Not reallyAh, but they may be central to this discussion?

See, not helpful. At all.
Yes, good point. But what do we mean by "good"? Why is the Mona Lisa "good"? Why is some art that is technically mediocre so much great than other art that is technically perfect?
I remember when 3E came out and everyone hated Todd Lockwood, calling his art soul-less; people would wax nostalgic for Erol Otus....now technically speaking Lockwood is miles beyond Otus; Lockwood is art grad school while Otus is junior high. But what was so evocative about Otus? Is it the "Golden Age of 12" factor mentioned in another thread? Is it nostalgia? Or is there something else there?
It is that "Something Else" that I am interested in, which I feel is what brings the imagination to life.
Yes, and it really worked for what it was. But it didn't go deep; no one watched an episode of friends and came away feeling like they had experienced something profound, that they had witnessed a great work of art. And I am not saying that all media needs to be "great art," but that we should recognize that there is a spectrum, and a place for all "locations" on the spectrum.
You might be right here, and I am probably somewhat of an elitist when it comes to imaginative creations. Not every fantasy novel needs to be the Silmarillion; heck, I loved the Belgariad--actually, the characters were a lot more enjoyable than Tolkien's, in many ways. They were certainly funnier. Ultimately my favorite kind of art is that which manages to run the gamut to some degree. Unfortunately it is very, very rare.
I think part of the problem is that the standards for imagination are set by television and film because they reach the widest audience. And they tend to have a gravitational effect: What you see on TV won't be terrible in that it will at least be professional and decently edited, but it will never be great because its greatness would be lost on the masses. Very very occasionally you can find a gem that is both accessible to many, but also deeply profound and "archetypally resonant." The Lord of the Rings is one such beast. Star Wars and Star Trek at their best are other examples. Harry Potter, unfortunately, is not.
Some really good points I agree on, and this is why I want to roll back to an older statement I made about (basically) Sturgeon's Law and persistence. The advantage that "better" works have over the mundane crap is that intellectuals and elitists tend to have a longer memory. The people who loved Futurama and Arrested Development still bring them up every time they can and force their friends and family to watch them any chance they can, and will continue to for some time. Why? Because the gems are rare. The masses don't need a memory span because there's always something more in the pipe coming their way, and there always will be.
Also I would say that over the span of the Potter series Rowling actually turned into a fairly decent writer, and while her style is a bit stilted at the beginning and the climax of Deathly Hallows makes a few clunky missteps she has, undeniably, created memorable characters that a very wide slice of the world has identified with in one way or another. While the literature itself may not stand up to the test of time, the characters and the archetype of their struggle, the general concept of their world, will project itself at least a century into the future.
Unless we blow ourselves up first.
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