Fafhrd and the Grey Mouser's Nehwon and Wilderlands of High Fantasy - Compare?

Kunimatyu

First Post
I just started reading the Fafhrd and the Grey Mouser stories (starting with Swords and Death -- I'll grab the first one soon!) and have absolutely fallen in love with the characters, writing, and setting. It has echoes of Robert E. Howard, but with the misogyny dialed down(somewhat) and far better characterization, since the Mouser and Fafhrd get to play off each other.

But I digress. My real question is this -- how does the Wilderlands of High Fantasy setting compare to the world and feel of the Leiber stories? I'm strongly considering getting Wilderlands, and a Leiber-ish flavor would be a huge plus.
 

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The Wilderlands does have a strong 'Nehwon vibe' (and it would be easy to add to it, if you like!). It also has many other 'vibes' (e.g. Hyboria, Dying Earth, etc.).

The City State of the Invincible Overlord bears many striking similarities to Lankhmar.
 

Akrasia said:
The Wilderlands does have a strong 'Nehwon vibe' (and it would be easy to add to it, if you like!). It also has many other 'vibes' (e.g. Hyboria, Dying Earth, etc.).

The City State of the Invincible Overlord bears many striking similarities to Lankhmar.

After reading a few references to an 'Overlord' in Lankmar, I began to wonder if that was the case.
 

Yes, the City State of the Invicible Overloard is very much like Leiber's Lankhmar. I was reading those stories at the same time my brother bought the City State and the similarities are very evident.

I think the Wilderlands carries the Nehwon sense of vast wilderness and danger interspersed with pockets of rugged cities, towns, and villages. The Wilderlands may be my very favorite setting with Greyhawk and The Scarred Lands close seconds.
 

Kunimatyu said:
I just started reading the Fafhrd and the Grey Mouser stories (starting with Swords and Death -- I'll grab the first one soon!) and have absolutely fallen in love with the characters, writing, and setting. It has echoes of Robert E. Howard, but with the misogyny dialed down(somewhat) and far better characterization, since the Mouser and Fafhrd get to play off each other.

But I digress. My real question is this -- how does the Wilderlands of High Fantasy setting compare to the world and feel of the Leiber stories? I'm strongly considering getting Wilderlands, and a Leiber-ish flavor would be a huge plus.

Ah, I wish more folks read these stories. I just discovered them a few years ago myself (thank you, SFBC), but I've recommended them to pretty much everyone I know...and yet no one has bothered to give them a try. Their loss, I suppose. I've read all six "Swords" collections!

Fafhrd and the Gray Mouser are rather special in the realm of fantasy because they're essentially "buddies." You see this in film and television all the time (Butch Cassidy and the Sundance Kid, Starsky & Hutch, etc.), but it isn't terribly common in fantasy stories. Generally stories about a hero (with or without a sidekick) or perhaps a group of heroes, but rarely two distinct characters who, despite varying strengths and weaknesses, are essentially on even footing.

I, too, digress. On to your question, which I can only answer in part. I have just purchased the Wilderlands of High Fantasy boxed set myself and I'm very impressed. There is that innate sense of wonder and curiosity that's present in Leiber's tales. Much of the land is, indeed, wild and untamed. There are ruins and crypts and unusual environmental developments both mundane and magical. I could see Fafhrd and the Gray Mouser making their way through the lands detailed in the boxed set quite easily, but there are a couple of significant things I should point out.

First, Wilderlands has quite a bit of...well, everything. I mean, there are hawkmen, there are lands where dinosaurs roam, there are blue-skinned Avalonian ice wizards...my point is there are a lot of races and creatures and magic that some people might not care for. Some people prefer the less is more approach and while that is possible with the Wilderlands, it doesn't seem designed for it. It is designed for you to add pretty much anything you like to the mix and have it work fairly seemlessly with what already exists.

Second, there are in-jokes in the design which I'm not sure if were designed to be silly or just happen to appear that way. For instance, there is a river called Rolling Stones River, which in the description is stated to have been discovered by the bard Jagger. Now, I found it rather amusing when I read it, but I imagine when the PCs stumble upon this bit of information it may very well derail the game for a time while chuckles or boos or raised eyebrows take over. These jokes are few and far between and I admit I've occaisionally used a few in my games (Caliban, Stephano and Trinculo from Shakespeare's The Tempest have appeared in a campaign, for instance), but I thought I should point them out.

Those elements aside (and they don't bother me in the least, but I can see why some people might not care for them), Wilderlands of High Fantasy gives one an incredible feeling of awe and inspiration. It does remind me of Nehwon or a similar world simply in its vastness and the sense of wonder it conveys. I recommend it highly.

That said there the old TSR books on Nehwon and Lankhmar that might be more to your liking. You can generally find those on eBay. Of cousre, the rules would be fairly useless if your running at 3.0 campaign, but these books are mostly history and geography anyway. Either way, I think you'll come out ahead.
 


Wilderlands is a bit more wacky and gonzo than Nehwon, though CSIO has a fair bit of Lankhmar feel. Nehwon is somewhat more civilised, I'd say, where Wilderlands is mostly barbaric.
 

Some of the Lankhmar stories can get sort of wacky. CSIO is pretty much a version of lankmar and Greyhawk is a version of CSIO. The misogyny shoots way up the later Leiber writes, and Howard as a whole was not that misogynistic when you consider all his fictional works. Oftentimes people mistake his character's view for the authors. Simply reading his westerns will reveal this. The best Lankhmar stories IMO are:

Degree of recommendation indicated by stars.

In order suggested by the author

****Ill met In lankhmar
*The circle Curse
**The Jewels in the Forest
****Thieves House
*The Bleak Shore
*The howling Tower
***The sunken land
****Claws from the night
**The price of Pain Ease
*Bazzar of the Bizzare
****The cloud of hate
****lean Times in Lankhmar
***Their Mistress the sea
*When the sea kings away
***In the Witches Tent
***Stardock
****The two best Thieves in Lankhmar
***The Swords of Lankhmar
***The sadness of the Executioner
***Beauty and the Beasts
***The Bait
***Under the thumbs of the gods

Order of writing:

The Jewels in the Forest (aka Two Sought Adventure) 1939
The Bleak Shore 1940
The Howling Tower 1941
The Sunken Land 1942
+Thieves House 1943
X Adept's Gambit 1947
+Claws from the Night 1953
L Seven Black Priests 1953
++Lean Times in Lankhmar 1959
When the Sea-King's Away 1960
X The Unholy Grail 1962
+The Cloud of Hate 1963
Bazaar of the Bizarre 1963
X The Lords of Quarmall 1960 (part written by Harry Fischer) 1964
L Stardock 1965
L The Circle Curse 1966
L The Price of Pain Ease 1966
+In the Witch's Tent 1968
+The Two Best Thieves in Lankhmar 1968
Their Mistress, The Sea 1968
The Swords of Lankhmar 1968
X The Wrong Branch 1968
X The Snow Women 1970
+Ill Met in Lankhmar 1970
---------------------------------------
X Induction 1970
The Bait 1973
The Sadness of the Executioner 1973
Trapped in Shadowland 1973
The Beauty and the Beasts 1974
Under the Thumbs of the Gods 1974
Trapped in the Sea of Stars 1975
The Frost Monstreme 1976
Rime Isle 1977
Sea Magic 1977
The Mer She 1978
The Curse of the Smalls and the Stars 1983
The Mouser Goes Below 1988
 

On misogyny, I love both authors but I have to say that Leiber seems overall way more misogynistic than REH. Maybe it's REH being Texan, but he never had any problem with strong female characters like Belit, Valeria, Red Sonja. Leiber has - Nemia of the Dusk & Eyes of Ogo? Hmm. REH did have a lot of 'damsel in distress' characters in his tales, often just for the art on the cover of Weird Tales, but these too tend to be sympathetically portrayed, often with the 'internal aspect' - the story is written from their perspective. I wouldn't argue that REH didn't have hang-ups about women but in many ways his work was well ahead of its time.
 


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