That's one of the things I like about reading stuff (including game material) from folks outside the US and UK. Too much of American genre fiction, IMO, is simply remixes of remixes of remixes, without a lot of new stuff in there. And that can be good -- Watchmen, for instance, is purely a response to other comics -- but more often, you run into diminishing returns pretty quickly.Finished Wandering Earth, it was good, Liu in a lot of ways is a science oriented speculative fiction writer vs being solely entrenched in genre fiction.
This is true, partly because publishers want formulaic stuff, and multiple books in a series.That's one of the things I like about reading stuff (including game material) from folks outside the US and UK. Too much of American genre fiction, IMO, is simply remixes of remixes of remixes, without a lot of new stuff in there. And that can be good -- Watchmen, for instance, is purely a response to other comics -- but more often, you run into diminishing returns pretty quickly.
Oh, the genre publishers are definitely a big part of the problem. At any point, they could say "you know, we've seen enough LotR/GoT pastiches this quarter -- got anything new?" But they rarely do.This is true, partly because publishers want formulaic stuff, and multiple books in a series.
They are locked into a business model until it doesn't work, then they will change, or a new publishing house comes along.Oh, the genre publishers are definitely a big part of the problem. At any point, they could say "you know, we've seen enough LotR/GoT pastiches this quarter -- got anything new?" But they rarely do.
It's pretty short-sighted. Game of Thrones, which has helped indirectly pay for all of their mortgages for decades now, was a pretty big break from the fantasy staples of the 1980s (Tolkien by way of Dragonlance) and the 1990s (everyone's World of Darkness campaigns, in novel form).They are locked into a business model until it doesn't work, then they will change, or a new publishing house comes along.
I think it is also a real shame that the distribution networks help influence these situations, such as nth book in a series will wind up reviewed in the times, or be found at the airport news stand when an independent book will not. Films do this too, it makes marketing easier, which with the flood of advertising where people just tune it out, it helps reaching their audience.It's pretty short-sighted. Game of Thrones, which has helped indirectly pay for all of their mortgages for decades now, was a pretty big break from the fantasy staples of the 1980s (Tolkien by way of Dragonlance) and the 1990s (everyone's World of Darkness campaigns, in novel form).
Taking chances pays off. But it's a lot easier to hope that someone else is taking chances and you can just copy them when it works.
For Kobo devices, I really recommend getting the KoboTouchExtended Calibre plugin. It converts epub to a version (kepub) optimized for Kobo devices when you transfer the files. It's a lot of difference in speed for font size changes and a slight speed increse for page turning.On a completely unrelated note, Calibre is a free ebook conversion program that has lots of neat tools, add ons, and customization options. I use it almost daily to fix formatting problems with ebooks, convert to epub, etc.
It's pretty short-sighted. Game of Thrones, which has helped indirectly pay for all of their mortgages for decades now, was a pretty big break from the fantasy staples of the 1980s (Tolkien by way of Dragonlance) and the 1990s (everyone's World of Darkness campaigns, in novel form).
Taking chances pays off. But it's a lot easier to hope that someone else is taking chances and you can just copy them when it works.
Note how those two bits contradict each other.Taking chances pays off. But it's a lot easier to hope that someone else is taking chances and you can just copy them when it works.