• NOW LIVE! Into the Woods--new character species, eerie monsters, and haunting villains to populate the woodlands of your D&D games.

The Problem with Star Wars

The Serge said:
However, this does not mean that I'm blind to Lucas' limitations as a director and writer and that I am ignorant of how much more fulfilling the movies could have been had he recognized his limitations and allowed others to participate in those two essential areas.

Why does recognizing his limitations mean giving up? I know where my limitations are, but I push them all the time. Do I always succeed? Nope. But does that mean I should just give up? No way.

Yes, the movies could have been better...but would allowing others to step in really have done that? Look at Jedi. Things weren't working out and Lucas was forced to step in and be much more hands on than he'd planned on. There's nothing to say we'll get another Empire, even WITH another director or writer. And it is possible that there are people working on these movies who are changing things from what Lucas had originally envisioned.

What if this help is causing problems? What if there really are others in there participating and its not doing any good? Truthfully, we can't say either way because we're not the ones on the inside working on the stuff. We really DON'T know the inner workings.
 

log in or register to remove this ad

Ankh-Morpork Guard said:
And that means he doesn't recognize the areas we all agree he needs improvement in? I can't draw hands, but I keep trying. Does that mean I don't know that I can't draw hands and should just give up and let someone else do it?
You are quite right, actually. It's entirely possible that he simply doesn't care about quality or professionalism, and rather than produce movies that are thoroughly done well, he cares more about producing movies in which he personally did everything himself that he literally could do, even though he knew he couldn't do it well. I could actually understand that motivation, although I'd still disagree with it.

However, he's many times stated that that's not true, that he's made the best movies he can, and all things considered, I think that's a very longshot possibility. And since the only other logical solution to the fact that the writing and directing and pacing is poor (which, to head off your obvious rebuttal, is not entirely subjective; there are qualitative and objective measures of that; not to mention the subjective court of public opinion which has, in my experience, gone against Lucas even amongst non-Star Wars geeks) is that he's unaware of his limitations, that's the one I'll go with.
 

Joshua Dyal said:
However, he's many times stated that that's not true, that he's made the best movies he can, and all things considered, I think that's a very longshot possibility. And since the only other logical solution to the fact that the writing and directing and pacing is poor (which, to head off your obvious rebuttal, is not entirely subjective; there are qualitative and objective measures of that; not to mention the subjective court of public opinion which has, in my experience, gone against Lucas even amongst non-Star Wars geeks) is that he's unaware of his limitations, that's the one I'll go with.

Saying he's made the best movies he can sounds to me that it supports BOTH sides...yet again. It could either mean that he's completely unaware of his limitations or that he knows they're there, and the movies are the best he can do WITH them. Its not all that much of a longshot, instead it just depends on how you read it.

The best he could do is pretty vague when it comes right down to it when you're trying to judge whether or not he knows his limitations.

(And I won't argue that the pacing/writing/directing are poor. At least, I won't argue by saying they're wonderful. Again, nope, they aren't the best, but there still much better than many other movies and they sure aren't stopping people from seeing the movies. :))
 

barsoomcore said:
Ikiru
The Wild Bunch
Apocalypse Now
The 400 Blows
Drunken Master II
In The Mood For Love
His Girl Friday
Mary Poppins
Bullet In The Head
Singing In The Rain
Bringing Up Baby
Aliens


I could go on, actually.

Plenty of movies are perfect.

Heh, and I think 3 of the movies on that list suck and 2 are mediocre.

But, given that several million people have enjoyed them, I wouldn't call their directors or any of the acotrs involved "incompetent".

See how that works? I am seperating my taste from an objective judgement of quality. I refuse to call things that have proven worth to someone valueless because of my personal tastes.

Chuck
 

Sorry, did I call anything valueless? Let me see, let me see....

Nope, I didn't. I said things suck. I said they're crap. I even pointed out that those statements are logically equivalent to "I don't like them." I never said they must perforce be devoid of any value whatsoever. Since people like them, they obviously possess some sort of value. At least to those people.

How, exactly, do you make an objective judgement of quality? Because if I don't like something, it's because it isn't very good. If it were good, I would like it. You seem to be conflating popular with good, yet again. I don't understand. Are you saying it is impossible for large groups of people to love and support crap?

I mean you can say that if you like, but I find history supports the opposite notion -- that large groups of people commonly love and support crap. Have you ever read any poetry by Robert Southey, Poet Laureate of England in the early 1800's? He sucks. He's crap. And yet he was loved and praised to the skies in those days. Made a fortune, got a nice retirement package from the king, the whole bit. John Keats was overlooked, brushed off, unconsidered. Two hundred years later, you can find Keats in any poetry textbook. Bob Southey you'll have to dig a little to find.

But art can possess value even if it's bad art. People can get enjoyment out of it even if it sucks -- people do this every day. They watch television which sucks and read books that suck and listen to music that sucks. Every single day, millions of people do this. Obviously they're getting value out of it.

It's still crap.

Clearly that bothers you. Once again, it is not my intention to offend anyone and I'm honestly sorry if that's what's happening. But that's my opinion and I was asked for it and I'll give it.

If you think I'm wrong, if you think George Lucas is a great (or even a pretty good director), can we please talk about his directing? Rather than his money-making abilities? What exactly about the directing in TPM or AotC pleases you? What about the writing struck you as good? I'm willing to listen to any arguments that focus on his abilities as a director (like your comments on American Graffitti -- now that was a (start of a) conversation). If all you have to offer is that he's popular, well, I agree. I just think that history has shown again and again that crappy artists can be (and are) popular.
 

Keep that up (Corey) and you might yet beat my record of (nested) phrases (that are contained in parentheses (in a single sentence (in a post on ENWorld))).
 

Ankh-Morpork Guard said:
Saying that my faith in Lucas borders on religious isn't exactly the best tone either. In fact, its insulting to me. No different than me using the word 'unfounded'. Because, to me, many of the criticisms ARE unfounded. But many doesn't equal all.

Well, sirrah, let us consider things. Your basic arguments which you repeat ad infinitum, ad nauseum are an appeal to authority (we are not Lucas, thus we have no right to judge his work) and begging the question with various unwarranted assumptions. You may feel it is an insult, but the fact is you are using exactly the kind of arguments used by the zealously religious to defend their faith.

And the arguments mounted against Lucas haven't been? I may sound irrational, but The Serge has claimed many things that I feel sound irrational and the arguments he mounts to support his opinions are poor.

Serge has offered up reasons for his opinions, and argued them logically. You have responded to his arguments by restating the same points, ignoring or misinterpeting his statements, and keeping your tone sarcastic and self-righteous. If you consider this a valid form of debate, you are then sadly mistaken.


Validity and strength of arguments for and against these things are just as subjective as whether you liked the movies or not.

Here, sir, you are so mistaken, that any elaborate comment on my part would constitute 'gilding the lily'.

You don't have to like how I state my opinions, but you need to accept that there are problems on both sides.

Actually, by your argument, I do not, as since by your account, the merit of all types of argument are purely subjective, and thus I can simply choose to see them as I will. In reality, while there have been less than stellar arguments on both sides, I find the truly egregious errors in logic to fall soundly in the Lucas camp, and then stay there, like a very heavy boulder lodged in mud.
 

Ankh-Morpork Guard said:
Saying he's made the best movies he can sounds to me that it supports BOTH sides...yet again. It could either mean that he's completely unaware of his limitations or that he knows they're there, and the movies are the best he can do WITH them. Its not all that much of a longshot, instead it just depends on how you read it.
Not really. He farmed out the art design, because he's not good at that. He farmed out the acting, because he can't do it all himself. He farmed out the set building, because he doesn't have the wherewithal to literally build his sets himself. If he also knew that he wasn't a great screenplay writer or director or editor, why did he not farm that out as well?

I'm sorry, but I think your interpretation simply doesn't make much sense in this case.
 

Bottom line is this:

If you like it, go see it. If you don't like it, then don't spend any money on it, but don't stop the fans that want to see this from seeing it.

Lucas makes the story as he wants, and that is his right as an artist. Our right, as the audience, is to decide if we want to see it or not.
 

At the risk of jumping on the bandwagon, this argument really goes around in circles. I'll try and deliver my point of view which, if not terribly different, will at least be phrased differently :D
Ankh-Morpork Guard said:
And you know this...how?
I've seen Episode I and II. Episode I had some (to me) obvious flaws with regards to storytelling and character development. These flaws were pointed out by several people, and had to be Lucas' because of his high degree of control over the movie. Episode II had, to me, the very same flaws Episode I had, which shows me that Lucas is either not aware of his flaws or simply wasn't interested in making a better movie. If he was, he'd tried to enlist people that could help him with his flaws, help him get better, take a "drawing-hands coach", so to speak. So he's either not aware of his flaws or doesn't care about making flawed movies. I'd rather he was simply oblivious.

I can repeat myself as much as you can. Batman and Robin made money, yes. But it made no where NEAR the kind of money Star Wars did. People don't go and see Batman movies like they do Star Wars movies. Part of that IS because its a cultural phenomenon, but if Lucas is horribly incomptent then the rest of the movie going public wouldn't keep going and seeing it.
And the rest of the movie-going public didn't continue to go out and see it. Episode I was a HUGE hit also because of fans who went to see it several times (heck even I, who thought it pretty much sucked, saw it two or three times in the theatre, just to have seen it with my friends). Also, it *is* still a colorful and loud popcorn film much in the vein of Charlie's Angels in terms of quality. And Charlie's Angels is a bad film. Still, a lot of "spectacle movies" have an audience, and, coupled with fans and those driven by perceived cultural importance of the film went to see it. From the box office, you can see that Episode II, though most people call it superior to the first, had a huge drop in audience gross. Not as many non-fans went to see it, and even fans stopped going in as often as they saw Episode I in their Star-Wars-hungry state back then. Again, it was a summer spectacle movie, as well, but judging from audience response and taking into account fan base, the change from Episode I, to me, signals failure instead of success. The movie didn't even come close to its potential gross.
Star Wars isn't a cultural phenomenon just because of the spectacle. Do not judge the trilogy by Empire. Empire is the odd one out, and doesn't really fit in with the rest, even if it IS my favorite. The strengths of Empire could not possibly be keeping Star Wars afloat now. The strengths of the originals couldn't be helping to generate the huge income of the prequels if they WERE horribly directed. People wouldn't go and see them IN HUGE NUMBERS.
You should also keep in mind that for twenty years, people were slavering for a new film. That's not the four years for a new Matrix movie. By the time Episode I came out, people would have gone and watched a flying turd several times in the theatre (and for my part, they did).

And the best directing, storytelling, and action within context aren't going to mitigate everyone wearing what they came to work in. Costumes help the ACTORS get into character more and help the viewers believe the 'reality' of the environment. They are all equally important. Take out one, and it all fails.
I'm sorry, but I disagree. A lot of independent films have to make do with very bad set design, or costume design, or similar. Still, these films can and do work. It's not that it isn't important, but it's no where near as important as having able/charismatic (one or the other, both'd be best) actors, good directing, scriptwriting, editing (!). Heck, even as a fan of cinematography, I readily agree that a lot of enjoyable movies have mediocre or worse cinematography, especially in fight scenes.
On the other hand, if your director is a klutz, your story sucks, or your actors don't know a way out, you've got only very, very sim chances to save the film. Case in point, to me, are the Star Wars Episodes I and II.

And I was referring not to what these people say about LUCAS, but about the movies themselves. Rick McCallum and co are behind these movies just as much as Lucas is. Listen to interviews with EVERYONE on the films, from animators to producers. They all truly believe these are great movies and that Lucas is doing a wonderful job.
Like Ewan McGregor who dissed Ep I and II, alike?
There are two factors at work here. One is the fact that in press interviews, nobody in Hollywood (or 99.99999 percent) does *not* say anything negative about their work for a specific film until maybe twenty years later. Two, the animators, set designers, costume designers, etc. all *did* a magnificient job on the film. Where it lacks is in cohesion, storytelling and acting - the director's job (at least in part).

For all we know, many of them ARE saying to Lucas "Shouldn't you do this instead of that?" and he is listening.
Well, if he is, that he is listening to the wrong people, despite what they told him for Episode I. Realistically, though, we know how Lucas exerts control even over the two decades old original trilogy. We know how Lucas Arts confronts websites who post "spoilers". We know what people who worked on the OT have said about working with Lucas, and it seems his flaws have resurfaced in Episode I and II, while his strengths have been more subdued. We know he's taken a break of twenty years, and most people's skills don't improve by not using them.
Is it really that improbably that Lucas is making his own decisions and doesn't listen to anybody (a tendency he had even during the filming of the OT), compared to his advisors making the misconceptions? I don't think so.
We have no proof one way or the other so saying things like "Lucas should get help!" is stupid because he has help.
It's like a murder case. We have no proof, but all evidence points in the direction of Lucas' failings.
Would so many people be working under him and believe in this project like they do if he is incompetent? SOMEONE would get frustrated and go crazy.
Let's not even go there. People work for Star Wars because they get paid, and probably handsomely. Maybe the like Star Wars, are even fans. Maybe the recognize the franchise's potential. But primarily, they get paid. People are still working for McG. People work for Joel Shumacher. Heck, people work for Uwe fricking Boll. And those working on Star Wars get paid better than working for Boll, I'm sure. Plus, it's a point of pride to be part of a cultural phenomenon. And SW *is* a cultural phenomenon. It is movie history.

You keep saying that because Episodes I and II made a lot of money, Lucas must have done something right. Well, aside from set design and similar "categories", what was it?

A lot of people have claimed that the character development, the storytelling, the acting was off. Do you agree, or disagree? Was the acting wooden, was the story jumbled and a letdown, did the movie lack in atmosphere?

I personally think that movies *can* be judged somewhat objectively. You can judge cinematography, fight (or dance) choreography, acting etc. in objective terms. It's the "craft" part of filmmaking. To me, there's a different influence you cannot judge, which I call "it". Some movies have "it", and some don't. Also, people respond differently to "it", which makes for the divergence in movie taste (as well as a different standards of quality).

Yes, I have seen movies that were crafted expertly, movies that I reviewed as "very good". I could appreciate their craftsmanship, but they still left me cold. "Wow, that was a great movie. I'll never watch it again." Similarly, there have been movies that were made very, very cheaply, and I still enjoyed them, loved them. "guilty pleasures" is a term often associated with such movies. ("The Gamers" would be one of these)

You can't really argue with barsoomcore, since he doesn't like the movie and it's therefore bad, and if you, following his definition, like the film, it's good. It's easy, simple, and not subject to change (at least not easily). But you can show me where Lucas did well, did right, in storytelling aspects, where he followed a great master-plan that will lead us logically from whiney and lucky Anakin to fearsome Darth. You can convince me that Episode I and II were indeed, good films.

Try it.
 

Into the Woods

Remove ads

Top