Are Video Games Ruining Your Role-playing?

I love RPG video games, but they might be causing some sub-optimal habits in our tabletop role playing. So what’s a GM to do about it?

I love RPG video games, but they might be causing some sub-optimal habits in our tabletop role playing. So what’s a GM to do about it?

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Picture courtesy of Pixabay.

It's Dangerous to Go Alone. Take This (Advice)!​

Way back when, video games and RPGs weren’t too different. The video games often focused on killing stuff and getting treasure and so did plenty of dungeon modules. But it wasn’t very long before tabletop games moved into more narrative and character driven play which video games had a hard time following. While some video games like Dragon Age have tried to mirror role playing, you still only get a selection of options in interaction.

Nowadays, tabletop gaming has branched well beyond the elements that have been automated in video games. For players coming from video games, those elements can cause a biased approach to tabletop gaming that might make the game less fun. Below are some examples of how "video game creep" can affect tabletop RPG play styles and how to address them.

The Plot Will Happen Regardless​

While no one likes an interminable planning session, they do at least remind us that the players are not just participating but driving the story. In a video game the story happens whether you like it or not. You just need to keep putting one foot in front of the other and the story will happen regardless. So the bad habit here is a desire of players to ‘just move on’ assuming the GM will just give the plot to them as they go. This often comes unstuck in an investigative RPG where the players need to plan and consider, but it can cause problems in any game. Just pushing ahead will often clue in the bad guys about what is going on. Worse, without some effort to uncover clues, the players will just be floundering, wondering why the plot hasn’t miraculously appeared.

To get players out of this mode the GM might have be initially be a bit more obvious with clues. Almost to the point of putting a helpful flashing icon over them so the players can find them. The key here is to get them looking for clues and trying to understand the plot rather than just assuming inaction will solve the adventure regardless. Once players remember the clues will not come to them they will start trying to find them again.

“Nothing Is Too Much for Us!”​

With the option to save and return to a tough problem, video games offer the idea that any character can potentially tackle anything that is thrown at them. After all, the hero of a video game is a pregenerated character with all the right skills (or at least the means of acquiring them). This is also coupled with the fact that if the video game throws an army of zombies at you, then you expect to be able to fight them off. No problem is insoluble as long as you are prepared to persevere.

While perseverance isn’t a bad trait, sometimes the player characters shouldn't attempt to face all obstacles with brute force. The GM might have put them against insurmountable odds because they should be retreating. They assume putting 100 zombies in the room will make it pretty clear the way is blocked, then get surprised when the PCs draw swords and dive in. Then they are even more confused when the PCs accuse them of killing off their characters by putting too many monsters in, when no one forced them to fight them.

It is hard for some players to realise that retreat is also an option. But if you are used to facing and defeating supposedly insurmountable odds it is unlikely you’ll think of making a run for it. This attitude might also give some players the idea that any character can do anything leading to some spotlight hogging when they try to perform actions clearly suited better to other characters.

At this point the GM can only remind them retreat is an option, or that the thief should probably have first call on the lock picking. If they ignore that warning then they’ll eventually get the message after losing a couple more characters.

“I’m Always the Hero!”​

In many games the player characters are heroes, or at least people destined for some sort of greatness. But in a video game you are usually the chosen hero of the entire universe. You are the master elite agent at the top of their game. The problem is that in any group game not everyone can be the star all the time. So it can lead to a bit of spotlight hogging, with no one wanting to be the sidekick.

That is usually just something they can be trained out of with the GM shifting the spotlight to make sure everyone gets a fair crack. But being the greatest of all heroes all the time may mean the players won’t be satisfied with anything less. There are some good adventures to be had at low level, or to build up a great hero, and starting at the very top can miss all that. So, players ranking at the lower level of power should be reminded they have to build themselves up. Although there is nothing wrong with playing your game at a very high level if the group want big characters and bigger challenges.

Resistance Is Futile​

One of the things RPGs can do that video games can’t is let you go anywhere. If there is a door blocking your path, in an RPG you can pick the lock, cut a hole in it, even jump over it, where in a video game it remains unopened. If you get used to this concept it can lead to players thinking the opposite of the insurmountable odds problem. A locked door means they should give up and try another route or look for an access card. They start to think that like a video game there are places they are meant to go and meant not to go, and that they should recognise that and not fight it.

This might apply to any number of problems, where the GM is offering a challenge but the players just think that means they shouldn’t persevere. Worse, the players might think they need a key to open the door and will search for as long as it takes to find one, never imagining they might smash the door down.

This is a tough problem to get past as it means the GM needs to offer more options and clues to the players. If this doesn’t remind them they can try other things, then that opens up the following issue. So the GM should try and coax more options out of the players and make a point of rewarding more lateral thinking in their part.

“I’m Waiting for Options”​

While there may be several ways to defeat a problem, and the players know this, they might not be used to thinking of them for themselves. They will expect the GM to suggest several ways to defeat any obstacle or interact with an NPC rather than think of them themselves. This is easy to spot as the GM will notice that any clues or suggestions they make are always followed rather than taken as a helpful starting point.

The simple answer is to stop offering options and let the players think of them themselves. After all, RPGs are not multiple choice, they should be infinite choice. So the GM might also make a point of throwing the question back to the players and ask them what they will do about the encounter. The GM might offer clues if asked, but they should try and keep the focus on the players thinking of a way through rather than giving them clues.

Gaming in Every Medium​

The issues above aren’t a problem if that is how you all want to play. But they do put a lot of pressure on the GM to hand out all the answers and takes away the player’s agency to interact and influence the story. So it is worth taking a look at your group's gaming habits, particularly new players, and reminding them that although video game RPGs and tabletop RPG have a lot in common, they should be played differently.
 

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Andrew Peregrine

Andrew Peregrine

not-so-newguy

I'm the Straw Man in your argument
I think it comes down to which came first; the chicken or the egg? Table top games inspired computer games, then elements of computer games reflected back into table top games.
 

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Jer

Legend
Supporter
I don't think these kinds of problems come from computer games. Or if they do somehow I had players affected by them in the 90s when computer games were not nearly as widespread.

Mostly IME these are artifacts of story-based games where the story isn't enough to prod the players along to engage with it. They know there's a plot there, but any of the players who aren't hooked by the story will coast on autopilot until they get to a scene that engages them. If none of the players get hooked by the story they'll all coast and then I see the behaviors in the article.

I don't have a one-size-fits-all answer to this one. My solution has been to realize that running story-based adventures as is from a module is usually not what my players want and so I'll make a summary skeleton outline of the adventure and then run things more off the cuff - using the adventure more as inspiration than as written. Get the characters all personally hooked into the story somehow - replacing NPCs with the PCs where I can make it work, bring in recurring NPCs instead of using the ones in the adventure, anything to give each player a personal hook to the story where possible. IOW - the usual GMing advice tends to work for me in these situations.
 

cavetroll

Explorer
I feel like D&D is more like a MMORPG than a single player story driven RPG. Ultima Online sandbox, Star Wars Galaxies, places where you could build houses to story, loot, explore dungeons, improve skills aka levels, feel the danger of the world due to PvP. But I played in 2e when things were different
 
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Mind of tempest

(he/him)advocate for 5e psionics
this is a flaw I myself as a player have but in my defence the two of my three campaigns had me trying to prevent the player killing each other and the third my planned character died the first fight we got in because of bad roles
 

The last video games I was deeply invested in were things like the old Quest games from Siera (Police Quest, King's Quest, Space Quest, etc). And I played some console games up through the 90s, but mostly as a social activity with friends. But since around 2000s, I haven't played many video games at all. I don't know that it is good or bad (video games definitely challenge important parts of your brain) but it does mean when an RPG releases anything that is video game aesthetic or reference it tends to go over my head completely. It also means if I do something that stumbles into something a video game has done recently, and my players comment, I have no idea what they are talking about.

I was thinking about why I lost interest and came to an interesting conclusion. I was born in the mid-70s and grew up as video games were still just becoming a thing (I remember Intellivision for example and how different that was from Nintendo). At the time, I thought I would get more invested in video games the more the technology and graphics improved, but I think once the graphics became very realistic, and once the structures of video game play had been settled upon (when I was a kid they were still experimenting with all kinds of weird game structures), that is when I lost interest (I don't really have any interest in playing a hyper realistic shooter on Xbox, but I could see myself playing an older game like the original Castlevania or Burger Time and enjoying myself. My thought was maybe with video games, I want them to be clearly game, and the level of immersion they have achieved is actually too much for my taste.
 

HammerMan

Legend
I think once the graphics became very realistic, and once the structures of video game play had been settled upon (when I was a kid they were still experimenting with all kinds of weird game structures), that is when I lost interest (I don't really have any interest in playing a hyper realistic shooter on Xbox, but I could see myself playing an older game like the original Castlevania or Burger Time and enjoying myself. My thought was maybe with video games, I want them to be clearly game, and the level of immersion they have achieved is actually too much for my taste.
interesting I have a nintendo switch so my niece and nephew can play when they are here... my games that I play from time to time are the original 3 Zelda games, and the original Metroid and the new mario maker (that is pretty much just old mario).
they bought me the newish zelda and I still prefer the og ones... even though I understand the new one does so much better.

I wonder what the nostalgia and 'brain stop growing' correlation is.
 


Vaalingrade

Legend
Is it really a videogame thing?

People expect most games to be winnable because, game, be that 'video' 'tabletop' or 'reindeer'. Taking a third option is a learned skill and in fact plenty of games have that. For example, Elder Scrolls' Brotherhood missions where you have a bunch of obvious and in obvious means of killing the target, or (ugh) Dark Souls where everyone played it wrong for years before people realized there was a better way.

People have egos and some can't put those in check, expecting to be in the spotlight whether they're in school, the office or at the game table. That's a personality flaw, not some evil spell video games are casting.

And people tend to want and wait for instructions and do have to learn independence. But again, that's nothing special to gaming. IF you just showed up at someone's home, dumped out an Ikea box on their living room floor and burned the instructions while looking at them expectantly, they'd behave the same way as a tabletop newbie does. Independent problem solving options outside of previous training don't come up as often as one thinks in day-to-day life. It's also a kind of weird complaint when the game literally tells you to ask your DM if and how you can do things.
 

I wonder what the nostalgia and 'brain stop growing' correlation is.

I think some of it is the medium is just very different (with my personality, I don't know how interested I would be in modern video games were I born today). But also you tend to like what you came of age with. That 2000 cut off point is pretty much across the line for me for most media. I am very aware of music, movies, etc going up to about 2000, then it is like I just stopped paying as much attention to what was getting released and only saw or heard new things occasionally (now I tend to listen to and watch stuff prior to the early 2000s). That is just normal generational differences I think. My grandfather listened to opera, crooners and Italian music. My father listens to the Doors, Leonard Cohen, and classical music. I like a lot of those things because they were playing in the house when I was a kid, but also enjoy the heavy metal I grew up listening to. I have a lot more trouble getting into newer music (occasionally I hear something I like, but mostly my brain is comfortable with older stuff. I think it is a mix of what you came of age with (the term nostalgia I find is a bit too dismissive of the things that shaped us----like we should feel guilty, or like my grandfather should have felt guilty for listening to Sinatra), and the mediums changing. That early 2000 cut off seems to be around the time there were also very big shifts in tech (more widespread internet, digital movies, digital recording techniques, etc: if you grew up to music recorded on tracks in the studio, with no autotune, you are going to have different tastes than someone who grew up with more modern recording techniques and more modern film making techniques. I prefer movies with practical effects for example to movies with CGI.
 

I miss those old Sierra adventure games! (Dont miss having 5+ flopppies lol)
Police Quest was the first game I played the whole way through. I adored those games up until you couldn't type commands directly into them (at some point they shifted to giving you bubbles with options which I just didn't like as much, but I can see how it made the game more playable. I remember liking the Lucas Film games as well. I do remember the relief of getting some of the Sierra games on the 3 1/2 inch disc (I remember most of my Kings Quest games being 5.25 inch, but at some point, at least on the Apple IIGS we had, we started seeing them on 3 1/2, which was more manageable.
 

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