How odd. Well, if it works for you.I found a different way of handling it. If critics seem to be universally panning a movie, I put it on my "must watch" list. I'm rarely disappointed.
How odd. Well, if it works for you.I found a different way of handling it. If critics seem to be universally panning a movie, I put it on my "must watch" list. I'm rarely disappointed.
I normally trust audience scores FAR more than Critic scores.
A prime example is when the Mummy came out (decades ago). Critics razed it, gave it lower scores. Audiences LOVED it.
I enjoyed it tremendously...wondered what was wrong with the Critics.
Similar thoughts have popped up sometimes today, it seems the Critics are very, very, wrong in many instances. It amazes me how they can all agree on some movies where the audience absolutely does not agree with them (Especially when critics say something is terrible, but audiences absolutely love it). It just tells me that Critics tend to have terrible tastes compared to the general public...
Even the Mummy didn't have EVERY critic agree, but the overall critic's reviews put it lower on their scale at around a C rating, while audience reviews at the time (20 years ago) put it in the 90 percentile.I find it weird the way your refer to “Critics” with a capital C like they’re some kind of monolithic entity. I’ve very rarely seen a film where every critic agreed. Critics are like any other columnist — you find the ones you like, whose interests and tastes seem aligned with yours. Or not. But they aren’t some weird Borg collective with a single thoughtmind.
I see this quite often. Critics pan a movie, the audience praises it. Then it becomes a piece of highly praised movie history and they change their mind about it.I do find it interesting that if you go ahead into the future, the reviewers seem to change their outlook or review of a movie that was universally loved by audiences to align more with audience views than what it was originally in some cases.
I see this quite often. Critics pan a movie, the audience praises it. Then it becomes a piece of highly praised movie history and they change their mind about it.
Good I suppose, that they change their mind. But why even pay attention to critic reviews if they can't recognize a piece of Hollywood history when they see it? Critics like Ciskel and Ebert panned Aliens because "it's about a child being put in danger", while everyone else can recognize it for one of the best sequels and action movies ever made. Then what use are film critic reviews?
Michael Hurst looks a little odd in mascara.
Michael Hurst looks a little odd in mascara.