D&D Historian Benn Riggs On Gary Gygax & Sexism

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The recent book The Making of Original Dungeons & Dragons 1970-1977 talks about the early years of D&D. In the book, authors Jon Peterson and Jason Tondro talk about the way the game, and its writers, approached certain issues. Not surprisingly, this revelation received aggressive "pushback" on social media because, well, that sort of thing does--in fact, one designer who worked with Gygax at the time labelled it "slanderous".

D&D historian Ben Riggs--author of Slaying the Dragon--delved into the facts. Note that the below was posted on Twitter, in that format, not as an article.

D&D Co-Creator Gary Gygax was Sexist. Talking About it is Key to Preserving his Legacy.

The internet has been rending its clothes and gnashing its teeth over the introduction to an instant classic of TTRPG history, The Making of Original D&D 1970-1977. Published by Wizards of the Coast, it details the earliest days of D&D’s creation using amazing primary source materials.

Why then has the response been outrage from various corners of the internet? Well authors Jon Peterson and Jason Tondro mention that early D&D made light of slavery, disparaged women, and gave Hindu deities hit points. They also repeated Wizard’s disclaimer for legacy content which states:"These depictions were wrong then and are wrong today. This content is presented as it was originally created, because to do otherwise would be the same as claiming these prejudices never existed."

In response to this, an army of grognards swarmed social media to bite their shields and bellow. Early D&D author Rob Kuntz described Peterson and Tondro’s work as “slanderous.” On his Castle Oldskull blog, Kent David Kelly called it “disparagement.” These critics are accusing Peterson and Tondro of dishonesty. Lying, not to put too fine a point on it.So, are they lying? Are they making stuff up about Gary Gygax and early D&D?

Well, let's look at a specific example of what Peterson and Tondro describe as “misogyny “ from 1975's Greyhawk. Greyhawk was the first supplement ever produced for D&D. Written by Gary Gygax and Rob Kuntz, the same Rob Kuntz who claimed slander above, it was a crucial text in the history of the game. For example, it debuted the thief character class. It also gave the game new dragons, among them the King of Lawful Dragons and the Queen of Chaotic Dragons. The male dragon is good, and female dragon is evil. (See Appendix 1 below for more.)

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It is a repetition of the old trope that male power is inherently good, and female power is inherently evil. (Consider the connotations of the words witch and wizard, with witches being evil by definition, for another example.)

Now so-called defenders of Gygax and Kuntz will say that my reading of the above text makes me a fool who wouldn’t know dragon’s breath from a virtue signal. I am ruining D&D with my woke wokeness. Gygax and Kuntz were just building a fun game, and decades later, Peterson and Tondro come along to crap on their work by screeching about misogyny.

(I would also point out that as we are all white men of a certain age talking about misogyny, the worst we can expect is to be flamed online. Women often doing the same thing get rape or death threats.)

Critics of their work would say that Peterson and Tondro are reading politics into D&D. Except that when we return to the Greyhawk text, we see that it was actually Gygax and Kuntz who put “politics” into D&D.

The text itself comments on the fact that the lawful dragon is male, and the chaotic one is female. Gygax and Kuntz wrote: “Women’s lib may make whatever they wish from the foregoing.”


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The intent is clear. The female is a realm of chaos and evil, so of course they made their chaotic evil dragon a queen.

Yes, Gygax and Kuntz are making a game, but it is a game whose co-creator explicitly wrote into the rules that feminine power—perhaps even female equality—is by nature evil. There is little room for any other interpretation.

The so-called defenders of Gygax may now say that he was a man of his time, he didn’t know better, or some such. If only someone had told him women were people too in 1975! Well, Gygax was criticized for this fact of D&D at the time. And he left us his response.

Writing in EUROPA, a European fanzine, Gygax said:“I have been accused of being a nasty old sexist-male-Chauvinist-pig, for the wording in D&D isn’t what it should be. There should be more emphasis on the female role, more non-gendered names, and so forth."

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"I thought perhaps these folks were right and considered adding women in the ‘Raping and Pillaging[’] section, in the ‘Whores and Tavern Wenches’ chapter, the special magical part dealing with ‘Hags and Crones’...and thought perhaps of adding an appendix on ‘Medieval Harems, Slave Girls, and Going Viking’. Damn right I am sexist. It doesn’t matter to me if women get paid as much as men, get jobs traditionally male, and shower in the men’s locker room."

"They can jolly well stay away from wargaming in droves for all I care. I’ve seen many a good wargame and wargamer spoiled thanks to the fair sex. I’ll detail that if anyone wishes.”


So just to summarize here, Gygax wrote misogyny into the D&D rules. When this was raised with him as an issue at the time, his response was to offer to put rules on rape and sex slavery into D&D.

The outrage online directed at Peterson and Tondro is not only entirely misplaced and disproportional, and perhaps even dishonest in certain cases...

Part 2: D&D Co-Creator Gary Gygax was Sexist. Talking About it is Key to Preserving his Legacy....it is also directly harming the legacies of Gygax, Arneson, Kuntz and the entire first generation of genius game designers our online army of outraged grognards purport to defend.

How? Let me show you.The D&D player base is getting more diverse in every measurable way, including age, gender, sexual orientation, and race. To cite a few statistics, 81% of D&D players are Millenials or Gen Z, and 39% are women. This diversity is incredible, and not because the diversity is some blessed goal unto itself. Rather, the increasing diversity of D&D proves the vigor of the TTRPG medium. Like Japanese rap music or Soviet science fiction, the transportation of a medium across cultures, nations, and genders proves that it is an important method for exploring the human condition. And while TTRPGs are a game, they are also clearly an important method for exploring the human condition. The fact the TTRPG fanbase is no longer solely middle-aged Midwestern cis men of middle European descent...

...the fact that non-binary blerds and Indigenous trans women and fat Polish-American geeks like me and people from every bed of the human vegetable garden ...

find meaning in a game created by two white guys from the Midwest is proof that Gygax and Arneson were geniuses who heaved human civilization forward, even if only by a few feet.

So, as a community, how do we deal with the ugly prejudices of our hobby’s co-creator who also baked them into the game we love? We could pretend there is no problem at all, and say that anyone who mentions the problem is a liar. There is no misogyny to see. There is no **** and there is no stink, and anyone who says there is naughty word on your sneakers is lying and is just trying to embarrass you.

I wonder how that will go? Will all these new D&D fans decide that maybe D&D isn’t for them? They know the stink of misogyny, just like they know **** when they smell it. To say it isn’t there is an insult to their intelligence. If they left the hobby over this, it would leave our community smaller, poorer, and suggest that the great work of Gygax, Arneson, Kuntz, and the other early luminaries on D&D was perhaps not so great after all…

We could take the route of Disney and Song of the South. Wizards could remove all the PDFs of early D&D from DriveThruRPG. They could refuse to ever reprint this material again. Hide it. Bury it. Erase it all with copyright law and lawyers. Yet no matter how deeply you bury the past, it always tends to come back up to the surface again. Heck, there are whole podcast series about that. And what will all these new D&D fans think when they realize that a corporation tried to hide its own mistakes from them?

Again, maybe they decide D&D isn’t the game for them. Or maybe when someone tells you there is **** on your shoe, you say thanks, clean it off, and move on.

We honor the old books, but when they tell a reader they are a lesser human being, we should acknowledge that is not the D&D of 2024. Something like...

“Hey reader, we see you in all your wondrous multiplicity of possibility, and if we were publishing this today, it wouldn’t contain messages and themes telling some of you that you are less than others. So we just want to warn you. That stuff’s in there.”

Y’know, something like that legacy content warning they put on all those old PDFs on DriveThruRPG. And when we see something bigoted in old D&D, we talk about it. It lets the new, broad, and deep tribe of D&D know that we do not want bigotry in D&D today. Talking about it welcomes the entire human family into the hobby.To do anything less is to damn D&D to darkness. It hobbles its growth, gates its community, denies the world the joy of the game, and denies its creators their due. D&D’s creators were visionary game designers. They were also people, and people are kinda ****** up. So a necessary step in making D&D the sort of cultural pillar that it deserves to be is to name its bigotries and prejudices when you see them. Failure to do so hurts the game by shrinking our community and therefore shrinking the legacy of its creators.

Appendix 1: Yeah, I know Chaos isn’t the same as Evil in OD&D.

But I would also point out as nerdily as possible that on pg. 9 of Book 1 of OD&D, under “Character Alignment, Including Various Monsters and Creatures,” Evil High Priests are included under the “Chaos” heading, along with the undead. So I would put to you that Gygax did see a relationship between Evil and Chaos at the time.

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Look, folks, we know how a conversation like this goes on the internet. Because, internet. Read the rules you agreed to before replying. The banhammer will be used on those who don't do what they agreed to.
 

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And I think what folks are not quite grokking is that there wasn't any particular reason not to publish these statements back in those days, because those ideas weren't as "out there" in relation to the median societal view as they are now.


Okay, but you also claimed the majority of female fantasy writers were forced/encouraged to change or disguise their names, and I just don't see any evidence for that.


Fantasy as a genre didn't really take off until the 1960s, and several of the female writers I named got their start during that decade. So women writing under female names have been a prominent part of the fantasy writing roster pretty much since the beginning. I can well believe that in science fiction, there were more barriers in place.


To be clear, are we talking about fantasy here? Because if so, I'm going to need more evidence that women writing under female names faced serious obstacles. The way I remember it (and I'm about your age), fantasy was one of the genres with the most female representation among published authors, second only to mysteries. (Again, I can believe it was different for sci-fi, which I read less of.)
I don't know what to tell you. There are some good books on the subject that can illustrate for you the prevailing attitudes of the time and how they were gradually changing if that will help; I can only provide anecdotal evidence as someone who cut their reading teeth on the fiction by actually growing up in the late 70's and early 80's as an actual participant in the hobby and scifi/fantasy reader at the time, but don't take my word for it. You will not be able to persuade me otherwise of what I actually witnessed, experienced and lived through. A good google search will bring up numerous books on the topic, and if you would like, go read just about any essay or interview with the many, many women authors who championed gaining a foothold in that time period. It's out there, I assure you, and you do not need to take my word for it; I'm just a guy who was actually there.
 

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I don't know what to tell you. There are some good books on the subject that can illustrate for you the prevailing attitudes of the time and how they were gradually changing if that will help; I can only provide anecdotal evidence as someone who cut their reading teeth on the fiction by actually growing up in the late 70's and early 80's as an actual participant in the hobby and scifi/fantasy reader at the time, but don't take my word for it. You will not be able to persuade me otherwise of what I actually witnessed, experienced and lived through. A good google search will bring up numerous books on the topic, and if you would like, go read just about any essay or interview with the many, many women authors who championed gaining a foothold in that time period. It's out there, I assure you, and you do not need to take my word for it; I'm just a guy who was actually there.
There's also another aspect:

Not only is there no greater reason for people to not print stuff like that, today, there are reasons to print stuff like that, today.

It's why we have bigots who write entire screaming manifestos into the void for other bigots to read and nod their heads to, as if sharing the wisdom of Aristotle. There's forums and discords and group chats where TERFs recycle bigoted narratives about trans people from bigoted narratives about lesbians which were, in turn, recycled bigoted narratives about black men.

Outrage farms are a whole -thing-, these days, and there's big money in it.

That's what Twitter and Facebook basically are at this point. Algorithmically empowered rage-generators which will put bigoted, hateful, disgusting content in front of you in the hopes you interact with it and give them more of your attention so the advertisers get their money's worth.

And don't get me -started- on Tiktok. I posted a comment in support of a leftist co-op in Seattle and now my FYP has some random person in sunglasses in the front seat of their car raging on a livestream about the latest "Real problem with this country" every 5-6 posts.

And while it probably wasn't AS marketable in the 70s... it was still a thing. For every book of feminist literature on the shelves there was another book screaming about how women's liberation is the "Real Evil".

Sure, some rando is likely to get fired from their job for screaming the N-word at a cashier when their credit card gets declined. But they're also likely to have a "GoFundMe" with $20,000 in it for "Speaking their mind" and a book tour by the end of the year for their hot new novel "Being Canceled: The Conspiracy to Silence the Truth!"
 

Integrity means doing the right thing, even when no one else is there to judge.

It seems that we are lacking in integrity. More importantly, we are lacking in shame. Because shame deservedly gets a bad rap for many things, but it is also the check on doing bad things. If we don't feel shame over bad acts, if, instead, we flaunt those bad acts and are celebrated for them, then there is little recourse.
To add to this, Brené Brown has some great distinctions between guilt and shame, with (in her view that I subscribe to), the former being a productive driver in our lives, with shame being an unproductive and even deleterious driver. (Put simply, the difference between the two is that guilt says "I'm sorry, I did something wrong" while shame states "I'm sorry, I'm wrong" (as in flawed at some deep fundamental level that I can't change and therefore I'm not worthy of love and belonging). We tend to use the two words interchangeably (much as I noted above the collapse between Responsibility and Blame, which is why I try to use the word Ownership instead as it tends to sidestep that collapse) and in that collapse if things fall into the shame category it can lead people to say "why bother" or act out in other, sociopathic, ways.

I might get myself in trouble here in trying to keep the above brief and simplified to not stray too far off topic of this thread (and forum as a whole), but I concur that there are (many) systems in place that reward sociopathic behaviour, and through that it lessens guilt (indeed often flips it on its head) and leads some to double down on hurtful and deleterious behaviour. :/
 

To add to this, Brené Brown has some great distinctions between guilt and shame, with (in her view that I subscribe to), the former being a productive driver in our lives, with shame being an unproductive and even deleterious driver. (Put simply, the difference between the two is that guilt says "I'm sorry, I did something wrong" while shame states "I'm sorry, I'm wrong" (as in flawed at some deep fundamental level that I can't change and therefore I'm not worthy of love and belonging).
There is another function of shame, and that is its preventative function. "I won't do X because it's shameful." Unfortunately, that function seems to have fallen by the wayside for the rich and powerful, because for pretty much any behavior you'll be able to find enough people to excuse and ignore it.
 

To add to this, Brené Brown has some great distinctions between guilt and shame, with (in her view that I subscribe to), the former being a productive driver in our lives, with shame being an unproductive and even deleterious driver. (Put simply, the difference between the two is that guilt says "I'm sorry, I did something wrong" while shame states "I'm sorry, I'm wrong" (as in flawed at some deep fundamental level that I can't change and therefore I'm not worthy of love and belonging). We tend to use the two words interchangeably (much as I noted above the collapse between Responsibility and Blame, which is why I try to use the word Ownership instead as it tends to sidestep that collapse) and in that collapse if things fall into the shame category it can lead people to say "why bother" or act out in other, sociopathic, ways.

I might get myself in trouble here in trying to keep the above brief and simplified to not stray too far off topic of this thread (and forum as a whole), but I concur that there are (many) systems in place that reward sociopathic behaviour, and through that it lessens guilt (indeed often flips it on its head) and leads some to double down on hurtful and deleterious behaviour. :/

Huh. I hadn't heard that before! Thanks, I think that it is a useful distinction.
 

I don't know what to tell you. There are some good books on the subject that can illustrate for you the prevailing attitudes of the time and how they were gradually changing if that will help; I can only provide anecdotal evidence as someone who cut their reading teeth on the fiction by actually growing up in the late 70's and early 80's as an actual participant in the hobby and scifi/fantasy reader at the time, but don't take my word for it.
I don't know if the majority did so, but it was pretty commong for women writing in science fiction/fantasy to use pen names that disguised their gender or changed it. James Tiptree, Jr. is pretty famous for it and there was even an award named after her in 1991. But like many of our heroes, they changed the name in 2019 because people were uncomfortable with the suicide pact she had entered with her husband that led to their expiration in 1987. Or was it just a case of caregiver murder? Who knows?
 

I can only provide anecdotal evidence as someone who cut their reading teeth on the fiction by actually growing up in the late 70's and early 80's as an actual participant in the hobby and scifi/fantasy reader at the time, but don't take my word for it. You will not be able to persuade me otherwise of what I actually witnessed, experienced and lived through. A good google search will bring up numerous books on the topic, and if you would like, go read just about any essay or interview with the many, many women authors who championed gaining a foothold in that time period. It's out there, I assure you, and you do not need to take my word for it; I'm just a guy who was actually there.
Buddy, I'm three years older than you. I also lived the experience by spending the 1970s and 1980s haunting the fantasy section of my local library, and I know the names that were represented there. There were loads of female names on those shelves among the prominent authors. I named eight off the top of my head just from memory, without even trying.

What I suspect is that you read more science fiction than I did and that you're conflating that more male-dominated (or at least, male-name-dominated) genre with fantasy. I am perfectly willing to believe there was pressure for women to take male pseudonyms or just use their initials in science fiction.
 

I don't know if the majority did so, but it was pretty commong for women writing in science fiction/fantasy to use pen names that disguised their gender or changed it. James Tiptree, Jr. is pretty famous for it and there was even an award named after her in 1991. But like many of our heroes, they changed the name in 2019 because people were uncomfortable with the suicide pact she had entered with her husband that led to their expiration in 1987. Or was it just a case of caregiver murder? Who knows?
Pen names are still being used though, it wasn't just a 70's or 80's thing, by a lot of current authors. I think it's less of a "I have to hide that I'm a man/woman" but more like, "I want to go by a different name for a different genre." Lemony Snicket is Daniel Handler, saying it was more of an alter-ego and playing into the whole mystery genre that he was playing into, using his real name as a "representative" of Lemony, like they were two different people. J.K. Rowling goes by Robert Galbrath to write in the crime fiction genre, choosing on her own volition to do so. I mean, they wanted her to use the name for the Harry Potter series fearing young boys wouldn't want to read it because a woman wrote it, but she proved that wrong by sticking to her actual name. Nora Roberts writes romance novels on her own as well as for Harlequin Romance, but she also uses J.D. Robb to write in the science fiction genre with futuristic police type stuff. She's also written for magazine under Jill March and in the UK she's known as Sarah Hardesty. Anne Rice wrote Vampire Chronicles in which Interview With The Vampire became a movie from. She also wrote in the Historical fiction genre as A.N. Roquelaure. She has another pen name but I can't remember it and I can't remember the genre for it. Stephen King writes in the horror genre, his pen name of Richard Bachman write in the psychological thrillers/thrillers genre in general, The other pen name John Swithen writes in the short story genre, and his last one Beryl Evans writes childrens books here and there on the rare occasion.

Point is, I don't think people taking pen names is because of their gender, but more so to be unrecognizable in other genres and possibly even in other places.
 

Pen names are still being used though, it wasn't just a 70's or 80's thing, by a lot of current authors. I think it's less of a "I have to hide that I'm a man/woman" but more like, "I want to go by a different name for a different genre." Lemony Snicket is Daniel Handler, saying it was more of an alter-ego and playing into the whole mystery genre that he was playing into, using his real name as a "representative" of Lemony, like they were two different people. J.K. Rowling goes by Robert Galbrath to write in the crime fiction genre, choosing on her own volition to do so. I mean, they wanted her to use the name for the Harry Potter series fearing young boys wouldn't want to read it because a woman wrote it, but she proved that wrong by sticking to her actual name. Nora Roberts writes romance novels on her own as well as for Harlequin Romance, but she also uses J.D. Robb to write in the science fiction genre with futuristic police type stuff. She's also written for magazine under Jill March and in the UK she's known as Sarah Hardesty. Anne Rice wrote Vampire Chronicles in which Interview With The Vampire became a movie from. She also wrote in the Historical fiction genre as A.N. Roquelaure. She has another pen name but I can't remember it and I can't remember the genre for it. Stephen King writes in the horror genre, his pen name of Richard Bachman write in the psychological thrillers/thrillers genre in general, The other pen name John Swithen writes in the short story genre, and his last one Beryl Evans writes childrens books here and there on the rare occasion.

Point is, I don't think people taking pen names is because of their gender, but more so to be unrecognizable in other genres and possibly even in other places.
There are all sorts of reasons why an author might choose to use a pen name.

The FACT is, back in the day, many female authors . . . especially in the sci-fi genre . . . felt they needed a masculine sounding pen name in order to sell their books to the audience at the time.

To claim otherwise is pure ignorance.
 

Pen names are still being used though, it wasn't just a 70's or 80's thing, by a lot of current authors. I think it's less of a "I have to hide that I'm a man/woman" but more like, "I want to go by a different name for a different genre."
Samuel Clemens used a pen name way back in the late 19th and early 20th centuries. I can't remember what his pen name was though. But, yes, pen names have been used for quite a while for a variety of reasons and one of them was to osbscure the identity of the writer. These days I suspect pen names are mostly used because it's traditional at this point. But apparently it's quite common for male writers of romance books to use female pen names. Alice Bradley used Jame Tiptree because women were sometimes given short shrift when they wrote in that genre in the 1970s. I've heard that some women writing fantasy/science fiction use initials rather than first names, in part, to obscure their gender. Allegedly J.K. Rowling was one of these but I can't confirm that.
 

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