The cast:
The Impressario: The gnome conductor owns the theater, although he draws from other musicians when the needs of the business or rehearsals take precedence. It's the 100th anniversary of the theater and he's running it's very first play: Tristan and Isolde. He's convinced that he can make the PC into a star, despite her being a mezzo soprano instead of a soprano.
• The Ingenue and the Aging Battle Axe are both upset with him over this casting choice (as he will admit with a Diplomacy check.)
• That play has a reputation akin to MacBeth. (bardic knowledge check)
• The theater and the Impressario are in financial difficulties. (This can be uncovered with a Gather Information 15 check in the right underworld circles, a GI 25 elsewhere, a Search check on the reviews and news coverage, or with a Sense Motive DC 26.) The money troubles motivate his unusual casting of the PC against vocal type and his PR use of her heroism.
• The Swan Street Slicer murders are dragging down sales. (Gather Info 10 results in idle conversation with box office gossip.) Success here gives +2 circumstance bonus to uncovering financial difficulties.
• The head of the Halfling Benevolent Association, placed a halfling child impersonator in the cast to keep an eye on things. If the show's going to bomb, he'd want to know about it before it happens. That loan will come due after the end of the big run.
• The Impressario will push to keep the theater open at all costs. The Show Must Go On!
The Aging Battle Axe: Hates you. This diva understudies for the PC and is pissed about it. "Stay out of my light and do exactly what I tell you, dear, and we'll get along fine." Hates the Ingenue for reminding her of her glory days and the PC for being an upstart. Will upstage, undermine, and sabotage the PC, who’s yet another threat to her fading career. In a rocky relationship with the Avuncular Drunk, but blames his infatuation for the Ingenue for breaking it up. (Her shrewishness and his drinking played bigger roles.) She causes a scene over the Maid-King love scene.
The Ingenue: Plays the maid who ends up sleeping with the King. Dislikes the PC because "That part was mine!" Otherwise, a trifle air-headed and vulnerable to the blather of anyone who praises her. Thinks the PC is simply an annoying bit of hucksterism by the Impressario that will not seriously block her career. Thinks this murder mystery is about framing her. “It’s all about me! Me, me, me!”
• Not a killer, but a motivation for killing: she creates backstage drama by sleeping around. Diplomacy among the main cast reveals rumors of her casting couch session with the gnome Impressario to escape being an extra, her rejection of the Lech, her October-May affair with the Avuncular Drunk and resulting blow-ups with the Aging Battle Axe, and her current affair with the Method Actor. A Gather Info check among the stage-hands finds her canoodling with a handsome extra behind the Method Actor’s back. A Gather Info check among the musicians finds rumors that Gorsky believes she’ll never be a star. A Gather Info check among the extras finds that she’s a believer in the Method, which she isn’t but they believe she is.
The Bore: Plays Kerwenal, the servant of Tristan. Voice of an angel but with the personality of wet cardboard off-stage. Believes in the Method, not that he advocates for it. Recently elevated to Kerwenal role, a lucky break for the Method Actor, which gives him credibility among the extras.
The Lech: Plays the Melot role, who kills Tristan and is second in line to the throne. Initiates on-stage "touch attacks," if you get my drift, depending on female actresses not wanting to ruin their performances. Sees something later while spying on women changing through a hidden hole in their dressing room. Was rejected by the Ingenue even though she slept her way up to rise from the ranks of the extras. Dies to prevent him from telling what he knows.
The Avuncular Drunk: Plays the King who marries Isolde and sleeps with her maid. He’s on the wagon until the curtain rises, at which point the stage hands start to frantically try to find his hidden bottles of liquor. He had been sleeping with the Ingenue, which wrecked his on/off again relationship with the Battle Axe, as it enraged her. Thought of the Ingenue as a sweet girl in need of saving from herself, especially from her poor choices with the Method Actor, who he sees right through.
The Method Actor: Plays Tristan. "I have to use my fear of these horrible murders to get into my character..." Major interests seem to be advancing his career, advancing his theory of the Method[2], and advancing you into his bed. Think Donald Sutherland in Animal House. He’s not above using his body to convert actors or actresses to his beloved Method style of acting. He will make a pass at the PC. Overconfident in his ability to pull off the role of a lifetime. Knows about the ghost stories around this play and this theater and figures to use it as cover. Knows that any artistic failures will be blamed on the Impressario and the PC.
• He kills the Avuncular Drunk and the Aging Battle Axe off because he’s starting small and everyone has motive to kill her and/or want him out of the way. Subsequent victims should be chosen based on their roles and their order will depend on the opportunities presented by their daily routines. Understudies should all have ironclad alibis for their main's demises, as the plan goes kaput if the Method Man's proteges are arrested for murder instead of getting to step into the roles.
• But if he finds out about the HBA-Impressario connection and is not feeling pressure, he’ll start blackmailing the gnome to cast his people, threatening to tell his other investors of his true financial position or to inform to the HBA about how badly rehearsals are going. He’d offer himself as the solution to Finn, never realizing the danger or admitting the possibility of being wrong about his acolytes. If he finds out and he’s feeling pressure from the PC’s suspicion, he’ll kill the Impressario hoping to push attention on the HBA.
• The Method Actor is murdering to advance his artistic agenda: he kills people based not on who they are, but based on who their backup is. If their backup has been converted to The Method, then he tries to advance their career....
Aasimar costume designer and stage manager: Tall, shock of blonde hair, trimmed close to scalp, violent eyes. Disowned due to wasting his talents in the theater, but, it’s in his blood. Totally devoted to the Impressario, who’s pulled the theater through worse troubles than this one and brought culture to pirates. Self-conscious in front of strangers. Has actually seen the ghost and is terrified of her. Secret: sleeps with one male stage hand or musician each season and only for that season. “Oh no you di-int!”
The Disgruntled Stage Hand: An actor who got fired for a poor performance and is now gleeful that his performance as a stage hand is so masterful. Hoping to ruin the theater. If there is dirt, backstage, he will spill it to the worst party possible.
The Ghostly Composer: The original elvish female composer comes back to watch performances of Tristan and Isolde. When pleased with performances, one sees her as she was, a “well-preserved” old lady. When angered by talentless hacks, her hair blows in a non-existent wind, her face partially rots and her eyes enlarge and flash. In the past, invariably one or two deaths occur, either due to a person fleeing from her frightful moan into an accident, her telekinesis causing something to fall on someone or hit them, or dying of “stage fright” from her withering gaze. Protecting the legacy of her masterpiece is her sole motivation. Her presence may precipitate deaths by heightening the emotions that lead to it, but ultimately she wants the show to go on. Might very well target the PC if the PC fails perform checks during rehearsals frequently. If the PC needs help, she might provide information or direct combat aid if the Method extras are not working out. She will do what is necessary to protect her masterpiece.
• A GI check 10 reveals ghost tales and speculation that it’s the composer, a neglected extra, or the spirit of an anguished Ingenue seduced and abandoned. Told in a manner of kidding around, theatrically, or to scare the Noobs and extras.
• A Search check 20 of the archives of a good temple’s library or a Diplomacy 15 of the gossip or the drunk leads to the knowledge of a ghost. Every 5 by which this succeeds, reveals an extra clue: never someone with good reviews, death by a panicked flight through the theater, death by accident (a falling axe), or a visiting performer who died of stage fright before her first performance. There’s also more than a few reports on backstage drama in EVERY performance.
• Each week of rehearsals, have the PC make perform checks with an unannounced DC of 28. The Ghost starts with an attitude of Indifferent, having not made up her mind. Each failed check moves her attitude one spot worse, with successes improving her mood. A hostile reaction or any critical failure will cause the Ghost to start targeting the PC.
• A helpful attitude will cause her to manifest and offer aid to the PC. The PC can win her assistance by persuading her to view the new arrangement as the highest possible compliment, but could also push her over to the dark side by offending her, so that the outcome of the investigation depends on her capacity to understand and communicate with her. The ghost’s Sense Motive score is +0; due to her devotion to art and imagination, she doesn’t have much real-world experience.
The Gnome F/X Coordinator: Gnome illusionist responsible for all the strange noises, fog, illusions, etc. Thinks its funny to try and get the actors to break character during rehearsals.
The Child Impersonator: This halfling child impersonator has been assigned to keep an eye on things for the head of the Halfling Benevolent Association. If the show's going to bomb, he'd want to know about it before it happens. That loan will come due after the end of the big run.
• Seeing through the disguise requires a Spot 22. Clues to real identity include: Perform (sing) +0 skill (although he is a good actor, he’s got a thin, reedy voice) and he has to re-roll his Disguise +12 when around cards at a -2 modifier due to his addiction to gambling. This is how the Method Actor knows his real identity.
• The PC might have the good luck to meet another child understudy, Rajya, who knows the real Timothy on sight, as he belonged to an Easterners rival group of kids until recently. “He used to pull her hair and throw rocks, but otherwise he was kinda nice. You know. [Nods]” If pressed, she gives a story that starts in the middle, rockets right to the beginning, then off-handedly mentions the end.
• The Child Impersonator is nearby or one of the first on the scene for every death and, therefore, a suspect, once the HBA connection is turned up. After a few murders, he’s seen the murderer in action and is on his way to impart this knowledge to the HBA when he is killed in a hasty improvisational way to prevent the giving of evidence.
The Fight Master: Frequent lines: “What’re you doing?” and “Do me a favor: shut up and watch.” This ex-mercenary owner of Otto’s Magic Shop in the bad part of town is brought in to choreograph stage fights. He's a retired adventurer who loves stories, but has charisma as his dump stat. Hence the reason he's selling magic weaponry in the red light district. He does this gig for the lucre and the free tickets to the opera. The connection to the bad part of town and his personality makes him a red herring.
• Old man, grizzled face, crew cut hair, sinewy gristle for muscles. Always wears a breastplate +3 and carries an bastard sword +3 (45’ radius light). In stage fight rehearsals, he’ll use a dulled stage weapon, for an AC 18 and an attack at +12. Assume he has every weapon fighting trick but the power attack ones.
The Box Office Gossip: Full of gossip, utterly sunny disposition, natters on. “My father was a sailor, but I got started selling lemons on the dock 65 years ago when someone offered me money for one of me lemons, for more money than I ever had, and well, let me tell you, I marched right back and bought some more fruit and sold that and eventually I needed to have Balthazar haul around the fruit until he died. Who was Balthazar? He was a donkey and let me tell you…”
• The Swan Street Slicer is dragging down sales. (Gather Info 10 results in idle conversation with box office gossip.) Success here gives +2 circumstance bonus to uncovering financial difficulties.
• A GI check 10 reveals ghost tales and speculation that it’s the composer, a neglected extra, or the spirit of an anguished Ingenue seduced and abandoned. Told in a manner of kidding around, theatrically, or to scare the Noobs and extras.
• Possible murder victim because her Spot and Listen scores are +10 and +12. Might not tell what she knows until it’s too late, because she got the after-hours info when she was skimming a little pocket money off the receipts, as she does each night.
The cop: The city's cops are distracted by the Swan Street Slicer (a serial killer targeting the aristocracy, as in the great Dungeon adventure, “Shut In”). They're not likely to send their best man. Someone Lawful is assigned to this case because he's low in the cop hierarchy and thus not trusted with the top case in this corrupt town: the manhunt for the killer of the aristocracy. Play him as a thorough, methodical, unimaginative drone. If the PC succeeds in unraveling this plot, then she gains a low-ranking ally who will rise after the Cult’s demise. A competent, trust-worthy within limits contact.