Which are you, The plan everything out GM, or the Ad lib?

Even the most linear adventure, say Tomb of Horrors will provide different experiences to different groups. There will be a lot in common but how they dealt with or failed to deal with different traps and the different solutions that they applied to the Tomb will all be different. You'll have a lot in common, but you will have different transcripts of play. So even a linear adventure allows for Expression and has different walks through it on the "micro" level.
Well, yeah. That's the inherent advantage of an ad lib style. The entirety of the events of the campaign, both micro AND macro, can be drastically affected by choices the players make. I'm not saying that games with planned plotlines completely lack player agency, but ad lib games definitely offer a heck of a lot more agency. Plus, with an ad lib style a GM can tailor everything in the campaign for specific PCs/players. With a plotline game, the campaign is more about the story the GM wants to tell than the story the PCs make. Which, if all the YT vidoes I've watched in recent times, is what a lot of players want. It's the crux of the reason why I GM ad lib (plus laziness) style, because I don't want to make a story for the players to play a part in, I want the players to make their own story.
A couple of reasons. First, a lack of prepped material means that the only thing on offering is what the GM imagines at the moment.
So? It doesn't really matter if you make it up beforehand, or in the moment, it's all the same. You, as GM, are just making stuff up!
And secondly, a lack of prepped material makes it much easier for a GM to force outcomes of scenes to be whatever the GM imagines is the most fun.
So GMs who prep stuff are trying to make stuff that's less fun?!?
Lack of prepped material tends to reduce the amount of "Sign Posts" - that is the number of things in the setting that players can interact with in order to find novel things in the setting. If you are improvising, the tendency is to provide zero to one sign posts.
Maybe in someone else's game. My games are usually overstocked with things the players can interact with as the contents of the setting are limited only by my imagination. I don't want to sound like a jerk, but imagining things for PCs to do in any setting is super easy, at least for me. Basically any story element that you can think of that would fit the theme and genre of the setting can exist. All a player has to do is express an interst in such a thing and voila! Said thing poofs into existence! As for telegraphing what PCs "should be" doing, well, I simply don't do that as there is never a time when the PCs "should be" doing anything specific. I also try to telegraph things PCs "could be" doing by imagining things that are "happening in the world" then somehow informing the players of said happenings. Again, easy as pie, as I simply tend to "think on things" in between sessions, so I have a smorgasbord of ideas rattling around in my brain at all times.
There are either no clues what to do next or just the one clue. The more you spend detailing the setting the more "sign posts" you have to lead to areas that you probably don't consider when improvising.
I don't feel the need to tell players what they "should be" doing. It's up to the players what they want to do in the setting. Like I said above, providing content is super easy, just make something up! Plus, I don't need to bother creating content for anything the players are not actively engaging, allowing me to focus completely on the things they are engaging.
In both cases, players can head off into the fog without a clear or intended sign post and you have to improvise. In my recent game the players wanted to find out how the terrorist organization was getting information about caves since they knew from briefings that the organization used caves in which to hide and lose pursuers. While that was an "obvious" thing to do, I hadn't recognized this as a "Sign Post" when I prepared, so I had to improvise. The choices and density of information I could provide when improvising was certainly less than if I had prepared for this path ahead of time. And the number of alternative paths to what I was improvising was reduced compared to exploring a path which had more details.
Well that sucks! I've never found my ad lib content lacks in density or breadth of choice compared to things I "daydream" beforehand. In fact, my ad lib stuff, in retrospect, is consistently better than the crap I think about between sessions. Perhaps the urgency of improvising content kicks my thinking machine into overclock mode! So, yeah, I don't know about other improv GMs, but my ad lib content is far better than anything I would end up prepping. If I were to limit myself to stuff I prepped, my games would definitely suffer for it, and my players would probably be quite disappointed.
The players don't get fewer choices to make when you detail the setting more. They get more.
Only if their choices aren't artificially, or subconsciously, limited to prepared content. If their choices are limited thusly, then an ad mib game would inherently offer far more variety of choice, simply because nothing is "set in stone" and anything is possible!
More importantly, they get more signals about what choices that are available. With few signals they tend to only go in obvious directions and that makes it really easy to consciously or unconsciously steer the players through a very linear series of bread crumb paths. The fact that those linear bread crumb paths were improvised on the fly doesn't make them less linear, nor does it mean the players had more choice just because you hadn't planned head of time for them. GMs without prep invariably thump down one sign post that then the players just follow along to the only location they can "see".
No. At least not in my experience. In fact, I have found the opposite to be true. If players know that a GM prepares stuff ahead of time, they try to look for the "correct path" to follow, almost always latching on to the first "signpost" they are given. As the first "signpost" in most plotline games is, more often than not, the only "correct" one. If the players know that all paths are an option, because any event can possibly happen, they forge a path without considering anything other than what they want to do, free of restrictions.
The less of the world that preexists the players interacting with it, the less agency the players actually have. If nothing comes into being until the players interact with it, then everything that is created is created in response to the GMs biases about the current path the players are on and the GM has vastly more options than one that has prepped if the prepared GM feels staying true to his preparation is a contract.
Yeah...no...just...no. Having prepared material definitely doesn't equate to more agency. Besides, in reality, nothing, prepared or not, exists until the players interact with it. If you have a hundred pages of prepped material the players never interact with, it effectively doesn't exist. Plus, if the GM is "staying true" to the material they have prepared, then that would probably limit agency as it would limit player choice to only those that conforms to the prepared material. Ad lib doesn't have anything to "stay true" to, so choices simply can't be limited, as there is nothing to limit them.
Think about chasing after a criminal. If I prep ahead of time how the criminal plans to make a getaway, then the criminal has limited choices and the players can make choices that thwart him. But if I don't prep ahead of time how the criminal plans to make the getaway, then I'm inventing resources for the NPC knowing now what choices the players are going to make. In effect, I'm always simply deciding by fiat whether I want the players to succeed now or not, since the criminal could have whatever plan would thwart the PC's particular choices. I can never know whether I would have, on behalf of the criminal, made the same choices while blind to the PC's actions or intentions or schemes.
See, and in a situation like this it wouldn't be my ad lib fiat that decides whether or not the criminal escapes. If it's a literal "chase" then it would be the system rules and applicable randomizers that would decide the outcome. At least, in the games I GM.

I don't decide the outcome of questionable events by GM fiat. That's literally what the game system is for, to decide the outcome of events where the PCs have the ability to affect the outcome. I wouldn't set up a scenario where the PCs have the ability to stop a criminal from escaping, and then decide the result by GM fiat. The rules of the game, and the players choices and dice rolls, decide the outcome.

Sorry mate, but much of what you claim are things that make a prepped game "better" than an ad lib game, are downright false. I do agree that an ad lib game can be railroaded, it's not something that's exclusive to linear adventure style games. In my experience however, linear games tend to suffer from the phenomenon far more often than ad lib games. Though, I will admit, ad lib games do suffer more often from being somewhat aimless at times. Both styles of play have their advantages and disadvantages, but to infern that one is inherently better than the other is disingenuous.

All that being said, if it makes you feel any better, linear games seem to be the norm. I've only recently got back in to the "social media" aspect of the TTRPG hobby, and YT especially is chock full of videos by folks that are obvious proponents of linear play. Far more that those that espouse ad lib play, as far as I can tell anyway. Cheers!
 
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In the earliest days of 3e, I ran a campaign that was extremely heavy on prep. Every monster and NPC had lovingly crafted statblocks. Every DC for traps, challenges, etc., was carefully tuned. I always had detailed notes to refer to when the PCs encountered something. My players loved it.

Same group, one year later, with me one newborn child later... I no longer had time for prep, so when combat started, I picked foes' ACs and HP based on "what felt right." I had very loose notes with major plot points and improvised everything smaller. My players loved it.

So the answer is, "I've done both" and "both are fine." I used to prefer super-prep because it made me feel "safe" because I could point to my notes - but I finally realized that when it comes to MECHANICS the difference between "prep" and "not prep" was really only how far in advance I decided what the target rolls are (and what the damage/HP of the enemies are) - as long as I don't decide AFTER the PCs make their roll (at which point it becomes GM fiat) it doesn't really make a difference.

So now I'm a fan of "hybrid" prep. Story beats, plot points, memorable locations, lore, cool magic items, I set all that stuff up in advance to make sure it all makes sense. If I have time to stat the mechanics, I will, but if not, I'll do something like the "index card RPG" system where all DCs in a room are the same and I just set the DC on the fly.

Also, I should clarify, I don't "railroad" but instead I set up NPCs with motivations, factions with goals, etc., then sit back, throw in the PCs, and I simply make adjudications about how the PCs' actions interact with the above to ripple consequences through the game world AFTER the PCs take their actions (if I decided beforehand that would be railroading).
 

It's a linear adventure is it not? I mean, as long as the players want to follow the prepped plotline.
It is not. Did you not read the rest of what I wrote? Because I don't see how you could read what I wrote about players making unexpected choices and needing to have contingencies prepared and get "linear." When I prep a ton of potential encounters and story hooks for a town, as I am doing right now, that's the opposite of "linear."

I'm not sure you're arguing in good faith.
 

Well, yeah. That's the inherent advantage of an ad lib style. The entirety of the events of the campaign, both micro AND macro, can be drastically affected by choices the players make. I'm not saying that games with planned plotlines completely lack player agency, but ad lib games definitely offer a heck of a lot more agency. Plus, with an ad lib style a GM can tailor everything in the campaign for specific PCs/players. With a plotline game, the campaign is more about the story the GM wants to tell than the story the PCs make. Which, if all the YT vidoes I've watched in recent times, is what a lot of players want. It's the crux of the reason why I GM ad lib (plus laziness) style, because I don't want to make a story for the players to play a part in, I want the players to make their own story.
I don't think you undertsand what people are describing as prep.

I view my role as "playing the world." If I am ad-libbing, it really is the me, the DM, running the show, just in an impromptu way. The narrative belongs entirely to me.

But when I prep a location so that I know what different NPCs are doing, what the local politics are, basically what motivates people, along with random event/encounter tables tuned to that area, there is a world in which the player choices (and luck) make all the difference. I'm not just changing things on the fly, which is really me in control, I've set boundaries on myself.

So when the players make a choices, I'm not going "Hmmm...what would be a fun/interesting/dramatic response" (me in control, changing the story to fit my preferences), I'm going "According to my prepared world, what makes sense to happen next?" It's up to me what the world looks like to start, but then I am significantly locked in, so the players have true agency. Their choices can force the story. I can't just change things to get what I might see as a "better" result.

What you are describing sounds to me like a complete lack of player agency.
 

So when the players make a choices, I'm not going "Hmmm...what would be a fun/interesting/dramatic response" (me in control, changing the story to fit my preferences), I'm going "According to my prepared world, what makes sense to happen next?" It's up to me what the world looks like to start, but then I am significantly locked in, so the players have true agency. Their choices can force the story. I can't just change things to get what I might see as a "better" result.
Cool...that's exactly what I do too! I guess the difference is it all just exists in my head instead of being written down on a piece of paper. [Bolded relevant part for clarity]
 

It is not. Did you not read the rest of what I wrote? Because I don't see how you could read what I wrote about players making unexpected choices and needing to have contingencies prepared and get "linear." When I prep a ton of potential encounters and story hooks for a town, as I am doing right now, that's the opposite of "linear."

I'm not sure you're arguing in good faith.
Sorry, I mistook what you said to mean you prepped plotlines for the PCs to play through. If you mean like "worldbuilding" specifically then I totally understand. I too engage in worldbuilding, though because of my laziness I usually use published settings or the setting that comes with a specific game, so a large amount of the world is already created by someone else. Then I just come up with lesser details specific to the situation or area the PCs are in. I mean, I don't write it down on paper, it just floats around in my brain, but it's detail none the less. Once stuff actually gets used and becomes "the reality of the situation" by being something that "has happened" in the narrative, then it gets added to the session AAR, and ultimately, becomes part of the emerging story.
 

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