I'd ask the same rhetorical question about Prince Valiant. Our combats in Prince Valiant are pretty colourful and vivid.Does it? Where is the lack of detail in combat in something like Dungeon World?
I'd ask the same rhetorical question about Prince Valiant. Our combats in Prince Valiant are pretty colourful and vivid.Does it? Where is the lack of detail in combat in something like Dungeon World?
If you just go off in a random direction then of course what you're gonna find there is probably random.Yeah, the problem with such play IMHO is that dumping responsibility for driving play onto the players, but then not giving them anything to build that on, and keeping all the fiction as a secret GM resource, is simply "The Impossible Thing Before Breakfast." You cannot be a protagonist in a story where you have no control over the fiction! Even if you can set out in any map direction (or equivalents) that doesn't help as whatever you find is simply random to the player, it isn't associated with any agenda or character-originating need/want. You want revenge on the orcs for the murder of your family, but all you run into are goblins...
I assume 5e play to include at least a map and minis. I can't imagine (pun intended) trying to play 5e - or any form of D&D - in full TotM mode. Too many arguments.Does it? Where is the lack of detail in combat in something like Dungeon World? I don't find the combats to be any less detailed or granular than the ones which happen in 5e, for example. Neither game employs a formal 'battle map' and rely on 'ToTM' style combat. Yet DW lacks any formal combat rules whatsoever!
I guess the counterargument MIGHT be that these are not entirely 'lite' games, DW weighs in at 400 pages, all told. However the part of it I would call 'core rules' is pretty small, at 130 pages roughly, including all the advice on building fronts, etc. Also 'page' is a bit of a misnomer, as the PDF layout of DW puts MUCH less info on a page than, say, 5e does. Still I'd agree that DW is not near the extreme end of light weight.I'd ask the same rhetorical question about Prince Valiant. Our combats in Prince Valiant are pretty colourful and vivid.
OK, Prince Valiant is quite a bit lighter than that. The basic game is 24 pages, and that is not particularly tightly written - it's a teaching text, not a reference text. My summary, which includes the Advanced occupation and skill lists but has no examples, gets it down to 18 pages.I guess the counterargument MIGHT be that these are not entirely 'lite' games, DW weighs in at 400 pages, all told. However the part of it I would call 'core rules' is pretty small, at 130 pages roughly, including all the advice on building fronts, etc. Also 'page' is a bit of a misnomer, as the PDF layout of DW puts MUCH less info on a page than, say, 5e does. Still I'd agree that DW is not near the extreme end of light weight.
You didn't present your opinion as such, so I felt I should question it.'dressed up'??? Its a comment in a forum on RPGs, not a PhD thesis or even a blog post. With long experience, I've found it to be true. You are free to disagree, as always.
Maybe, but I admit this is a pretty shallow example. How about "Brilliant, but obsessed with the idea that I cannot live up to my father's expectations, I will do anything to unite the Yu states under my rule, and crush the orc tribes forever." You gonna condone that? Because, from my experience 99.9% of all 'simulationist' GMs are going to instantly tell me that its unrealistic to expect your character to do great things, that changing the world is basically impossible, and they don't seem to want to upend their lore. That sort of problem is exactly what I'm talking about. And that's still really a largely externally directed sort of dramatic need, the real nut of things is going to be when I have to marry off my favorite sister to that horrible guy that I must ally with to succeed. Can you really handle that?If you just go off in a random direction then of course what you're gonna find there is probably random.
But if you want revenge on the orcs that murdered your family, that means those orcs are an established thing in the setting and thus they're out there somewhere; and if they're out there then with enough info-gathering and investigation you can find them. (unless the GM's being a total asshat; but let's assume good faith for now, and continue)
Right, but again IME, what happens is endless such diversions and whatnot, all in the name of 'realism' in a pretend world. Obviously at some level there will be things that don't relate to your PCs and their stories, but its a question of focus.And sure, that process might run you into some random bands of goblins along the way, plus all sorts of other interruptions and distractions you have to deal with before resuming Plan A. What of it? Not every path to a goal is going to be a straight unobstructed line...![]()
And yet the game itself makes nothing but passing note of the possibility, and doesn't contain any rules related to doing so (while mysteriously describing AoEs in precise geometric terms, which completely mystifies me). There's nothing of detail lost in DW's depictions of combat. Played both games, stating it as a fact, they both are designed to be played as purely narrative combat with only a general idea of the geography of the field of battle being provided.I assume 5e play to include at least a map and minis. I can't imagine (pun intended) trying to play 5e - or any form of D&D - in full TotM mode. Too many arguments.
Any GM who tells their player the kind of stuff you're saying has, in my opinion, failed as a simulationist. Of course the PCs can change the world, through their actions. That's the point. Big changes require more effort and more time, of course. Just like in real life.Maybe, but I admit this is a pretty shallow example. How about "Brilliant, but obsessed with the idea that I cannot live up to my father's expectations, I will do anything to unite the Yu states under my rule, and crush the orc tribes forever." You gonna condone that? Because, from my experience 99.9% of all 'simulationist' GMs are going to instantly tell me that its unrealistic to expect your character to do great things, that changing the world is basically impossible, and they don't seem to want to upend their lore. That sort of problem is exactly what I'm talking about. And that's still really a largely externally directed sort of dramatic need, the real nut of things is going to be when I have to marry off my favorite sister to that horrible guy that I must ally with to succeed. Can you really handle that?
Right, but again IME, what happens is endless such diversions and whatnot, all in the name of 'realism' in a pretend world. Obviously at some level there will be things that don't relate to your PCs and their stories, but its a question of focus.
Why is it more realistic to meet the goblins, rather than the Orcs the PC hopes to confront?IME, what happens is endless such diversions and whatnot, all in the name of 'realism' in a pretend world. Obviously at some level there will be things that don't relate to your PCs and their stories, but its a question of focus.
Exactly.Why is it more realistic to meet the goblins, rather than the Orcs the PC hopes to confront?
"Realistic" here just means "What the GM decided would be part of their world."
Why is it more realistic to meet the Orcs the PC hopes to confront, rather than the goblins?Why is it more realistic to meet the goblins, rather than the Orcs the PC hopes to confront?
"Realistic" here just means "What the GM decided would be part of their world."
Well, I'm happy we agree on something.Any GM who tells their player the kind of stuff you're saying has, in my opinion, failed as a simulationist. Of course the PCs can change the world, through their actions. That's the point. Big changes require more effort and more time, of course. Just like in real life.
It's not. But if both are equally (un)realistic, why not frame the situation that speaks to the PC's dramatic need?Why is it more realistic to meet the Orcs the PC hopes to confront, rather than the goblins?
Intentionally omitted from this list - I believe echoing the OP - is structuring ongoing agreement about what happens. Putting weight on this, from Vincent Baker (requoting from the OP)To roll up several posts into one convenient summary starting with the reason from the OP...
1. The emotionally fraught, where participants would be reticent to say the unwelcome and the unwanted; especially that had the potential to upset every single person at the table.
2. The systematically complex, where there are too many mechanics interacting in too many ways for participants to maintain and operate them purely mentally; especially in diverse circumstances over multiple sessions.
3. The competitively robust, where participants want fair outcomes influenced by their dissimilar choices in contests between them (PvP, PvE), especially as disparities widen between outcomes and participants want to play their hands vigorously.
4. The subversively creative, where participants desire to work creatively within the game's limits, including subversively and with inventive interpretations of the rules.
5. The unpredictable, where participants want shared uncertainty about the contours of future game state, especially where they want capacity to influence its distribution.
Did anyone notice any other reasons?
"if all your formal rules do is structure your group's ongoing agreement about what happens in the game, they are a) interchangeable with any other rpg rules out there, and b) probably a waste of your attention. Live negotiation and honest collaboration are almost certainly better..."
Inetesting, in that I have a character of my own in a similar situation: she has ve-e-ery big long-term goals, the end point of which is to become the Empress of that setting's version of Rome. That said, I harbour no expectations those goals will be realized during her adventuring (i.e. played) career, as they really don't involve adventuring. In fact, even now she's starting to realize that going adventuring in fact runs a bit counter to her aims (though the funds it provides are welcome!) in that if she's in the field it means she's not in the political arena where she really should be.Maybe, but I admit this is a pretty shallow example. How about "Brilliant, but obsessed with the idea that I cannot live up to my father's expectations, I will do anything to unite the Yu states under my rule, and crush the orc tribes forever." You gonna condone that? Because, from my experience 99.9% of all 'simulationist' GMs are going to instantly tell me that its unrealistic to expect your character to do great things, that changing the world is basically impossible, and they don't seem to want to upend their lore.
That seems to me like one of the many obstacles along the path to reaching your goal. As DM I can handle that just fine. As player, it'd be situationally dependent both on the character (characters of different ethics/morals/alignment would have widely different approaches) and the situation (just how badly do I need this guy's alliance anyway).That sort of problem is exactly what I'm talking about. And that's still really a largely externally directed sort of dramatic need, the real nut of things is going to be when I have to marry off my favorite sister to that horrible guy that I must ally with to succeed. Can you really handle that?
I look at the game/campaign as being bigger than any one PC's story, in part because I don't want the campaign to end if-when that PC's story ends. And so, there's always going to be lots more out there at any given time than just what matters to the PC you happen to be playing at the moment.Right, but again IME, what happens is endless such diversions and whatnot, all in the name of 'realism' in a pretend world. Obviously at some level there will be things that don't relate to your PCs and their stories, but its a question of focus.
I despise your choice of labels; I agree with the reasons you applied them to... but I personally have seldom seen #3 to be anything less than annoying in practice. PVP is antisocial, and uncommon. I'll also note that your list seems inherently limited to the storygames side....To roll up several posts into one convenient summary starting with the reason from the OP...
1. The emotionally fraught, where participants would be reticent to say the unwelcome and the unwanted; especially that had the potential to upset every single person at the table.
2. The systematically complex, where there are too many mechanics interacting in too many ways for participants to maintain and operate them purely mentally; especially in diverse circumstances over multiple sessions.
3. The competitively robust, where participants want fair outcomes influenced by their dissimilar choices in contests between them (PvP, PvE), especially as disparities widen between outcomes and participants want to play their hands vigorously.
4. The subversively creative, where participants desire to work creatively within the game's limits, including subversively and with inventive interpretations of the rules.
5. The unpredictable, where participants want shared uncertainty about the contours of future game state, especially where they want capacity to influence its distribution.
Did anyone notice any other reasons?
Seldom was an issue under AD&D 1e/2e and BX/BECMI/Cyclo+Wrath.I assume 5e play to include at least a map and minis. I can't imagine (pun intended) trying to play 5e - or any form of D&D - in full TotM mode. Too many arguments.
I like the implied premise of your first bullet, i.e. that we can hardly find the mechanics interesting if there are none. I feel like your fourth bullet is a subset of that - we find the mechanics interesting because they simulate something in a way we're interested in. So I would make your first bullet a 6th reason why RPGs need rules.I despise your choice of labels; I agree with the reasons you applied them to... but I personally have seldom seen #3 to be anything less than annoying in practice. PVP is antisocial, and uncommon. I'll also note that your list seems inherently limited to the storygames side....
- The mechanical systems are in themselves interesting. (Either for optimization/evaluation, or for enjoyable flow.) {this is often true for me.}
- The mechanics impose/enforce setting tropes. (Especially for systems with Magic rules. Also for class-based mechanics.)
- The mechanics provide tools for enhancing creativity by creating starting points.
- The mechanics provide tools for simulating some elements.
It's worth noting that the effect of AWE/PBTA moves is both providing a framework to be creative within, and to enforce tropes, by using the inherent interest of a mechanical resolution, the setting tropes, and the unpredictable.
Traveller has several examples of those.
- Mechanical interest: Character Generation, ship building, combat (Personal and Ship-to-ship).
- Imposing/enforcing setting tropes: Traveller's jump drive rules provide an interesting set of limits in the setting; they also provide the core tropeset for how the OTU handles travel. Character gen is very much a block of setting tropes. World Gen also has a bunch of setting tropes encoded/emergent in/from it.
- Tools for enhancing creativity: The Patron tables, the animal generation, the world generation, and the random encounter tables all provide starting points for various elements.
- Simulation: Traveller's Character Gen and combat are intentionally low-fidelity simulations. World Gen is at best emulation,