This is the internets. Where untold numbers of innocuous, superfluous, and wrong-headed conversations abound. Trying to legitimize a demand, based on the existence of a conversation (the demander is directly participating in) on the internet, is certainly one of the most entertaining things I've read in a long time. Thank you for that.Problem is, if the itch were truly scratched this conversation would never happen.
I would argue that the idea of listening to a small contingent of random, anonymous people in the internet, who have no demonstrable sense of game design or system balance, is an even worse way to design new mechanics.Listening to people who hate a concept is the worst way to design anything.
Taking the range of basic support contributions the party needs and dividing it among sub-classes would be a sure way of rendering the class strictly inferior. 'Overpowered' isn't even really on the table with a martial class. It's very unlikely that a Warlord design balanced with the other existing support-oriented classes could even attain viability relative to the casters currently looked to for such contributions (among others, since neo-Vancian casters are so profoundly versatile). Even the most 'kitchen sink' of hypothetical approaches to the Warlord pales to insignificance compared to the range, flexibility & power of what casters already bring to the table.Those sound like subclasses. One subclass to focus on ShortRest based healing/saving throws/potion brewing. Second subclass to focus on ShortRest based combat buffs/military study/equipment buffs. Not overpowered if they scale it right.
Because the fighter & rogue don't have distinct 'fluff?'But I don't mind them re-releasing classes with each story arc. Each class in D&D should have a distinct fluff anyway, otherwse the class system doesn't work. That's why Fighter and Rogue conflict with every other martial class.
lolKinda like what they did with the Purple Barney Knight.
(I never cared for Bravura, but I've never heard a better name for it)
Yeah, I know, I just never liked it. You don't hear 'bravura' much at all in American English, but it's close to 'bravado,' which you hear do hear - almost exclusively in the phrase 'false bravado.' So, yeah, don't care for it. Not nearly as bad as 'Marshal,' just wish there were something better, because the courageous, lead-from-the-front hero is such a powerful archetype.Which is odd, because that's exactly what the word "bravura" is used for. It's originally Italian, and is still used (albeit rarely) to define a particular tone or style of a section of music, one that requires both great skill and great "spirit" in the performer. However, it is also used, more in British than American English, to refer to "a display of boldness or daring"...which is exactly what Bravura Warlords are about, being bold and daring, taking big risks for big rewards, putting themselves and others in tactically advantageous danger.
Yeah, I know, I just never liked it. You don't hear 'bravura' much at all in American English, but it's close to 'bravado,' which you hear do hear - almost exclusively in the phrase 'false bravado.' So, yeah, don't care for it. Not nearly as bad as 'Marshal,' just wish there were something better, because the courageous, lead-from-the-front hero is such a powerful archetype.
Audacious works.Valiant, Gallant, Dauntless, Intrepid, Audacious?
I do like Valiant, but the Bard has already snatched up Valor, which is awfully close. Anyway, not important. As long as the archetype is done well, they can call it Shirley for all the difference it makes.Valiant, Gallant, Dauntless, Intrepid, Audacious?