Worlds of Design: Putting Up Walls

While the typical monumental defensive wall is much less impressive than the Great Wall we see in photographs, they did serve a purpose, and many were built. How might they fit into a fantasy world?

While the typical monumental defensive wall is much less impressive than the Great Wall we see in photographs, they did serve a purpose, and many were built. How might they fit into a fantasy world?

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Picture courtesy of Pixabay.

“There in the mist, enormous, majestic, silent and terrible, stood the Great Wall of China. Solitarily, with the indifference of nature herself, it crept up the mountain side and slipped down to the depth of the valley.” W. Somerset Maugham

The Great Wall​

You may have seen the movie “Great Wall” (Matt Damon, Pedro Pascal). It’s a monster movie, practically, much of it taking place at a fantasized version of the Great Wall, much more impressive than the historical wall ever was. Very long defensive walls out in the middle of nowhere were rarely as impressive, but they were effective, and for most of history they were not built of stone.

The world has a long history of monumental defensive earthworks. These defensive walls were erected against invaders, usually “barbarians.” They were much too long to be manned all along their length (Hadrian’s Wall is 73 miles; the Great Wall is thousands of miles). The wall’s main effect was to keep out four-footed creatures (horses), and to keep in livestock that raiders wanted to take back to their homeland. Such animals could only go through at the gates of the widely separated forts, which were manned. Men on foot could easily climb the walls, or use a ladder, as most walls weren’t tall nor did they have unclimbable faces (think how the Wildings climbed the magically stupendous Ice Wall in “Game of Thrones”).

That’s because the Great Wall and other monumental defensive walls were made of rammed earth or sod, or occasionally timber and earth, often accompanied by deep trenches. The roughest terrain of the line might have no wall at all. Ca. 1450 CE the Ming started building the more impressive stone Great Wall that we see in photos.

Wall to Wall​

The Great Wall is the largest and most well-known of these works. Other well-known ones include Hadrian’s (and the Antonine) wall between England and Scotland, the Danewerke between Denmark and Germany, Offa’s Dike between Wales and England, the Wall of Alexander, and a wall built between the Tigris and Euphrates rivers to stop infiltration by nomads some 3,500 years ago. Most of the older walls, such as the earlier versions of the Great Wall, have eroded away.

Occasionally in an historical atlas you can find a map showing where monumental defensive works have been built. They are scattered all over the place; even the Chinese Great Wall was fragmented until much of it was joined together by the first emperor of the Qin, preceding the Han empire (ca. 210 BCE)

Why Build a Wall at All?​

Monumental walls weren’t built against sea raiders; the Roman “Saxon Shore’” if it existed at all, was a series of forts, not a continuous wall.

There are practical considerations in non-mechanized times. Hadrian’s Wall is well south of the Antonine Wall, and the latter is much shorter. But the Romans pulled back to Hadrian’s because of supply limitations. Given the ferocious seas in the area, and the high cost of land transportation even with Roman roads, the soldiers manning the wall had to be fed from the surrounding area. The lands around the Antonine wall (both sides) were insufficient support.

Monumental walls always involve the question, do you spend your money on fortifications, or on mobile troops/units? Even earthen versions of long walls are expensive to construct and to man. Offa’s Dyke is a cut-price version, just a pile of dirt (up to 8 feet high) and trenches with no gates and no one manning it. But that’s all that eighth century Mercia (or earlier Romans) could afford.

Great Walls in Your Campaign​

When considering massive defensive structures like walls to your campaign, it’s worth asking a few questions:
  • Does it make sense to have a wall? Thinking of the fundamental purpose of monumental walls—restricting four-footed traffic—we can ask whether they will even slow down most monsters. So many monsters are fast and agile, easily climbing walls. But the walls still prevent raiders from rustling livestock . . .
  • Who has the wealth and organization to build these walls? In a more “advanced” world (say, like the Renaissance?) the walls might be so substantial that they could be seen as “dungeons”, at least at the gate forts. Or if you have a world that has diminished from its peak, a ruined massive wall might be an even better candidate for “dungeon” exploration.
  • Why did the walls fall into ruin? Ruined walls in themselves can be quite atmospheric in the story of the campaign. Who built this, and why?
Your Turn: How often has a monumental wall played a part in a campaign you’ve played?
 

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Lewis Pulsipher

Lewis Pulsipher

Dragon, White Dwarf, Fiend Folio

dragoner

KosmicRPG.com
The great wall of China was a protected highway for the silk road, it paid for itself in profits, until the mongols cut the route farther west, then it collapsed. Hadrian's wall, is very ingenious, it was built and manned by the very people it was meant to keep out. Thus keeping the southern areas undisturbed, as the northern people were occupied doing something else.
 

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MarkB

Legend
Then there are walls like the Wall in Neil Gaiman's Stardust that separated the human world from the magical world on the other side. How does it work? Who cares?
Who cares? The ones trying to circumvent it, or to prevent its circumvention. At some point, that may well be the PCs.
 



MarkB

Legend
Then please join dragoner's letter-writing campaign against Neil Gaiman's Stardust.
Nothing against his writing - "who cares?" works fine in a novel. But if you're adapting it to an RPG scenario, at some point you may find yourself having to provide a different answer.
 


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