Do you study martial arts?

  • Thread starter Thread starter shurai
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Dr Midnight said:

There's of course nothing funny or interesting about crushing someone's larynx or shattering a patella or two, but c'mon, tell me you don't at least think it'd be great to use this in a world without human consequence. A bunch of mooks jump out at you, and you're the star of your own action movie. No one's hurt in any appreciable way... and you'll finally know just how you stack up when called upon to use these things.

I don't think there's any shame in wanting to see how well you'd do, if you could keep from truly injuring people.

It's why I play D&D, my inner calm comes from that, not martial arts. :D
 
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takyris said:
I'm not a huge fan of CZJ, but the combination of swordplay and partial nudity... oh yeah.
CZJ, JLo -- it's all about the butt.

On the other hand, do other martial artists start running scenarios like I do?
Oh, I got that one so bad. I'm also a film director so I don't usually star myself, I just look at every single place I pass through as a potential setting for a fight scene.

My wife and I, we got some doozys once we get to the point we're making a feature. Keep your eyes open...
 

When I was a kid I took Isshiynryu karate. I loved it but after awhile, I had no time, which was unfortunate. I like the vertical fist they use for punches - no twisting at the end.

Started fencing in high school. Went with saber because I could use the point and the edge of the blade.

In college, I switched from strip fencing to SCA rapier combat. It generally is not perfectly historically accurate, but the group I hooked up with adopted a "what works" philosophy to swordfighting. Some moves come right off the fencing strip, others from dusty old books written in other languages. It's fun.

I also picked up Tae Kwon Do in a group called the World Tae Kwon Do Association. Later I would learn that it's a style called Chung Do Kwan. Very little in the way of spins and very few jump kicks except as a situational thing. Most people can't really jump high enough to pick a guy off a horse anyway. We did forms and sparring. Matches were full speed, but with no-contact. The emphasis was on control and knowing that had you closed that last half-inch, you would have really messed your opponent up. Got my first degree black belt.

That all ended when I left South Carolina. Took a summer off in NJ to see relatives. Kept up with SCA fighting. Found out that a lot of strip fencing moves can be adapted into a very effective, though unconventional smallsword form. It's hard to do those graceful period passes when someone's just stabbed you in the hand. Continued rapier fencing and met up with some of the folks from Maestro Ramon Martinez's fencing academy in New York. One gentleman was the best swordsman I have ever seen. He could explain to you just how he was going ti kill you, and then do it. Wow.

So summer ended and now I am in Chicago. I still fence with the SCA. I've also hooked up with a school about a block from my apartment that teaches both traditional and Olympic competition TKD. I'm trying to adapt to the slight differences in form, but the old man that ran the school knows the old man who started the World TKD Association, so he took my rank straight across. I was deeply honored that he had so much respect for my teachers.

Recently, I also started with Hapkido. It's a great style that adds short-range nastiness to the medium/long range moves that TKD is known for. I'm still a ground-based fighter. I hate jumping and spinning (though they both have their uses) and I have problems adapting to olympic sparring. They use a bunch of moves that work well within the confines of their rules, but I would never try in real combat.

I also experimented with Wing Chun briefly. I love some of the basic philosophies, but it conflicted with my schedule. The idea of blocking a punch and counterpunching with a single move that only involves one hand is really cool, and it actually really helped my TKD sparring because of its emphasis on cutting off angles of attacm while leaving one open for you to exploit. It's contributed to an aggressive form of defence that relies on body positioning to cut off an opponent's lines of attack while setting them up for a fast series of blows. And the throws and breaks I'm learning in Hapkido have just sort of meshed right on in there.

I'm in total agreement with those people who state that "it's not the style, it's the student." I don't care what someone studies. If they apply themselves, devote time and effort to understanding the application of their particular moves, and are willing to use them, then they will be effective.

When it boils down to it, there are only so many ways you can punch, kick, lock, throw, stab, or cut someone. We all have the same joints that all move in the same ways. A student who takes the time to understand why a particular move works and how it interacts with other moves will go a lot farther than someone who learns blindly by mimicry.

I like my new instructor because he is open to questions and challenges. If I think something might work better one way, he will listen and we'll go through to see what the best way to apply a certain technique would be in a given situation. This leads to flexibility and adaptability for many situations.

And it's a damn good workout too.
 

cardinal: Pardon the middle-class white boy, but pit fighting? Is that a specific term, or is that general underground illegal fighting stuff? I've always been a little curious about that, not because of any interest in doing it, but just because I've always been curious as to what the bad "Arena of Death" movies get right and wrong.

I mean, is having your significant other and ancient samurai sword both kidnapped and held hostage while an evil nemesis forces you to go through his personal gladiatoral circus and defeat progressively harder opponents with different ethnic themes while you slowly and despite yourself start to like the peppy guy who showed you the ropes in the gladiator cells and who's doing it to pay for an operation for his wife and to make a name for himself until he gets killed by the evil dude you're going to have to fight as the second to the last battle (the last battle, of course, being your evil nemesis) part of the official drill?

-Tacky
 

Magic Rub said:
It's why I play D&D, my inner clam comes from that, not martial arts. :D
Sorry, I know it's just a typo, but your "inner clam"?

Now everyone in my office is wondering what I'm doing over here, giggling to myself.
 

No amount of training replaces real experience. You can train at the best dojo all your life, but until your in a real dust up with individual(s) who are determined to hurt you, and who will not stop when the sensei says to, you don't know how you will react.

Those who've been there, understand.
 

takyris said:
I mean, is having your significant other and ancient samurai sword both kidnapped and held hostage while an evil nemesis forces you to go through his personal gladiatoral circus and defeat progressively harder opponents with different ethnic themes while you slowly and despite yourself start to like the peppy guy who showed you the ropes in the gladiator cells and who's doing it to pay for an operation for his wife and to make a name for himself until he gets killed by the evil dude you're going to have to fight as the second to the last battle (the last battle, of course, being your evil nemesis) part of the official drill?
Well, I heard that it was either that, or help out with the club bake sale.

Sorry, meaning NO OFFENSE to actual pit fighting, as I don't even know what it is. Just making a funny.
 




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