The ENWorld Electric Bard Gear (Etc) Thread

Let me be 100% clear: my disappointment at the lineup change was fleeting. Fishbone- a band I liked anyway- gave one HELL of a performance. Good setlist, high-energy. Honestly, one of the better sets of the whole show.
I think that was one of NIN first tours, if not the first. Think Richard Patrick was still with them. They had a lot of technical difficulties on that tour.

Fishbone, mid-late 80s punk band from DC iirc with a brass section? I was never into punk, just not my thing. Honestly, I don't think I've ever heard them, if I did, I was probably drunk or at a party and didn't realize.

If you haven't, check out "Lolla: The Story of Lollapalooza", it's on Netflix, or Paramount+. Well worth the few hours, I watched it a few months back.
 

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@Dannyalcatraz Do you know if there is a website that cross references guitar parts? Something to tell you that if you have Guitar "x" that has part "y" brand/part "z" will fit as a replacement/upgrade? I tried to swap out the bent saddles on a Fender Modern Player Telecaster Plus with Graphtech string saver saddles. The specs on their site were all over the place, and couldn't find any that matched, so I figured I'll give them a shot. To the naked eye they looked a perfect fit, but when I got all 6 of them screwed in place they must've been a few thousandths of a mm off because the stack up caused them not to line up. So, I pulled one off just to see if the screws were cocked and it'd fit but it didn't. I tried raising the set screws, so they laid flat on the bridge and adjusted the spring screws, and no matter what I couldn't get them to fit. They all sat flush until I put the G string saddle in as in the pic. Always a crap shoot, I guess.

Graph Tech Saddles.jpg
 

Fishbone, mid-late 80s punk band from DC iirc with a brass section?
Basically yes, but formed in LA.

Also they weren’t straight up punk. Like RHCP & FNM, they fused punk with funk…plus a few idiosyncratic elements like ska & reggae. But unlike RHCP & FNM, their core genre was funk, not punk.

AND they’re still around, FWIW.
 

Basically yes, but formed in LA.

Also they weren’t straight up punk. Like RHCP & FNM, they fused punk with funk…plus a few idiosyncratic elements like ska & reggae. But unlike RHCP & FNM, their core genre was funk, not punk.

AND they’re still around, FWIW.
Heard of them in passing and had a few friends that were into them, but I was in a totally different place musically back then.
 

Do you know if there is a website that cross references guitar parts? Something to tell you that if you have Guitar "x" that has part "y" brand/part "z" will fit as a replacement/upgrade?
My usual approach to such questions is shoot the seller an email. I know some really take the time to distinguish between parts based on fine distinctions. At least a couple alert their customers that certain things work on Fenders not Squiers, or Gibsons not Epiphones.

But that’s not a situation I’m usually in, because:

1) most of my guitars are stock,
2) when I modify a guitar, I’m more likely to pay a pro than DIY,
3) my most common modification is a pickup swap, and
4) I tend to buy guitars from lesser-known brands.

The last one is kind of the key. The little guys either use very mainstream parts or very esoteric ones. So either they’re going to accept new parts from any of the major brands, or you’re going to have to contact the builder.

That said, something in the back of my mind says that some parts are also manufactured using imperial measurements (inches) and/or metric.
 

Heard of them in passing and had a few friends that were into them, but I was in a totally different place musically back then.
That’s one of the biggest reasons why I really appreciated Perry Farrell’s creation of Lollapalooza in the first place. He got fans from various musical tribes to hang out and vibe together. Lollapalooza attendees were virtually guaranteed to hear music they hadn’t before.

…which explains why I was profoundly disappointed when it stopped being a traveling show.
 

My usual approach to such questions is shoot the seller an email. I know some really take the time to distinguish between parts based on fine distinctions.
I've tried a few times with varying success to get info straight from manufacturer/seller to varying degrees of success. Sometimes you get a very detailed answer and other it's just a canned prefabricated line.
At least a couple alert their customers that certain things work on Fenders not Squiers, or Gibsons not Epiphones.
It amazes me that this happens as Squier and Epi are owned by their respective parent companies. I've ran into this a lot. As an example, I'm assuming that Fender and Gibson are using better metals while Squier and Epi are using cheap pot metals, but still doesn't really explain why in the last 30 years there should be differences in dimensions.
1) most of my guitars are stock,
Except for a few guitars, the only mod I always do is locking tuners, which can be tricky too.
2) when I modify a guitar, I’m more likely to pay a pro than DIY,
I usually like to give it the old college try at least once, except pickups and electronics, before I pay someone.
4) I tend to buy guitars from lesser-known brands.
As you recommended, Reverend might check one of those out after a G&L. How many guitars do you need? Just one more.
The little guys either use very mainstream parts or very esoteric ones.
Youd think that brands such as Gibson/Epiphone or Fender/Squier would use interchangeable parts, but IME they don't. Electronics I get but a bridge plate. I really think that those saddles were made for a bridge plate with a slightly different bolt pattern, which is why that flared out.
That said, something in the back of my mind says that some parts are also manufactured using imperial measurements (inches) and/or metric.
Absolutely, this is why DIY can be very hard because you think, this should work, not realizing that that .005 (inch or mm) difference in the tolerance will matter.
 

That’s one of the biggest reasons why I really appreciated Perry Farrell’s creation of Lollapalooza in the first place.
Yeah, that doc has a pretty good breakdown of bands through the years, and the diversity. The doc stopped before 2000. I'm surprised Bob Geldof didn't fly in by helicopter and try to take some credit for organizing part of it. I'm still pissed. Pretty sure my brother's and a bunch of my friends went to '92 in Barrie, ONT, and didn't invite me, tell me they were getting tickets. Day of y brother's friend left the tickets at home after they were already there. Bri: Kenny, you got the tickets? Kenny: Yeah, they're right.... FUDGE, they're on my kitchen table. They got replacements off scalpers rather than driving 3 hours back to Buffalo. Closest anything like Lolla came close to us was Clash of the Titans 1990 AIC, Anthrax, Slayer and Megadeth. The mosh pit from Slayer was so big you couldn't see the stage from all the dust. My friend still claims they pulled a dead girl out of the pit. You couldn't even walk 30 feet without walking into a mini mosh pit. Then Ozzfest came with 80 bands I could care less about, but it was OG Sabbath and Maiden. I saw Maiden 5 or 6 times, but less than I've seen the Black Crowes.
…which explains why I was profoundly disappointed when it stopped being a traveling show.
Yeah it sucks but not much you can do. I will say, your quote about sob stories and stories of concert greatness, got me thinking living in Buffalo, we've had a good run of acts come through here or close to where Im satisfied. Alive, or were alive, I've seen everyone I wanted to see. I saw Big Elf. Buffalos always had a good music scene. Eddie Murphy recorded "Party All the Time" at Rick James house during the Blizzard of 85
 


As you recommended, Reverend might check one of those out after a G&L.
BIIIIG Reverend fan, but can’t argue with G&L. In fact, I almost bought a G&L instead of my first Reverend…and still haven’t gotten one.

But I absolutely want to own one of their Z-Coil equipped guitars if nothing else. I put every one I find on Reverb on my Watched list.
 

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