Vigilance said:
So what you're saying is, Lucas isn't perfect? I agree.
Not just that he's not perfect. No one's perfect. My issue with Lucas is that he doesn't know his own limitations as a filmmaker and that this lack of self awareness has resulted in "subpar" films.
However you have to take the good with the bad. Lucas is what he is as a director and has CLEARLY decided he wants to helm his "baby" the rest of the way into drydock.
And scuff up the hull on the way in.
This is why Siskel and Ebert chose thumbs up or thumbs down as their way of judging movies, rather than stars.
Actually, I suspect this is as much an issue of marketability (c'mon, what's easier than a thumbs up or down?). Besides, the value of their "ratings" come from the conversations they have, not the "vote."
No movie is perfect, and it either succeeds or fails, despite its flaws and because of its strengths.
No, no movie is perfect, but some films come closer to succeeding than others. I think that the flaws in the prequels result in C work on average than anything else. While I enjoy the films, I am very aware of the flaws on the first viewing. This is
never a good thing IMO.
In my opinion, the Star Wars movie definitely succeed, and millions agree.
I don't know that millions agree. As I've said before, SW is a cultural phenomenon and a spectacle. People watch it because of the hype, not necessarily because it's great movie making.
Batman and Robin.
Knowing that Lucas intends to make the movie, and knowing what his strengths and weaknesses are, it seems silly to complain about them again and again. You knew going in what the movies were going to be like.
Not a complaint on my part as much as it's an issue of focusing on what has kept the films from being critical successes rather than monetary ones. Furthermore, I don't know that I'd agree with the idea that I, or anyone else, knew what they were going to be. I was expecting the quality of story and acting in
The Empire Strikes Back. Didn't get it. From TPM to AotC, there was also a transition and my expectations weren't necessarily met (for good and ill).
Also, as to technical vs. character... like it or not movies are spectacle. You can wish for them to be stage plays all you want, but they are spectacles. Cleopatra had some dreadful acting, but the movie succeeded, and STILL succeeds, because of its spectacle.
Cop out. LotR succeeded largely because of the quality of the story (and there were plenty of errors here as well) in addition to the support of the technical aspects.
As for
Cleopatra, I hated it as much as I hate
The Ten Commandments. Spectacle has limited impact on me. I suppose a lot of people value pretty colors and images over quality substance. Good for them. This does not mean that just because they put money down for this that there is a translation to quality filmmaking.
The ultimate fate of any work of art is decided in one dimension: time. Lucas has already passed that test, or he wouldn't be worth all the time and energy people devote to his work, both FOR and AGAINST it.
There are many lackluster things that pass the test of time precisely due to their mediocrity. As for Lucas, his test was passed with the success of the first two original movies. The subsequent films will receive the same attention due to their association, not their success (except
Revenge of the Sith to date).