Doug McCrae
Legend
The regenerating troll in D&D derives from Poul Anderson’s Three Hearts and Three Lions (1953). A possible source for the regeneration aspect of Anderson’s troll can be found in Thomas Bulfinch’s Legends of Charlemagne (1863). In the chapters about Ogier the Dane, Bruhier the Sultan of Arabia heals himself using the magical balm of Joseph of Arimathea.
Chainmail: "True Trolls are much more fearsome beasts (see Poul Anderson's THREE HEARTS AND THREE LIONS)… True Trolls can only be killed in Fantastic Combat against Hero-types, Balrogs, Elementals and Giants--magical weapons will also kill True Trolls."
OD&D: "Trolls are able to regenerate… Even totally sundered Trolls will regenerate eventually… unless they are burned or immersed in acid"
Three Hearts and Three Lions was partly inspired by L Sprague de Camp and Fletcher Pratt’s Harold Shea stories. These feature protagonists from our world travelling to fantastical realms. In the first, The Roaring Trumpet (1940), Shea finds himself in the world of Norse myth. Here he meets several trolls, but they do not have the power of regeneration.
The relationship between The Roaring Trumpet and Norse myth is similar to the relationship between Three Hearts and Three Lions and the medieval, and later, legends of Ogier the Dane. It is likely that the three chapters on Ogier the Dane in Thomas Bulfinch’s Legends of Charlemagne were one of Anderson’s sources. Carahue, a Saracen king who converted to Christianity, appears in both. Other versions of the legend use different spellings such as "Karaheu". I could not find "Carahue" anywhere other than Bulfinch and Anderson.
In Chapter XXVI of Bulfinch, Ogier battles Bruhier, the leader of the Saracens:
Chainmail: "True Trolls are much more fearsome beasts (see Poul Anderson's THREE HEARTS AND THREE LIONS)… True Trolls can only be killed in Fantastic Combat against Hero-types, Balrogs, Elementals and Giants--magical weapons will also kill True Trolls."
OD&D: "Trolls are able to regenerate… Even totally sundered Trolls will regenerate eventually… unless they are burned or immersed in acid"
Three Hearts and Three Lions was partly inspired by L Sprague de Camp and Fletcher Pratt’s Harold Shea stories. These feature protagonists from our world travelling to fantastical realms. In the first, The Roaring Trumpet (1940), Shea finds himself in the world of Norse myth. Here he meets several trolls, but they do not have the power of regeneration.
The relationship between The Roaring Trumpet and Norse myth is similar to the relationship between Three Hearts and Three Lions and the medieval, and later, legends of Ogier the Dane. It is likely that the three chapters on Ogier the Dane in Thomas Bulfinch’s Legends of Charlemagne were one of Anderson’s sources. Carahue, a Saracen king who converted to Christianity, appears in both. Other versions of the legend use different spellings such as "Karaheu". I could not find "Carahue" anywhere other than Bulfinch and Anderson.
In Chapter XXVI of Bulfinch, Ogier battles Bruhier, the leader of the Saracens:
[Ogier’s blow] cut away part of Bruhier’s helmet, and with it his ear and part of his cheek. Ogier, seeing the blood, did not immediately repeat his blow, and Bruhier seized the moment to gallop off on one side. As he rode he took a vase of gold which hung at the saddle-bow, and bathed with its contents the wounded part. The blood instantly ceased to flow, the ear and the flesh were restored quite whole, and the Dane was astonished to see his antagonist return to the ground as sound as ever.
Bruhier laughed at his amazement. "Know," said he, "that I possess the precious balm that Joseph of Arimathea used upon the body of the Crucified One, Whom you worship. If I should lose an arm, I could restore it with a few drops of this."…
Ogier, desperate at the unequal contest, grasped Cortana with both hands, and struck his enemy such a blow that it cleft his buckler, and cut off his arm with it; but Bruhier at the same time launched one at Ogier, which, missing him, struck the head of Beiffror, and the good horse fell, and drew down his master in his fall.
Bruhier had time to leap to the ground, to pick up his arm and apply his balsam
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