuff and the planar cosmology. Honestly, it belongs more in 1e Unearthed Arcana. It's famed as the class that's the most difficult to qualify for, and also as the class that's potentially the most powerful and has potentially the most hit points.

To quote the wiki entry for 1e AD&D Bards:

To become a bard, a human or half-elf had to begin with very high ability scores: Strength 15+, Wisdom 15+, Dexterity 15+ and Charisma 15+, Intelligence 12+ and Constitution 10+. These daunting requirements made bards one of the rarest character classes. Bards began the game as fighters, and after achieving 5th level (but before reaching 8th level), they had to dual-class as a thief, and after reaching 5th level as a thief (but before reaching 9th level), they had to dual-class again to druid. Once becoming a druid, the character then progressed as a bard, but under druidic tutelage.

Note that this appears to allow half-elves to dual class, while normally they're required to multiclass. Also note that this class allows you to run around with 7d10 + 8d6 + 10d6 hit points. You'd easily have 22 hit dice before the party Fighter hit name level (at 250,000 for level 9 with all of 9d10 hit points). With no con mod, that's an average of 100 hp. Remember: Lolth had 66 hp. You can also go all the way to level 23 on the Bard table, or 38 levels of progression overall, which I think makes Bard officially the longest class ever printed, even counting the 36 levels of BECMI classes (although Bards are only actually level 23 since they're dual classed, IIRC). Note also that since you begin play as a Fighter, you can begin play with percentile strength.
 
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The idea behind the bard is similar to the idea behind the wizard - someone whose special knowledge makes them able to access magic. The wizard archetype is bound to the book - to literacy, to runes, to heiroglyphs, to sacred writing. It is about the knowledge that being able to read and write could unlock.

The bard is the same idea, but from pre-literate societies. That's why the song routine - epic poetry and divine music and a keen memory for stories. Without writing, you turn to the bard to hold your histories, to tell your most important stories, to recite your sagas and your lineages. Song happens to be the way most people remembered things before writing was invented, because singing something makes it easier to remember.
Obvious follow-up question: Why would a bard exist in a society where books are commonplace? Why would any single civilization have both bards and wizards?
 

I'm A Banana

Potassium-Rich
Obvious follow-up question: Why would a bard exist in a society where books are commonplace? Why would any single civilization have both bards and wizards?

When you have a society where perhaps the wealthy elites are literate, but the common populace isn't. So you have wizards with their expensive books in their isolated towers unpacking the mysteries of the cosmos and bards singing epic histories in the town square for all to hear.

Of course, this sets up conflict. Puritans hated dancing for the magic it could unleash. Arabic poetry is considered consorting with spirits. Orpheus could raise the dead. None of this is sanctioned by any official decrees - just someone with natural charm and a knack for remembering stories.
 

Staffan

Legend
The magic power of music is truly ancient in myth, folklore, and fantasy. Some examples:

Orpheus's music was said to be able to charm all sorts of creatures and even trees and rocks. It was so powerful that it even swayed the heart of Hades, letting him bring his beloved Eurydice back to life on the condition that he wasn't allowed to look at her until they had left the Underworld (which he of course failed at - he had an awesome check for Musical Instrument Proficiency: Lyre, but not so good with the Will save).

In Hávamál, part of the Poetic Edda, Odin speaks of the eighteen magic songs he learned that lets him bring good fortune, heal, stay the swords and staves of foes, and other things.

Music plays a huge part of the magic of the gods, particularly Väinamöinen, in the Finnish national epic Kalevala.

The Pied Piper of Hamelin used magic music to lure first rats, and then children away.

In the Silmarillion, the world is sung into existence by the chorus of the Ainur. Music also plays a large role when it comes to later magic in Tolkien's works.

In the real world, music is one of the most primal forms of art, and it is excellent at provoking emotions in people. It is an important part of many religions. It is, to quote Queen, "A Kind of Magic." Oh, and here are some more examples.
 

Ashrym

Legend
Obvious follow-up question: Why would a bard exist in a society where books are commonplace? Why would any single civilization have both bards and wizards?

Libraries of books are stationary. Bards who have memorized libraries of information are mobile. The role of bards in society changed over time as written works became prominent but without mass media it was far more effective to send someone who memorized information than it was to send piles of books or request written information when a court member with such information was readily available.

Historically, bards existed into Elizabethan times to demonstrate the coexistence of writing and bards. They just weren't the perceived the same way as in the 6th or 12th century.
 

Paraxis

Explorer
My bards tend to not be very musical at all they don't need to sing or play instruments to use magic.

My bards are masters of magic, true name magic, the power of single words, think Skyrim.

From pg 57 PHB.
In the worlds of D&D, words and music are not just vibrations of air, but vocalizations with power ali their own. The bard is a master of song, speech, and the magic they contain. Bards say that the multiverse was spoken into existence, that the words of the gods gave it shape, and that echoes of these primordial Words of Creation still resound throughout the cosmos. The music of bards is an attempt to snatch and harness those echoes, subtly woven into their spells and powers.

So it is more of the fact that bards tap into the purist form of magic in D&D, that is why they can do every other classes signature things with magic.

Bards can raise the dead with a word (and a diamond), but they don't need a deity. They speak the fragments and echos of the words of creation that brought the universe into existance.
 



Riley37

First Post
Obvious follow-up question: Why would a bard exist in a society where books are commonplace? Why would any single civilization have both bards and wizards?

For the same reason that rust monsters exist: the Rule of Cool.

Rapiers and greatswords are on the weapon table; was there ever a single civilization which included both widespread rapier-wielders and widespread greatsword-wielders?
 

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