overgeeked
Open-World Sandbox
Kennings. I absolutely love kennings.complete with language that apes that of Beowulf, like "swan-road" and similar constructions.
Kennings. I absolutely love kennings.complete with language that apes that of Beowulf, like "swan-road" and similar constructions.
That was the word!Kennings. I absolutely love kennings.
Yeah, when Gardener is on, the book is great. That's what makes the philosophy dumps so weird -- he's clearly capable of doing a better job with the clunky parts.I will count my numberless blessings one by one.
One. My teeth are sound.
One. The roof of my cave is sound.
One. I have not committed the ultimate act of nihilism: I have not killed the queen.
One. Yet.
During one of my many English lit classes I had to write a poem using as many kennings as possible. That was hard. Look at Germanic languages and their compound words. German is a great place to start. One word for vocabulary is “Wortschatz” which translates directly to word treasure, or word hoard.That was the word!
I tried doing those when running a test game of the Beowulf duet game and while satisfying, it was hard. I probably needed a kennings cheat sheet.
John Scalzi has blogged some about it. He finds the learning through experience very interesting.I have a sneaking suspicion audiobooks are going to change some aspects of how prose is constructed--probably have already done so.
Some write by dictation, Kevin J. Anderson is one example. Others write by speaking aloud as they type, Robert E. Howard is one example. Scalzi is probably the type to just write what reads well rather than sounds good. Hence the learning curve.John Scalzi has blogged some about it. He finds the learning through experience very interesting.
As I said, I don't have any strong delusions about my writing, but I think the time I spent recording audiobooks--listening to other people's writing, in still other people's literal voices--shaped my writing, and at least improved my ear for dialogue. (He's right about dialogue tags, or anything else repeated a lot, just jumping out of the text when it's read aloud.)![]()
John Scalzi: Writing For Audio Made Me A Better Writer, Period
Cut dialogue tags and consider the narrator — tips from the Hugo Award-winning author of Audible Studios' "The Dispatcher."www.audible.com