GMing as Fine Art

From the threads that have popped up about player entitlement versus DM control of campaign options over in the D&D forums, I've come to a conclusion:

I see my GMing as fine art, not commercial art nor event hosting.

Thinking of how you have experienced role-playing (any system) as a player and/or GM, is this a highly unusual approach? As a player, are you happy about your DM taking such an approach, does it bother you, or does it all depend on the game/campaign/story/group?
 

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Bagpuss

Legend
I see my GMing as fine art, not commercial art nor event hosting.

I'm not sure how you come to that conclusion. Sure it is closer to fine art than commercial art, but I don't think many people will recognize it as art.

art: the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

While it is an expression of imagination, and involves some skill, I don't think GMing is normally produced primarily for it's beauty or emotional power, and I think it would worry me if it was.

Thinking of how you have experienced role-playing (any system) as a player and/or GM, is this a highly unusual approach? As a player, are you happy about your DM taking such an approach, does it bother you, or does it all depend on the game/campaign/story/group?

I think it depends on what you mean by a fine art approach. To me it sets of some alarm bells. I'd worry it is more focused on the GM's vision, rather than player involvement and enjoyment. Sounds like more of a show piece than something willing to evolve with player input. Fine art sounds generally more serious than most games I would enjoy, not that I don't enjoy serious games, just not when it is forced.
 

Quickleaf

Legend
I'm reminded of the great intro clip on Tony Diterlizzi's website where he says "Art! What is art? ...I don't know, but here are some pictures you might like!"
 

Umbran

Mod Squad
Staff member
I see my GMing as fine art, not commercial art nor event hosting.

Thinking of how you have experienced role-playing (any system) as a player and/or GM, is this a highly unusual approach?

Yes. I know of no other game master who has a... high enough opinion of their work to consider it "fine art". It seems, well, a tad arrogant, I'm afraid.

As a player, are you happy about your DM taking such an approach, does it bother you, or does it all depend on the game/campaign/story/group?

I think that if the GM is thinking of their own work in that way, *separate* from the entire gaming session being fine art, there is a major problem.
 

Umbran

Mod Squad
Staff member
While it is an expression of imagination, and involves some skill, I don't think GMing is normally produced primarily for it's beauty or emotional power, and I think it would worry me if it was.

I've seen a lot of GMing that was done for purpose of emotional power. Heck, I yank character emotional strings most chances I get. I was in a larp a few weeks ago, where I was an NPC in a nightmare scene intended to evoke the horror of abandonment. And I'm told we were good enough to make the player lose sleep that night.

But I think "fine art" as colloquially used has some connotations that don't apply to the largely amateur productions most of us have. A ballerina who has made dance her life for years can produce fine art, but I know of no game master who puts in the time to hone themselves to a similarly fine edge of artistry.

Art? Maybe. Fine art? No.
 

Ovinomancer

No flips for you!
Yes. I know of no other game master who has a... high enough opinion of their work to consider it "fine art". It seems, well, a tad arrogant, I'm afraid.

I think that if the GM is thinking of their own work in that way, *separate* from the entire gaming session being fine art, there is a major problem.
[/quote]
I think you have a misconception on what 'fine art' means (but then so does the OP) -- it's not a value statement at all. And the summation of your post is just to contest what you considered to be a value statement about the OP's opinion of his own performance, a performance you have no information on. Not sure that's exactly friendly.

As to the OP, a fine art has a few accepted definitions, most of which would be greatly stretched to accommodate running a game. I think performance art or applied art is better suited to his intention, but I could be misunderstanding his intent. That said, I disagree that the GM is the provider of the art and instead think that it's an entirely collaborative affair among the GM and the players. Each has different roles and abilities to affect the outcome of the performance, but they aren't separable performances. I also consider a role player game to be an unique niche of performance art where the performers are also the consumers of the art, which makes each performance tailored specifically to a unique audience meaning that they rarely have the same level of effect on a wider audience.
 

Wicht

Hero
My first reaction on reading the original post on Wednesday was, if DMing was to be compared to an art form, then I would consider good DMing to be "Commercial Art."

Having thought about it more for a couple of days, I still think that. What you are producing as a DM should be for the consumption of others. Sure, there should be some personal satisfaction in what you are doing, but in the end, the goal is to give something to the players.

Commercial art is defined as the art used in selling, or advertising. What you are selling to the players is an experience. You are attempting to persuade them to invest time, energy, emotional energy, and thought into a world and scenario that you are creating for their enjoyment. In the end, if the players don't buy into what you are selling them, the experience is not a good one.

Fine art, on the other hand, is defined as art done simply for the sake of its own aesthetic. While the entire gaming experience might produce such a thing, I am not sure that I would enjoy playing with a DM who was trying to do some sort of performance art where the DMing itself was the thing to be admired.
 

Let me start by clarifying what I mean.

By fine art I'm referering to art created for its own sake, and particularly implying the motivation being the artist's personal vision rather than other considerations. I'm not saying that fine art is necessarily incompatible with other artistic considerations, however, just that it isn't dependent on them, and that they are optional. I'm also not making a quality judgment on my work or anyone else's, I'm contrasting different types of art. I also hate implied limitation of fine art to visual mediums (not that anyone on here was actually implying that). It's an antique conception. I consider film-making, creative writing, and performance arts as candidates for fine art. Even culinary art can be fine art.

I'm contrasting it with commercial art which is created (often at the direction of another) with the primary intention of being sold or otherwise profited from. A commercial artist creates to the needs of the market, not necessarily to a personal vision. A work of commercial art might be created as a perfect expression of the artist desires and vision--the happy situation where the possibilities of the market (commercial art) and the personal drives of the artist (fine art) happen to coincide. Commercial art can also be done apart from any personal vision, purely because it will sell (you need to eat). Commercial art can still be enjoyed and feel like it comes from the artist. Sometimes it is purely a job, but hopefully more often than that it is an enjoyable experience.

I bring up event hosting as a third possibility, specifically in connection with GMing. Event hosting is about accommodating to the needs and comfort of the attendees--making the experience the best it can be for them. It is similar to commercial art in focusing on a goal other than the art itself.

The way I see my GMing is that I am a creator and/or presenter of a world springing from a personal vision intended to produce certain aesthetic experiences in players and myself as we explore a shared imagination environment.

So that's what I mean by fine art versus commercial art or event hosting.

I'd worry it is more focused on the GM's vision, rather than player involvement and enjoyment. Sounds like more of a show piece than something willing to evolve with player input.

Yes and no. It absolutely is created to focus on my vision. Just like a painting or a song created without caring whether it sells. I invite players that I think will enjoy it, and give them enough information to decide if they want to try out the experience.

Fine art sounds generally more serious than most games I would enjoy, not that I don't enjoy serious games, just not when it is forced.

Fair enough. I wouldn't consider it forced, because my players know I have a strong vision for my games. I have more potential players than are able to be accommodated in one game, so I see who is interested in what, and invite the players that seem interested in the particular game. So I already have buy-in before they ever get there--and then we have a session 0 to make sure they are still interested.

I'm reminded of the great intro clip on Tony Diterlizzi's website where he says "Art! What is art? ...I don't know, but here are some pictures you might like!"

His Planescape art strikes me as phenomenally excellent commercial art with a dash of fine artistic vision. He created it (I assume) primarily to meed the business needs of TSR, but his personal vision is clearly evident (unless he was told how to make it look, which I doubt).

Yes. I know of no other game master who has a... high enough opinion of their work to consider it "fine art". It seems, well, a tad arrogant, I'm afraid.

See definitions above.

I think that if the GM is thinking of their own work in that way, *separate* from the entire gaming session being fine art, there is a major problem.

The entire gaming session most definitely can be fine art--and could probably even be so if the GMing was more commercially oriented (running something people will actually show up to play) or hosting oriented (focusing on making sure people have a good time hanging out, regardless of what gaming happens), if the players were really good at making that happen. Regardless of the GM's angle, some of the most rewarding experiences can be when your players really engage with the world. It's pure delight getting to see your players role-playing in-character as they are talking about and trying to figure out what is going on in your world, treating it as real.

I've seen a lot of GMing that was done for purpose of emotional power. Heck, I yank character emotional strings most chances I get. I was in a larp a few weeks ago, where I was an NPC in a nightmare scene intended to evoke the horror of abandonment. And I'm told we were good enough to make the player lose sleep that night.

Indeed! I would even assert that the standard mantra that we are there to "have fun" isn't entirely accurate. Although we are present to have a positive experience (hopefully), it seems to me that there are valid expressions of positive role-playing that aren't accurately described as "fun."

I once made a print out of (abbreviated) forms that the PCs were expected to fill out in a D&D game at the uber-beuracratic Fortress of Disciplined Enlightment on the order-saturated plane of Mechanus. I designed the forms to resemble the annoying forms we all have to fill out in real life--requesting the same information in more than one place, redundantly stupid questions, etc. The goal was to allow players to feel the irritation and annoyance of having to go through this crap. To preserve player sanity, I abbreviated it with "..." in places, and it was only a few double-spaced pages, although numbering suggested it was many, many pages longer. Hopefully it was balanced well enough. None of the players complained much or rage-quit.

As to the OP, a fine art has a few accepted definitions, most of which would be greatly stretched to accommodate running a game. I think performance art or applied art is better suited to his intention, but I could be misunderstanding his intent. That said, I disagree that the GM is the provider of the art and instead think that it's an entirely collaborative affair among the GM and the players. Each has different roles and abilities to affect the outcome of the performance, but they aren't separable performances. I also consider a role player game to be an unique niche of performance art where the performers are also the consumers of the art, which makes each performance tailored specifically to a unique audience meaning that they rarely have the same level of effect on a wider audience.

Yeses and noses.

I didn't bother with distinctions such as performing or applied art. More granularity than I'm aiming at. Performance could be either fine are or commercial art by the definitions I'm using.

A GM who creates a world provides an artistic imagination environment (much like a painting in nature). I don't think that element of the art needs to be collaborative at all, though it certainly can be (as with songwriters).

Once you present the world to the players, you now have a collaborative artistic experience that grows out of the first not-necessarily-collaborative experience. In the actual running of the game it would be impossible to have a non-collaborative experience.

Now, the GM's immediate contribution to that collaborative artistic experience (we're assuming artistic goals) can be either commercial art or fine art in nature. If he/she tailors the experience to the players or PCs, it is fine art, while if he tailors it for the players it is commercial art.

Just like some people prefer different music or other forms of art, people are going to prefer different gaming experiences, so some people's music is another person's noise. If you are going for a fine art game, you make sure to invite people who you think will appreciate it, otherwise it isn't going to be a good experience for anyone.

My first reaction on reading the original post on Wednesday was, if DMing was to be compared to an art form, then I would consider good DMing to be "Commercial Art."

Having thought about it more for a couple of days, I still think that. What you are producing as a DM should be for the consumption of others. Sure, there should be some personal satisfaction in what you are doing, but in the end, the goal is to give something to the players.

If no one is there to experience the world and story elements you have created, it can't really reach it's potential for enjoyment, but that is a separate consideration than the intention of the work.

Commercial art is defined as the art used in selling, or advertising. What you are selling to the players is an experience. You are attempting to persuade them to invest time, energy, emotional energy, and thought into a world and scenario that you are creating for their enjoyment. In the end, if the players don't buy into what you are selling them, the experience is not a good one.

Of course.

Fine art, on the other hand, is defined as art done simply for the sake of its own aesthetic. While the entire gaming experience might produce such a thing, I am not sure that I would enjoy playing with a DM who was trying to do some sort of performance art where the DMing itself was the thing to be admired.

I'm not intending "GMing" to refer primarily to running the game. I probably should have been clearer. I'm using it very broadly to include everything from initial concept and world creation to running the game. In actual play the art isn't a DM performance, it is a collaborative artistic experience.

With commercial art you create a world and scenario aimed at certain players or certain types of players. Then you create a collaborative artistic experience with the players as you play the game. It is a success if they enjoy it, and a failure if they don't.

Fine art is creating a world and scenario out of a personal vision, and unless you are very anti-social it is one that you hope some others will also appreciate. If you find others who do appreciate it, you can have a great collaborative artistic experience playing the game. If you fail to find others to appreciate it, it doesn't necessarily mean the art has failed. It might just mean it hasn't reached its audience (like hating a concert others love).

I actually enjoy DMing games as commercial art (or just mindless fun on occasion). I also enjoy DMing as fine art, and I feel like it is a rather neglected or maligned style nowadays.

I think if people gave it a try they might find they liked it once they found the right game.
 

Umbran

Mod Squad
Staff member
I think you have a misconception on what 'fine art' means (but then so does the OP) -- it's not a value statement at all.

See previous statement about *colloquial* use. Thanks.

But, to play this game, I go to wikipeida, on "art":

"The second, and more recent, sense of the word art as an abbreviation for creative art or fine art emerged in the early 17th century. Fine art refers to a skill used to express the artist's creativity, or to engage the audience's aesthetic sensibilities, or to draw the audience towards consideration of more refined or finer work of art."

The emphasis is mine - some consideration of the value is present in the definition.
 
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Campbell

Relaxed Intensity
From where I stand GMing should not be about art, fine or otherwise. I don't think GMs should view their players as an audience primarily. We should not be creating content for them to consume. We should provide a play space that provokes reaction and allows them to play a game where what they do matters more than anything else. What happens away from the table should never be more important than what happens at the table. There can and should be an element of artistry and design in the creation and maintenance of that play space, including compelling emotional situations that affect the players.
 

Umbran

Mod Squad
Staff member
By fine art I'm referering to art created for its own sake, and particularly implying the motivation being the artist's personal vision rather than other considerations. I'm not saying that fine art is necessarily incompatible with other artistic considerations, however, just that it isn't dependent on them, and that they are optional. I'm also not making a quality judgment on my work or anyone else's, I'm contrasting different types of art.

Fair enough. You might also want to include "applied art" in your consideration. If we take fine art to be art for art's sake, and commercial art to be art for profit, we may also have applied art - art that also serves another purpose. A really elegant chair, for example, might be applied art. It may be aesthetically pleasing, but also has a purpose as something to sit on. Profit from sale may not have been a consideration, but being a decent chair was.

A game, then, may not be art *only* for the sake of art, but also have another purpose, and thus be applied, rather than fine.

Even culinary art can be fine art.

Or, perhaps that is another example of applied art. I suppose it could be considered fine - as might appear in a "modern cuisine" restaurant where the dish is presented in a tiny portion to taste, but not expected to be a filling meal. Your excellent Thanksgiving dinner would be applied art - it most definitely is supposed to be a filling and nutritious meal.

I bring up event hosting as a third possibility, specifically in connection with GMing. Event hosting is about accommodating to the needs and comfort of the attendees--making the experience the best it can be for them. It is similar to commercial art in focusing on a goal other than the art itself.

I suppose, as this fits into my "applied' category. In that case, I could never be a fine art GM. I cannot just disregard the experience of the players for the sake of my own artistic vision.

The way I see my GMing is that I am a creator and/or presenter of a world springing from a personal vision intended to produce certain aesthetic experiences in players and myself as we explore a shared imagination environment.

If it is a shared imagination environment, then you are not the sole creator with a personal vision. The sharing means ownership and vision are distributed.

Indeed! I would even assert that the standard mantra that we are there to "have fun" isn't entirely accurate. Although we are present to have a positive experience (hopefully), it seems to me that there are valid expressions of positive role-playing that aren't accurately described as "fun."

You ever experience or read about "Nordic" larp? In some Nordic games, they have what is known as the "two week rule" - any physical injury to a participant that will heal within two weeks is fair game - so, for example, slamming a guy's head into the wall is okay, so long as you stop short of giving him a concussion, or breaking bones. I can certainly see how that might feed into an experience that isn't actually for "fun" in the normal sense of the word.

I'll stand by it as a pretty valid generalization for EN Worlders, though.
 
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Wild Gazebo

Explorer
duchamp.fountain.jpg

A la Rrose Sélavy
 

Ovinomancer

No flips for you!
See previous statement about *colloquial* use. Thanks.

But, to play this game, I go to wikipeida, on "art":

"The second, and more recent, sense of the word art as an abbreviation for creative art or fine art emerged in the early 17th century. Fine art refers to a skill used to express the artist's creativity, or to engage the audience's aesthetic sensibilities, or to draw the audience towards consideration of more refined or finer work of art."

The emphasis is mine - some consideration of the value is present in the definition.

Hey, sure, if you want to play narrow semantic games, I guess you've enough of a fig leaf there to justify your telling Sword he was just wrong in his assessment of his games that you don't know anything about. I stand corrected, and apologize for failing to see the narrowly construed meaning that you were using.

(I see that you lampshaded your construction with the word 'colloquially', but you haven't really done any work to show this is true (you just assert it), so that's really not a good argument. Especially since you had to go to the third 'or' in the second definition on wiki to find something that looks close to the way you used the word (further discussion on what 'or' vs 'and' means in a definition is omitted). So, your usage wasn't really very 'colloquial.' Perhaps you mean 'colloquial' to mean 'what I thought the word meant?' In that case, sure, you used it very colloquially.)
 

Umbran

Mod Squad
Staff member
Hey, sure, if you want to play narrow semantic games...

Or, if I just want to be clear about what I meant. I recognized that the OP had not fully clarified what he meant - the term has many definitions, and so some discussion of semantics were going to be necessary. I was being clear so we would know if we were talking past each other. The OP seems to have gotten that, and it seems to me we've gone on to be constructive.

So, how about you step away from the accusative stance, and let us talk about game as art, hm?
 

Ovinomancer

No flips for you!
Or, if I just want to be clear about what I meant. I recognized that the OP had not fully clarified what he meant - the term has many definitions, and so some discussion of semantics were going to be necessary. I was being clear so we would know if we were talking past each other. The OP seems to have gotten that, and it seems to me we've gone on to be constructive.[\quote]
I apologize, again. We must have read different threads, and the one I thought I had read had you in your first response dismissing the OP as wrong without any semantic discussion of the meaning of fine art. My bad?

So, how about you step away from the accusative stance, and let us talk about game as art, hm?
I wasn't aware I had any power to prevent you from taking about anything. I promise to only use it for good!

I had just misread the thread as you issuing a blanket dismissal of the op and then retreating behind semantic arguments so you didn't have to acknowledge or apologize for your own accusative stance. I see now that it's I that have the accusative stance and I that have erred. I'll mark this down as a learning experience. Thanks for your patience.
 

Guys, guys, let's cool off here. I haven't taken offense at anyone's remarks. Now, bewilderment that few seem to enjoy the idea of playing a game created as fine art--definitely. But not offense. :)
 



Umbran

Mod Squad
Staff member
Now, bewilderment that few seem to enjoy the idea of playing a game created as fine art--definitely. But not offense. :)

Well, of course, not. Because, as previously noted, creation of fine art is not undertaken for the enjoyment of the artist. If we were to undertake an RPG as fine art, our primary motivations should be, as you say, to evoke aesthetic or emotional experiences in the players (and, if we are considering this a shared effort, perhaps in ourselves as well). Our enjoyment is at best secondary to the experience of the art.

So, maybe the bewilderment at how few of us enjoy the idea is a bit aside the point. Maybe you should ask why so few of use feel the desire, drive, or need to have this as an art experience first. Because, of my artist friends, that's what they refer to - they don't talk about how they enjoy making art. They talk of the internal *need* to make art. Many authors speak, for example, not of how they enjoy process of writing, but that they have a story that *needs* to get out.

I have had some artistic experiences that have really struck home as art - a few of dance, some music, a couple of notable theatre pieces. And, the level of craft in each was exceptional. I think part of the colloquial connection between quality and "fine art" is that, for the experience to really strike home, the quality of the piece, and therefore the skill of the artist, typically has to be very high. That communication isn't easy. I don't know if many artists would claim to have done it in a casual manner. It is, for lack of a better phrase, kind of serious business.

Now remember that most of us are doing this in our spare time, often as one of the major social gatherings of the week or month with our friends. We've had a lot of serious business with our day jobs, our financial concerns, our families - we probably aren't in a space where yet more serious business is called for. That's what makes it a hobby, instead of a personal calling to make art, I suspect.
 


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