YourSwordIsMine
First Post
Mistwell said:Only if you plan on not working in that industry after the strike ends...
Yeah... you really dont want to be a "scab" in Hollywood... bad idea...
Mistwell said:Only if you plan on not working in that industry after the strike ends...
Either that or use WotC's business model:RangerWickett said:Give away money? Madness!
I dunno. Is the Sarah Conner Chronicles already in production shooting? How many episode scripts have their writing staff have completed and ready for shooting?Frukathka said:Does this in any way affect the Terminator tv series that is supposed to be forthcoming?
Mistwell said:Uh, as far as I know that is not a matter of negotiation. Like I said, the writers DO belong to a Union, they just don't belong to THAT union. Why would you want to force them to change unions? They voted to be in the other union.
None of the strikers are providing the studios with scripts. That would defeat the whole purpose of the strike. As for writing, writers can write stuff at home and just not give it to the network. A strike is a great opportunity for a TV writer to work on a pilot or a novel, which he or she might not otherwise have the time to finish.trancejeremy said:I'm curious as to how this works. Does it only keep writers from presently writing, or are they also not selling scripts? Like say, could someone sell an old script, or would that be a violation? Or could they simply re-use old scripts for other shows and simply change character names?
Crossing the picket line would do tremendous damage to a writer's (prospective) career in Hollywood. A writer gets hired by the showrunner, and 99% of the time, that's another writer. I'm sure you can see the problem there.trancejeremy said:And just how much would breaking the actually hurt a career in Hollywood. Wouldn't it just annoy the other writers, but not so much the directors/producers/actors? Inter-union solidarity really only flows from the bottom up, not the other way around.
Writers not currently working in America aren't members of the WGA, so they aren't striking. However, I know that the Writers Guild of Canada has told its members not to sell any scripts to American studios until the WGA strike ends, so there may be repercussions even in other countries.trancejeremy said:And what about writers from other countries?
trancejeremy said:I'm curious as to how this works. Does it only keep writers from presently writing, or are they also not selling scripts? Like say, could someone sell an old script, or would that be a violation? Or could they simply re-use old scripts for other shows and simply change character names?
(Yes, I realize most movies get revised a lot after the script is sold, but still, just curious)
And just how much would breaking the actually hurt a career in Hollywood. Wouldn't it just annoy the other writers, but not so much the directors/producers/actors? Inter-union solidarity really only flows from the bottom up, not the other way around.
For instance, I can remember several years ago, the local stadium workers were on strike. Yet did the baseball players union (or umpires) strike as well, or even honor the picket line? No, they still played in the stadium full of replacement workers. The writers are probably on a similar spot on the totem pole.