Yes, I kind of picked that up during my twelve odd years of stand-up comedy, 200 live shows a year in front of averaging 300 - 500 drunk, angry people. Try not just eliciting some emotional responses from an audience, but precisely the correct emotional response -- and the identical emotional response -- from those strangers. Every 15 seconds. For an hour. Or you suck.Wizardry said:
No, really, it's the actors who have the toughest job and deserve the most respect. Do you realize there is nothing harder than getting out in front of a huge audience and doing your damn best just to impress them, and having them laugh in your face?
And if actors just stopped improvising and would just say the lines, things would go so much smoother...

That's what 2nd AD's and DP's are for. And somehow, sucky directors continue to work ...But wait, now that I think about it, maybe it's directing that is the toughest job of all. You have to constantly manage the actors, the filming, and so on, and if you don't get it right, everyone rags on you for doing a bad job. That must be the hardest.
I understand your reaction, and that you were being rhetorical -- but papa_laz hit a nerve, so I was (and still am) being snappy. Please accept my responses with tongue planted firmly in cheek.And so on. Look, I respect that you really love your profession, and I can see you take it seriously, but claiming that there is nothing in the world harder than doing what you do is not very accurate and a bit self martyring.
I will qualify my statement with "In the creative fields, I believe there is no job harder than writing."
And if you don't believe that, then you haven't lived through a writer's strike.
I WAS going to leave it at that ...
You'll notice some undisguised snarkiness kicking around in your direction though. Some of it is holdover from my anger at papa_laz, admittedly. Immature. I was feeling quite ashamed at myself until the next bit:
I know plenty of people who would do almost anything to be able to write for a living. Living off of your imagination and writing skills is a helluva lot easier than, say, digging ditches, for an extreme example. Everyones job is tough in their own way. No offense intended, of course.
This leads me into a combination mini-rant/inspirational speech. No offense intended, of course.
By an odd coincidence, whenever some writer friends and I get into a nasty situation in production, we look at each other and say, "We ain't moving boxes."
But we say that -- or at least I do, because I did that job. And bartended, and worked a gas pipeline digging ditches, etc., etc. And so I know the difference here.
Making a living writing is not easier. It's more pleasant once you're actually doing it, but not easier. Seemingly a fine distinction, but that's what life is, a series of fine distinctions.
Leading us to the second qualified statement: "Writing for a living is not the hardest job in the world -- but it is incredibly, stupefyingly, exponentially harder than pretty much anyone thinks it is."
You "live off" an inheritance. You "live off" a lottery win.
You don't "live off" your imagination and writing skills.
If you have imagination and writing skills, you have the barest, barest tools necessary to pay your bills with them. Now learn to harness that imagination with narrative structures, dialog techniques and industry-specific styles and tools.
Then, fill blank pages. Fill thousands of them. And if you don't fill them, no co-worker will step in. No union will help you. And no one will care if you didn't fill them, and ask to help, or encourage you (except maybe a loved one. Good for you, now get back to writing.). Now every day, wake up and make something brand new. Or don't get paid. No sick days. No day where you just sort of zone out and get by.
Is writing digging ditches? Not hardly, don't envy that job. But a frikkin' artsy-fartsy life of dashing off a few thoughts before tea-time? Noooo.
Sure, being a writer isn't bad. You could even say "easy" if you disregard the whole ten years on the way to becoming one. But, sadly, that's kind of the package.
(Okay, we're getting to the inspirational part.)
If you want to write for a living, and you just don't have the talent, that sucks. Nothing's more frustrating.
But IF you have the talent and IF you have the skills, and you'd do "almost anything ..." then shut up and do "anything." I HAVE NO SYMPATHY FOR YOU.
(That's inspirational? Wait, wait, it's coming ...)
Because this is the one field where you don't have to know anybody, you don't have to have gone to school for it (I didn't, nor did most of my friends) or have any seniority. You need to fill pages. Ten minutes a day, fifteen minutes a day, for however many years. Housewives with nine kids do it. Commuters do it. Guys in frikkin' PRISON CAMPS do it.
Come get this life. Come take it away from me, and from every other professional writer, take it as your own. Simple statistics say you're probably more talented than we are. Write more pages, work harder and come tear this career from my bloated, bloody corpse and wave it triumphantly overhead.
(Hmm, very Warren Ellis-y today, no?)
Usually I'm Mr. Nicey-nicey on the boards. But what the heck, for one day I'll be unapologetically opinionated.
So for those "plenty of people who would do almost anything to write for a living ..."
Type or shut up.
John
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