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It’s been a long time since someone has spoken that name…. :)

Yea, I agree with this. It’s trivial to narrate level 1 and 2 abilities as part of a character’s training backstory, just like the features they get from race and background. You would only use a level 1 or 2 character to model someone young who’s still learning the basics.

I think I’d also want to know what a corruption feat “means”, in the narrative. Is it a ritual the character does to gain that power? Is it just a grant from dark forces, hoping that the character will do something bad? Is it something the character sought out, or was it unwanted?

Yea, if you can get X number of feats for free without consequence, that’s what everyone will take. Corruption should fall into a “risky gamble” category, with each feat you take giving you a cumulatively increasing chance of acquiring a permanent physical or mental corruption.

Yea, that’s a fair critique. I’m definitely influenced by my play groups’ lack of desire to play classical heroic archetypes.

If the question is “Did Twosix mean to imply something disturbing and tawdry?”, the answer is pretty much always “Yes”. :)

Tim, the Seeker of Magic. Became obsessed with magic at a young age when he discovered he had a spark of inborn talent. (Sorcerer level). Turns out while he can grasp the essentials of spellcasting, he's utterly incapable of forming any complex magic, and can only do than the absolute basics...

It is my actual planned next character for one of my games, just for clarity.

My sorcerer 1/cleric 1/paladin 1/bard 1/rogue 1/druid 1/ranger 1/wizard 1 strenously objects to the idea he's obnoxious. :)

Different strokes for different folks, I guess. Harandar was the first zone I got Sojourner on. And I thought some of the NPCs (like the root tender mourning Teldrassil) were really affecting. And I think the Haranir model is absolutely fantastic; I’m planning on doing Haranir Druid for Season 2.

I did a few delves with her as tank while leveling for my holy priest; she seemed inordinately squishy, even though the delves were just Tier 1s. She's up to rank 8 or so now, and she has some curios, so she's doing better now. But I definitely think that she's a superior healer compared to tank.

Honestly, this is exactly the kind of example I spoke about a few days ago, when I talked about maintaining agency when your character is presented with two distinct paths. In this case, the choice to attack or not should remain with the player. It would be different if this case was presented...

I didn't mention the play explicitly, but making checks around your character's Virtues and Vices in Pendragon. As an example, you might have a character with relatively High Virtue in Valorous, but you need to test that in order to engage in single combat with a knight you know is more skilled...

I mean, these terms are difficult to encapsulate; we're talking about a perceived experience that's probably different for everyone, in a medium that's intended to be creative. Small wonder it's challenging to achieve something like a consensus. It reminds me in a way of aphantasia (the...

There are games where the stakes involved in a roll require the player to act in accordance, and rationalize, a decision that the player might not feel is in the normal interests of the character. I mentioned Pendragon as an example a few days back.

Honestly, for me, assuming a D&D-like game, if I don't have at least one character die on me (as a player), I feel like I wasn't really playing my hardest.

Because there are some (many) games that you don't want to play in an immersive fashion. To me, those kinds of complaints feel somewhat like "I don't understand why you would to play Civilization on your computer instead of Call of Duty; it doesn't test your reflexes or hand-eye coordination at...

Yes, but you wouldn't be able to fail on a check that explicitly questions your character's thoughts and feelings.

Personally, I just don't see a game not reaching an "end" as something to really worry about. I DNF stuff all the time; books, TV shows, video games. Of course, I'm also on record as being much more interested in beginnings and middles of stories than the end, so that might just be my...

All my campaigns are short, so no worries there. :)