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I mean, they aren't meaningful in the scope of the adventure, and in being an actual determiner of a real "success-failure" fork in the road. They're useful in the context of "we designed this game around a long, detailed skill list; if we don't make the players roll skill checks a lot, they're...

What else would you call it, if the game doesn't have any resources that can be consumed? The gameplay is more than likely going to have some sort of chance-based resolution method (dice, cards, etc.), which provides a success or failure based on the narrative input, and resolves into a curated...

Book 5 is even more "a lot". It's my favorite of the 7 I've read.

Preferences aside, whether or not managing finite resources "matters" is a pretty fundamental distinction between different kinds of RPGs. If they don't, the game is going to function primarily as a prompt engine with randomizers for generating narratives. The more resources the game wants you...

I mean, I have a lot more sympathy for the argument of “passive noticing skills are bad” than “all skills are bad”.

You could do that, but I think making it supernatural makes a lot more sense. It’s a better simulation of how a fantasy D&D world would really work.

That's not meta at all. That's just using XP as a measurement of a diegetic, spiritual essence. If undead can suck the XP out of you as level drain, why can't a mage siphon that power via spellcraft?

Yea, definitely still a relevant distiction. I haven't seen those specific terms before, but I've definitely referenced the idea of preferring to develop my character during play, rather than have a detailed sketch of the character before play starts (although some systems prefer the latter...

One overlooked aspect: BE the kind of player that other good players want to play with.

Don’t look at me, I made the Rambo joke. Doing my part to keep things not painfully nerdy. :)

I'm still trying to parse what "a nod to balance where player ingenuity can matter within a rules framework" actually means.

I told the GM wizards were a broken class; he had to learn the hard way.

I thought the CR on Mount Doom was too low.

I mean, I ran that simulation a thousand times, and hobbits never saved the world. I think the author was using metacurrency.

"Nothing is over! Nothing! You just don't turn it off!"

Supernatural resilience. My current 5e narration is that "classes" are universal (multiversal?) archetypes that exist within the Astral; when a soul aligns with one of those archetypes, it gains power through that resonance, which is where class powers originate from. The supernatural...

For sure. My current, more supernatural, approach was based on taking the 5e rules around injury and dying, and classes and levels, as essentially true, and asking what sort of setting narration would frame those rules within the fiction without requiring a meta layer intermediary narration...

Sure, although generally only when we’ve obviously switched into an OOC meta channel discussion.

I mean, I don't know anyone (not even myself!) who actually communicates the number of hit points a character has within the fiction. Generally, it's something like "a little banged up" (more than half HP), "I'm pretty hurt" (less than half HP), and "about to fall over" (single digit HPs...

That's my general go-to, but I do like narrating a good, visceral hit on occasion as well. But again, I've alleviated this by simply making adventurers (and any NPC with a "class") innately supernaturally resilient. Since my fantasy inspirations are primarily video games and anime, more so...