Those who go bounding (or walking, or striding) down the steps can see what Ohm sees, the stone figures around the spring, the crystals surrounding the flow.
Ohm, you walk around the room, examining things closely. The statues are incredibly detailed, but given the oddly primitive nature of construction in this place, they look almost too perfect. While you have seen sculptures formed with metal tools that look flawless before, there are odd little marks in a few places on the statues, like the subject had scars. Why would an artist, having gone to the trouble of making statues for a place that seems to be very important, add scars and flaws to their work? It almost looks like the beings could just walk away, if they hadn't been cool and entirely stone-like to the touch.
The upwelling spring itself smells of salt and earth with an odd organic tang. It reminds you of what sailors say the sea smells like. The light is too far down for you to investigate by mundane means, and the flow of the spring is quite violent, too much so to touch safely.
Ohm, you walk around the room, examining things closely. The statues are incredibly detailed, but given the oddly primitive nature of construction in this place, they look almost too perfect. While you have seen sculptures formed with metal tools that look flawless before, there are odd little marks in a few places on the statues, like the subject had scars. Why would an artist, having gone to the trouble of making statues for a place that seems to be very important, add scars and flaws to their work? It almost looks like the beings could just walk away, if they hadn't been cool and entirely stone-like to the touch.
The upwelling spring itself smells of salt and earth with an odd organic tang. It reminds you of what sailors say the sea smells like. The light is too far down for you to investigate by mundane means, and the flow of the spring is quite violent, too much so to touch safely.