I almost like the comparison.Joshua Randall said:Agreed.
I was about to make a derogatory comment about the Matrix's peurile so-called philosophizing in comparison to Elric.
Then I remembered that the Elric stories have just as much puerile so-called philosophizing. Yeah, it seemed deep and important when I was 16, but so did a lot of other crap.
So now I've decided that I would far rather see an Elric movie that dispenses with the philosophizing and just features lots of killing and a kewl uber sword.
Amano has illustrated most of the major fantasy stories by Michael Moorcock which are published in Japan - setting the standard for fantasy illustrations. Mr. Moorcock liked Amano's illustrations so much, he changed the original covers of the English translations to Amano's work.
Exclusive: Weitz Brothers Making Elric
Paul to direct fantasy adaptation?
So his adaptation of The Golden Compass is already being hyped by studio New Line as the new Lord Of The Rings (rather inaccurately if you ask us, since the books share little in common). But that’s not enough fantasy limelight for the guy who, up until now, was best known for small-scale comedies like American Pie and About A Boy. Nope, along with his brother and former co-director Paul, Chris Weitz is going to take on the biggest fantasty-literature property as yet untouched by movieland: Michael Moorcock’s Elric saga.
Elric of Melniboné, aka Elric Kinslayer, aka The White Wolf first appeared in print in 1961, and is the anti-hero of more than a dozen books. A physically weak, perpetually sickly albino who’s the outcast Emperor of a race of cruel, ancient decadent people, he’s no musclebound Conan-type, instead drawing his power from the spirit-sucking runesword Stormbringer, an evil entity with whom he struggles for his own soul. And he’s frankly one of the greatest fantasy characters out there – albeit one who’s going to be fiendishly hard to make work on screen.
“Of the great classic fantasy series it’s the one that hasn’t been done yet,” Weitz tells Empire online. “My brother Paul and I liked those books growing up and we’ve met Michael Moorcock and he trusts us to take those books forward.” The Weitz’s Depth Of Field production company will be behind the adaptation, although no director is yet attached. Weitz does have one in mind, though: “I’d really like it if my brother directed them,” he says.
Steel_Wind said:And if there is any attempt to make this as a major motion picture with a decent budget - every reader of this forum will go to it opening weekend if they can manage it![]()
Steel_Wind said:I don't think that drugs as recreation are that important to Elric as a character. That element has a lot more to do with the era in which it was written than any underlying importance to the character as a whole.
The drugs are just there as part of a symbol of disconnected decadence.
Squire James said:Initially, he required drugs to be in fighting shape (I actually suspect a reference to steroids here). Without them, he was pretty much half-asleep and weak all the time. During the course of the series, he got lots of exercise, became more physically fit, and by midway could probably function normally without drugs or Sword.
Chapter One said:"... the Empress had died bringing her sole thin-blooded issue into the world... By magic potions and the chanting of runes, by rare herbs had her son been nurtured, his strength sustained artificially by every art known to the Sorcerer Kings of Melnibone. And he had lived - still lives- thanks to sorcery alone, for he is naturally lassitudinous and, without his drugs, would barely be able to raise his hand from his side through most of a normal day."