Parmandur
Book-Friend, he/him
The OSR provides a bewildering array of aesthetic takes: DCC and OSE hire a lot of the early TSR artists, like Erol Otis, and goes for thst sort of vibe, but the scene is very diverse.Yeah, I’m at an interesting crossroads, because the principles are what I’m interested in more than the specific mechanics and design quirks… But also I really like the aesthetic of D&D, and I feel like that often gets lost when focusing on principles over specific mechanics.
On Race as Class, a little off-putting with Dwarves and Halflings, but itnreally shows it's strength when they introduce Classes like Treant or Centaur, and don't need to worry about them interacting with other moving parts. Let's weird Races be really weird.