Whizbang Dustyboots
Gnometown Hero
Coimbra, 1181
On Holy Thursday, I was on my way back from a visit to Galicia and stopped in Monção, for a new festival to São Jorge, the dragon-slaying saint, whom the Portuguese are enraptured by.
I miss the mock battle between São Jorge and Coco -- normally a pumpkin-headed monster, but repurposed now as the dragon São Jorge does battle with -- as it takes place at midday. But I go to sleep in my rented house, knowing the night will be filled with dancing, drinking and feasting.
At least, that was the plan.
Someone had thought the battle needed fire. Whether it was supposed to be the dragon breathing fire or some sort of holy fire unleashed by São Jorge, I do not know. I only knew that I woke up with the rented house in flames and that the smoke was pierced by pitiless midday sunlight.
I dove to the floor -- this was not the first fire in my long life -- and observed the screams in the street outside and the confused shouts for someone to bring buckets of water from a nearby well. So the fire was uncontrolled. And soon, the roof of this building would be gone and I would be exposed to the full light of the sun. I wondered what saint they would say had defeated me.
I tried to remember what else was located near the rented house. There was a chapel, but on Holy Thursday, it would be filled with the faithful, who would certainly notice if I raced in, my body burning from sunlight.
A street cafe would be no better.
The stable, even if it was unoccupied, would catch fire if I brought any flames there.
But there was also a school. Something with children, in any case. They would all be gone during the festival, enjoying the battle against the dragon and all the other games. Probably.
I had to risk it.
I plunged out the back window of the engulfed house, away from where the locals were apparently now organizing a bucket brigade to put out the fires burning on the street.
I burned, however, as I ran through empty alleys, holding a shutter over my head, trying to protect myself from the sunlight. I could feel my fingers blackening in the rays of the sun, and bursting into flame.
Then I was at the school. I kicked in the closed double doors and plunged into the darkened interior. There was a stone basin full of water and I thrust my hands into it, wincing as the steam surrounded me. I moved my fingers under the water. They would look hideous for a time, but they would heal, sooner if I fed well in Monção.
There was a small sound in the darkness and I whipped my head around, ready to fight.
It was a small boy, about seven or eight years old, watching me with big dark eyes.
"Are you all right?" He came towards me slowly, but without fear. "The sunlight burned you?"
"Yes." No point in lying. What could a little boy do to me? At worst, I was leaving Monção soon anyway.
"I will get you bandages."
He darted off. Again, without fear, just the desire to help and see the task done quickly.
When he returned, he gently pulled my hands from the water, and cleaned the wounds without comment.
"You are not scared," I said, stating the obvious.
"No," he said, bandaging my hands now.
"Why aren't you with everyone from the school?"
"It's an orphanage."
I looked around and saw the austere nature of the place now. A place to house children that no one wanted and whom God was only nominally invested in.
"They teach you to bandage wounds in the orphanage?"
"No. My father and brothers died fighting the Muslims. And then my mother died too. But I learned how to bandage before they did."
"And you are not scared of me, with my hands that burn in sunlight?"
"No. I pay attention. I have seen strange things before."
"And what is your name, fearless boy?"
"Juião."
"Juião, would you like to travel with me and be my servant? I own many ships and have three fine houses."
He considered this for a moment, and then nodded. He was my first mortal companion in decades.
On Holy Thursday, I was on my way back from a visit to Galicia and stopped in Monção, for a new festival to São Jorge, the dragon-slaying saint, whom the Portuguese are enraptured by.
I miss the mock battle between São Jorge and Coco -- normally a pumpkin-headed monster, but repurposed now as the dragon São Jorge does battle with -- as it takes place at midday. But I go to sleep in my rented house, knowing the night will be filled with dancing, drinking and feasting.
At least, that was the plan.
Someone had thought the battle needed fire. Whether it was supposed to be the dragon breathing fire or some sort of holy fire unleashed by São Jorge, I do not know. I only knew that I woke up with the rented house in flames and that the smoke was pierced by pitiless midday sunlight.
I dove to the floor -- this was not the first fire in my long life -- and observed the screams in the street outside and the confused shouts for someone to bring buckets of water from a nearby well. So the fire was uncontrolled. And soon, the roof of this building would be gone and I would be exposed to the full light of the sun. I wondered what saint they would say had defeated me.
I tried to remember what else was located near the rented house. There was a chapel, but on Holy Thursday, it would be filled with the faithful, who would certainly notice if I raced in, my body burning from sunlight.
A street cafe would be no better.
The stable, even if it was unoccupied, would catch fire if I brought any flames there.
But there was also a school. Something with children, in any case. They would all be gone during the festival, enjoying the battle against the dragon and all the other games. Probably.
I had to risk it.
I plunged out the back window of the engulfed house, away from where the locals were apparently now organizing a bucket brigade to put out the fires burning on the street.
I burned, however, as I ran through empty alleys, holding a shutter over my head, trying to protect myself from the sunlight. I could feel my fingers blackening in the rays of the sun, and bursting into flame.
Then I was at the school. I kicked in the closed double doors and plunged into the darkened interior. There was a stone basin full of water and I thrust my hands into it, wincing as the steam surrounded me. I moved my fingers under the water. They would look hideous for a time, but they would heal, sooner if I fed well in Monção.
There was a small sound in the darkness and I whipped my head around, ready to fight.
It was a small boy, about seven or eight years old, watching me with big dark eyes.
"Are you all right?" He came towards me slowly, but without fear. "The sunlight burned you?"
"Yes." No point in lying. What could a little boy do to me? At worst, I was leaving Monção soon anyway.
"I will get you bandages."
He darted off. Again, without fear, just the desire to help and see the task done quickly.
When he returned, he gently pulled my hands from the water, and cleaned the wounds without comment.
"You are not scared," I said, stating the obvious.
"No," he said, bandaging my hands now.
"Why aren't you with everyone from the school?"
"It's an orphanage."
I looked around and saw the austere nature of the place now. A place to house children that no one wanted and whom God was only nominally invested in.
"They teach you to bandage wounds in the orphanage?"
"No. My father and brothers died fighting the Muslims. And then my mother died too. But I learned how to bandage before they did."
"And you are not scared of me, with my hands that burn in sunlight?"
"No. I pay attention. I have seen strange things before."
"And what is your name, fearless boy?"
"Juião."
"Juião, would you like to travel with me and be my servant? I own many ships and have three fine houses."
He considered this for a moment, and then nodded. He was my first mortal companion in decades.
Prompt 20 + 2 - 1 = Prompt 21
You are trapped outside when the sun rises and take shelter some place you are not supposed to be. A child discovers and befriends you. Create a mortal child Character and record a humanizing experience.
The Frenchman
Skills:
Skilled at navigating boats (checked);
Bloodthirsty (checked);
Knows the secrets of killing vampires (checked);
I control the beast;
Skilled merchant;
Resources:
a cowhorn inkwell, engraved with a knight;
a small bronze crucifix, in the French style;
the Spear of Aeolius, an ancient Roman spear capable of killing vampires
Characters:
Juião, a Portuguese orphan who becomes my servant
Marks: My eyes cannot stand bright light and I have to remain in shadows at all times; my touch is fatal to plants
Memories (up to three Experiences each):
1: I am Guilliame d'Orléans, son of Onfroi, a novice scribe born late in the 10th Century of Our Lord; one of the joys of my youth, gardening, slips away as my touch is now fatal to plants;
2: I am Guilliame d'Orléans: My father, Onfroi, gifts me an engraved inkwell, which he had to save for months to afford; after my father's death, Constansia and I leave Orléans by barge, after setting my house aflame and allowing my sister to believe I was destroyed there; I use my father's name when I later settle in Portugal and set myself up as a merchant and shipbuilder there
3: I am Guilliame d'Orléans: The night the other heretics were burned alive, Carnutes fed upon me as I screamed in pitch black darkness; I confront Carnutes about him making me a vampire and he confesses he did it out of loneliness and tells me I will suffer in the same way some day; Carnutes possessed Raum and led the Archbishop of Tours' men to try and killed me -- but I used the Spear of Aeolius and killed Raum and Carnutes instead
4: I am Guilliame d'Orléans: I rescue a dark-haired girl from attack and Constansia pledges herself to me, believing me to be a servant of Satan, and we soon wed; Constansia conducts her Satanic rituals and summons a demon, Raum, to serve me in the form of a raven;
5: I am le Passeur: The Portuguese orphan Juião helps me after I am burned by sunlight, unafraid of my supernatural nature, and I take him in as my servant
You are trapped outside when the sun rises and take shelter some place you are not supposed to be. A child discovers and befriends you. Create a mortal child Character and record a humanizing experience.
The Frenchman
Skills:
Skilled at navigating boats (checked);
Bloodthirsty (checked);
Knows the secrets of killing vampires (checked);
I control the beast;
Skilled merchant;
Resources:
a cowhorn inkwell, engraved with a knight;
a small bronze crucifix, in the French style;
the Spear of Aeolius, an ancient Roman spear capable of killing vampires
Characters:
Juião, a Portuguese orphan who becomes my servant
Marks: My eyes cannot stand bright light and I have to remain in shadows at all times; my touch is fatal to plants
Memories (up to three Experiences each):
1: I am Guilliame d'Orléans, son of Onfroi, a novice scribe born late in the 10th Century of Our Lord; one of the joys of my youth, gardening, slips away as my touch is now fatal to plants;
2: I am Guilliame d'Orléans: My father, Onfroi, gifts me an engraved inkwell, which he had to save for months to afford; after my father's death, Constansia and I leave Orléans by barge, after setting my house aflame and allowing my sister to believe I was destroyed there; I use my father's name when I later settle in Portugal and set myself up as a merchant and shipbuilder there
3: I am Guilliame d'Orléans: The night the other heretics were burned alive, Carnutes fed upon me as I screamed in pitch black darkness; I confront Carnutes about him making me a vampire and he confesses he did it out of loneliness and tells me I will suffer in the same way some day; Carnutes possessed Raum and led the Archbishop of Tours' men to try and killed me -- but I used the Spear of Aeolius and killed Raum and Carnutes instead
4: I am Guilliame d'Orléans: I rescue a dark-haired girl from attack and Constansia pledges herself to me, believing me to be a servant of Satan, and we soon wed; Constansia conducts her Satanic rituals and summons a demon, Raum, to serve me in the form of a raven;
5: I am le Passeur: The Portuguese orphan Juião helps me after I am burned by sunlight, unafraid of my supernatural nature, and I take him in as my servant