Napftor said:
Maybe a struggling bard needs a "bit hit", if you will, to break into the limelight at mainstream performance locations.
Note how "limelight" and "mainstream" are more modern terms. Unless you have large, frequently used performance halls, you don't have limelight. You don't have "mainstream" unless there's a river of media for people to choose from. Neither are home to the archetypal troubador.
If we stick to our pseudo-medieval roots, the bard isn't looking for big audiences, or big hits, because that isn't how he makes his money - remember, we're talking about the days before copyright and royalty payments. If he wants to be comfortable and rich, he's angling to play instead for a small group of nobles, hoping that one of them will choose to be his patron.
Now, a hero, adventurer, or noble
hiring a bard to come along and chronicle and sing his adventures makes sense - it's a good PR move for the employer. But that's not the same image, a different dyamic altogether.
Or perhaps a sage sends apprentices to catalog the PCs' exploits because he has done so for other adventuring groups from the same geographic area.
Yes, but that's more making a documentary than "reality TV". Thoroughly different style.
And it's not cliche since it hasn't been done in a fantasy genre.
"Reality programming" is cliche in and of itself. Doesn't matter what genre you inject it into, it will bring the cliche along for the ride.