I hear something there
In the shadow down the hall
O you were a vampire
And now I am nothing at all.
-Concrete Blonde, Bloodletting (The Vampire Song)
Sal Colletti walks down the dark street, his threadbare winter coat wrapped tightly about him. He can't sleep, not with the police stomping around in the apartment above him. Stupid little bitch probably pissed somebody off with that attitude, like she's too good for anybody, he thinks. Probably wouldn't put out or something.
Sal is mostly bald, curly black islands above each ear the only remnants of what was once a thick head of hair. His ample gut hangs over his belt, and in the last few years he's developed a wicked set of man-tits. His arms and legs are spindly and awkward looking, out of place on his keg-shaped torso. He was handsome once, when he played third base and captained his high school baseball team to state semifinals. That was long ago. There are no mirrors in Sal's apartment -- he prefers to remember himself that way, wiry, long-haired, a rebel in blue jeans and square-toed engineer boots. From time to time he catches a glimpse of his true form on the face of a woman on the street or at the market, sometimes in a snide smile or a disgusted shake of the head, but most often in the way their eyes just pass him over like discarded trash.
Tonight Sal wanders down Piccine Street, his eyes flicking predatorily from side to side. He can usually find a hooker down in this part of town, a cheap one with glassy, drugged eyes that couldn't give a


what he looks like. He's got a ten in his pocket. He knows it'll cost him at least twenty for a blowjob, and he'll have to haggle just to get the price that low. When it comes time to pay, he'll drop the crumpled up bill on the ground, and if the slut complains that he stiffed her, she'll get what's coming to her. And if she asks for cash up front, well, he might just take what he wants for free. The thought makes him hard, and he caresses the butterfly knife he keeps inside his coat. He carries it for defense -- this is a rough part of town -- but if he needs to use it on a bitch, he won't hesitate. In fact, he's sort of hoping he gets the chance.
It's late when he finds a suitable girl. His requirements are that the girl be young and alone. He doesn't want to deal with any pimp. A pimp might take offense if Sal underpays or stiffs his girl, and might get more than a little hot under the collar if Sal roughs up the goods. No, Sal prefers to work with independent contractors. And man if this one isn't something else.
She's walking down the street toward him, tall and thin, her head turned down so that long black hair falls over her face. She's wearing a long black overcoat, but it's open, and underneath she's got on a short black skirt and a half-shirt. She's all legs in sexy black calf-high boots. She has some blood and dirt on her shirt, what looks like a nasty red scar across her stomach, and when she looks up he sees a shiner raised under one eye. Sal smiles. Asian, he thinks with great pleasure, and she likes it rough, by the looks of her. This is going to be fun.
"Hey, you wanna party?" Sal's breathing is heavy as he asks, his hands squeezing into balled up fists inside his coat pockets, opening, closing again. It's freezing, but he's sweating fat beads of perspiration that roll down his head and nose. "You wanna date?"
The girl lowers her head again, mutters something beneath her breath, and keeps walking. Sal feels his cheeks growing hot, his heart beats loud in his ears, and his fists clench together tight enough that his fingernails draw little bloody half-moons in his palms.
"What did you say, bitch?"
The girl stops and lifts her head slightly, her hair falling to the side so that one gleaming eye is revealed. "Loser. I said what a


ing loser. L-O-S-E-R."
Carol spoke to him like that once, just one time, and he had put her in a hospital for three months. If the bitch hadn't taken out a restraining order and moved back in with her folks (her old man was a hardass vet with a gun collection that some third-world militaries would envy), Sal might have finished the job. Thoughts of his ex-wife cause a rage to well up inside Sal, a hot cacophony of hate drowning out rational thought.
The girl turns down a side alley. Sal knows it's a dead end. He's breathing hard, full of hateful lust. He marches down the alley after her and grabs the girl by her arm. With his other hand he grips the cold steel of his butterfly knife, bringing it out for the girl to see.
"You see this, bitch?" he asks, his face pressed close to hers.
"Ugh. Watch the breath, pig, you smell like a garlic factory." She giggles. "Thank God all the legends aren't true."
Sal is now angry beyond reckoning, and he twists the girl's arm around behind her back, forcing it up hard enough to break it. "You goddam lippy little slut, you are going to get down on your knees and you are going to take what I give you in your mouth, or I swear I will cut your


ing face off!" Sal pushes the girl's arm hard, trying to force her to her knees, and brings the blade of his knife up to her throat. Whether or not she does as he says, he has already decided that he's going to teach this bitch, this sharp-tongued stray alley cat, a lesson she's never going to forget. I see the way you look at me, I'm going to cut your 


ing eyes out you whore.
Suddenly her arm is twisting beneath his grip, wresting his arm around with amazing strength and wrenching it until a gruesome splintering sound erupts in the alley. The knife clatters to the ground. Sal is screaming and his pants are growing dark with a spreading pool of piss. The girl places her free hand on his shoulder, forcing him to his knees, and with the other hand pulls his shattered arm high and twists it around, tearing the bone free of its socket. When she releases it, the limb flops listlessly to the ground, hanging as if it were made of rubber. She bends over, bringing her face close to his, and licks her lips.
"You sure you want to put something in my mouth, big fella? Hope you don't mind if I use my teeth!" Her lips peel back, baring long, wicked fangs that shine bright in the dark alley.
Sal's eyes bulge until it seems certain they will escape his face. His hard-on is long gone and forgotten. All he can do is whimper like a small child. "No, no, no, please, no, God no...."
This is going to be so gross, Poe thinks as she forces his head to the side, exposing his neck. Her blood courses hot through her body, carrying in it a sickness that threatens to consume her if she does not feed. Her hunger wins out over her revulsion. She closes her eyes and, with the swiftness of a snake striking, buries her fangs in his neck.
© 2003 Austin Hale
In the shadow down the hall
O you were a vampire
And now I am nothing at all.
-Concrete Blonde, Bloodletting (The Vampire Song)
Sal Colletti walks down the dark street, his threadbare winter coat wrapped tightly about him. He can't sleep, not with the police stomping around in the apartment above him. Stupid little bitch probably pissed somebody off with that attitude, like she's too good for anybody, he thinks. Probably wouldn't put out or something.
Sal is mostly bald, curly black islands above each ear the only remnants of what was once a thick head of hair. His ample gut hangs over his belt, and in the last few years he's developed a wicked set of man-tits. His arms and legs are spindly and awkward looking, out of place on his keg-shaped torso. He was handsome once, when he played third base and captained his high school baseball team to state semifinals. That was long ago. There are no mirrors in Sal's apartment -- he prefers to remember himself that way, wiry, long-haired, a rebel in blue jeans and square-toed engineer boots. From time to time he catches a glimpse of his true form on the face of a woman on the street or at the market, sometimes in a snide smile or a disgusted shake of the head, but most often in the way their eyes just pass him over like discarded trash.
Tonight Sal wanders down Piccine Street, his eyes flicking predatorily from side to side. He can usually find a hooker down in this part of town, a cheap one with glassy, drugged eyes that couldn't give a




It's late when he finds a suitable girl. His requirements are that the girl be young and alone. He doesn't want to deal with any pimp. A pimp might take offense if Sal underpays or stiffs his girl, and might get more than a little hot under the collar if Sal roughs up the goods. No, Sal prefers to work with independent contractors. And man if this one isn't something else.
She's walking down the street toward him, tall and thin, her head turned down so that long black hair falls over her face. She's wearing a long black overcoat, but it's open, and underneath she's got on a short black skirt and a half-shirt. She's all legs in sexy black calf-high boots. She has some blood and dirt on her shirt, what looks like a nasty red scar across her stomach, and when she looks up he sees a shiner raised under one eye. Sal smiles. Asian, he thinks with great pleasure, and she likes it rough, by the looks of her. This is going to be fun.
"Hey, you wanna party?" Sal's breathing is heavy as he asks, his hands squeezing into balled up fists inside his coat pockets, opening, closing again. It's freezing, but he's sweating fat beads of perspiration that roll down his head and nose. "You wanna date?"
The girl lowers her head again, mutters something beneath her breath, and keeps walking. Sal feels his cheeks growing hot, his heart beats loud in his ears, and his fists clench together tight enough that his fingernails draw little bloody half-moons in his palms.
"What did you say, bitch?"
The girl stops and lifts her head slightly, her hair falling to the side so that one gleaming eye is revealed. "Loser. I said what a




Carol spoke to him like that once, just one time, and he had put her in a hospital for three months. If the bitch hadn't taken out a restraining order and moved back in with her folks (her old man was a hardass vet with a gun collection that some third-world militaries would envy), Sal might have finished the job. Thoughts of his ex-wife cause a rage to well up inside Sal, a hot cacophony of hate drowning out rational thought.
The girl turns down a side alley. Sal knows it's a dead end. He's breathing hard, full of hateful lust. He marches down the alley after her and grabs the girl by her arm. With his other hand he grips the cold steel of his butterfly knife, bringing it out for the girl to see.
"You see this, bitch?" he asks, his face pressed close to hers.
"Ugh. Watch the breath, pig, you smell like a garlic factory." She giggles. "Thank God all the legends aren't true."
Sal is now angry beyond reckoning, and he twists the girl's arm around behind her back, forcing it up hard enough to break it. "You goddam lippy little slut, you are going to get down on your knees and you are going to take what I give you in your mouth, or I swear I will cut your








Suddenly her arm is twisting beneath his grip, wresting his arm around with amazing strength and wrenching it until a gruesome splintering sound erupts in the alley. The knife clatters to the ground. Sal is screaming and his pants are growing dark with a spreading pool of piss. The girl places her free hand on his shoulder, forcing him to his knees, and with the other hand pulls his shattered arm high and twists it around, tearing the bone free of its socket. When she releases it, the limb flops listlessly to the ground, hanging as if it were made of rubber. She bends over, bringing her face close to his, and licks her lips.
"You sure you want to put something in my mouth, big fella? Hope you don't mind if I use my teeth!" Her lips peel back, baring long, wicked fangs that shine bright in the dark alley.
Sal's eyes bulge until it seems certain they will escape his face. His hard-on is long gone and forgotten. All he can do is whimper like a small child. "No, no, no, please, no, God no...."
This is going to be so gross, Poe thinks as she forces his head to the side, exposing his neck. Her blood courses hot through her body, carrying in it a sickness that threatens to consume her if she does not feed. Her hunger wins out over her revulsion. She closes her eyes and, with the swiftness of a snake striking, buries her fangs in his neck.
© 2003 Austin Hale