S
shurai
Guest
pawsplay said:A good swing may be long, but it's not wide. Your description of the axe-like movement is dead on. A n ideal greatsword swing comes down, ultimately, it's just a question of which down, exactly, it's coming from. Even in early styles, however, many of the telling blows were short and aimed at the neck or another joint.
I have several years of experience with the Japanese sword and it's similar for us: Very rarely do we use the kind of whirlybird silliness seen in the crappier films featuring Japanese swords (cough, Kill Bill, cough).
The first three plates here tell a very informative story:
http://www.thearma.org/Manuals/talhoffer.htm
Man, I love Plate 7: http://www.thearma.org/talhoffer/t7.htm
I can just see it playing out: The attacker on the right thrusts. The defender on the left sidesteps, does a "headlock" on the attacker's haft and arms, and then CRACK with the pommel right in the attacker's face. Game, set, match. >: ]
Also, what's this about the Eastern martial arts having all the silly flashy stuff? Guy looks like a rockette: http://www.thearma.org/talhoffer/t12.htm
Wheeeeeee! --> http://www.thearma.org/talhoffer/t34.htm
More to Driddle's original thoughts:
Of special note, I’m amused that the authors chose the wrong terms in the original text: “As a foe attacks, you use a stinging, painful parry to slash back.” It’s actually the riposte that would be stinging and painful, not the parry.
I'm not sure the authors knew what they were saying here either, but it is the case that you can parry and strike back with literally the same move. What if you parry but make contact with his arm rather than his weapon? : ]