Jeff Carlsen
Adventurer
I would be perfectly happy if the Monster Manual has an entry called Nymph that describes the various subtypes and gives their stat blocks.
As I posted on the article:
- I like the notion of making Dryads a specific type of Nymph. This opens the design space for Nereids, Naiads, Rusalkas and other "nature spirits", with an unifying connection.
- I like the Monster Vault depiction of the Dryad, where it can change shape between an elfin-like female and something that looks like a walking tree. This could hint at a connection between Dryads and Treants.
There's a huge gap between a full elfin-like girl and a "monstrous" form. See how Howard Lyon depicted the "Nymph of Summer" for the 4e Monster Manual 3:
Oh, this isn't the problem I have with fey, at all.
I find their lack of a unifying theme and purpose far more problematic than what "supernatural beauty" could possibly mean. In this day and age they have computer programs which make "perfect" looking people with precise mathematical formulas and whatnot. It can't be hard to start with one of those as a base and then add some elf or a tree into the mix.
I mean seriously, what is a fey other than a magical creature that sometimes lives in the woods?
You may think you're joking, but I think you've hit the nail squarely on the head.(hmm...does that mean Jon can't see the forest for the trees?).
Yeah, this seems like the smallest problem with the fey.
Well, that's exactly in keeping with folklore.I like magic-eyed Formorian Giants, I like spriggans as twisted gnomes,
... I prefer them not to be pretty, but only look that way...
Does WotC OWN the older editions of their books?
This was solved in 3.5
Jon Schindehette said:Well, if any of the feedback about the contemporary D&D dryad is to be considered, you might think that folks in the D&D realm were more comfortable with the classic concept of the dryad than they were with the re-envisioning of the dryad as a monstrous creature as depicted by William O'Connor.
I find it absolutely hilarious that everyone said they wanted individual monsters and monster subtypes to be visually distinct a few columns ago, but now everyone is clamoring for the dryad and the nymph to look the same. Hypocrisy, thy name is D&D fans.
So, how did the brilliant painter Waterhouse differentiate the two nymphs? Well, simple. He put the dryad in a tree! Yep, still a beautiful, semi-nude young woman, but this time she's been integrated into a tree.-snip Hamadryad by John William Waterhouse-
Is it that simple? Is a nymph just a beautiful young woman depicted in different ways to designate the type of nymph she is?Yes. Yes, Jon. It is, in fact, that simple.
...
Yeah, this article is a non-starter.
Pretty elfish women in a tree. Pretty elfish women around water. No "design challenges" needed here or cause for any "problem."
Now that is an interesting idea. I definitely agree with the nymphs more like humans instead of elves bit and the dryads more like elves. Dwarves? Well, it's definitely worth considering.And I prefer the nymph as a supernaturally beautiful human, rather than elf. That opens up the artistic vista a bit, I think.
Edit: Nymphs are beautiful humans. Dryads are beautiful elves. Oreads are beautiful dwarves (just...go with it). That suddenly makes me think about dwarves interacting with oreads and the fey....