Fantasy Stories That Don’t Romanticise the Past

DrunkonDuty

he/him
There’s a side discussion in the Settings of Hope vs. Settings of Despair thread about whether or not the fantasy genre looks back on the past with a mythologising/romanticising lens. This has got me thinking about examples of fantasy stories that don’t do this.

Just to be clear – I think most fantasy stories do look at the past in a romanticised way. Either they’re set in a romanticised past or elements within the story look back at a romanticised past. Or both. (Looking at you Lord of the Rings.) It’s a very common theme throughout the genre. But it’s not universal to all fantasy. Below is a short list of stories that don’t do it.

The City of Brass trilogy. It is very much about undoing mistakes of the past. The history of the djinn is shown to be a pile of awful, self-serving decisions that have made the present City of Brass a real crappy place. Our protagonists are fighting against the status quo and trying to bring about something better.

The Rivers of London series. Although not usually a major plot point there are plenty of instances where one or more of the protagonists, usually Peter Grant, bring up various factoids about the past. These are presented warts and all and are frequently references to larger issues like historical racism, sexism, homophobia, and colonialism, etc. (They also reference current day racism, sexism, homophobia, etc. plenty too.) In case there’s any doubt that the author doesn’t want to romanticise the past the series’ main villain acts the way he does partly out of a longing for a romanticised past. And is explicitly called out on it a couple of times.

The First Law series. This series by Joe Abercrombie doesn’t so much subvert classic fantasy tropes, like the return of the king, so much as take them out back, stab them in the kidney, and watch them bleed out.

Anyone got more to add?
 

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The Kreizler series by Caleb Carr is (mostly*) historical fiction/fantasy that really revels in the dirty side of the times.

*The third book in the series takes place in 2016, but is tied to the first two books by way of an expert on Dr. Laszlo Kreizler.
 

There are plenty of fantasy series that aren't backwards looking. They just aren't the ones that are focused on pseudo-medieval and mythic archetypes (most of the genre, but not all of it). Not sure I agree about Abercrombie - his books are graphic and dark, but he's still writing about kings and heroic warriors and so forth.

Rivers of London works better. Incandescent and The House by the Cerulean Sea are other example of progressive fantasy.
 


The Dying Earth - post apocalyptic decadence and decay
The Chronicles of Thomas Covenant - Tragic, cynical and morally ambivalent
The Black Company - Mercenaries slogging through grim and morally grey wars
Neverwhere - London’s hidden history is dark and full of human suffering
American Gods - more about cultural loss and fallibility
The Poppy War - War, colonization, and human cruelty
 

@Clint_L I see your point about The First Law series. It's set in a romanticised past of warriors and kings, wise wizards, and even an epic quest or two.

But I feel that the way the world's setting is initially presented to the reader as romanticised and then undercut by later revelations is a deliberate act intended to make us mistrust romanticised pasts.

YMMV of course.
 

I had to google Caleb Carr. But I have read The Alienist. I enjoyed it. I agree it doesn't shy away from the grimier elements of life in a major city in the 19th C.
 

@Tonguez I don't think I can agree about The Chronicles of Thomas Convenant. Pretty much everyone in the Land looks back to the time of the First Lords (Berek thru Kevin Land Waster) as a golden age. And the current (as of the first trilogy) Land is a pastoral paradise. Even when that changes in the second trilogy, the whole quest is to return it to the by-gone pastoral ideal.
 

@Tonguez I don't think I can agree about The Chronicles of Thomas Convenant. Pretty much everyone in the Land looks back to the time of the First Lords (Berek thru Kevin Land Waster) as a golden age. And the current (as of the first trilogy) Land is a pastoral paradise. Even when that changes in the second trilogy, the whole quest is to return it to the by-gone pastoral ideal.
yeah I can accept that, I suppose I was focussing on the nihilism and skeptisim of the protagonist as the fantasy rather than the nature of the Land itself. Its a grim psychological venture into utopianism, but it is ultimately restorative rather than revealing a false idyllic
 


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