Best Christmas films

We watched It's a Wonderful Life two nights ago, and A Muppet Christmas Carol last night. It's funny; I generally dislike holiday music, but I sure love a lot of holiday movies. I don't always make sense.

Anyway, even though I must have seen IAWL as a kid and certainly know it from popular culture, I didn't remember having watched the whole film. I really enjoyed it, despite it being full of things that would absolutely not work for me in a contemporary film. The ideology is sooooo mid-century, New Deal Americana (makes sense in a film made right after WW2), and the social and gender dynamics are cringey but of their time. The religious element is goofy to me, but I just shrugged it off as "magic stuff." But the basic premise works gangbusters, James Stewart is incredibly watchable despite being such a hammy actor (him playing a 20 year old in the beginning is a larf), Donna Reed is both stunning and, IMO, the best actor in the film, Mr. Potter is a suitably scenery-chewing villain (he gets away with it!), the set designs are gorgeous, and that ending got me, 100%. It just delivers.

And AMCC is, for my money, the best film adaptation of Dicken's novella, and that's saying something. I love the Muppets but there is such a thing as too much Muppets, and they work best when paired with actors who counterbalance their wackiness. Enter Michael Caine, one of the best to ever do it. The film only works because he plays it absolutely straight, and man, does it work. Doesn't hurt that the source material is one of the best contructed stories ever written, and the narration, delightfully delivered by Gonzo, makes the most of Dickens' incomparable prose. That man could write a sentence. This is another one that hits me right in the feels at the end.

Both are fantastic.
 

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We watched It's a Wonderful Life two nights ago, and A Muppet Christmas Carol last night. It's funny; I generally dislike holiday music, but I sure love a lot of holiday movies. I don't always make sense.

Anyway, even though I must have seen IAWL as a kid and certainly know it from popular culture, I didn't remember having watched the whole film. I really enjoyed it, despite it being full of things that would absolutely not work for me in a contemporary film. The ideology is sooooo mid-century, New Deal Americana (makes sense in a film made right after WW2), and the social and gender dynamics are cringey but of their time. The religious element is goofy to me, but I just shrugged it off as "magic stuff." But the basic premise works gangbusters, James Stewart is incredibly watchable despite being such a hammy actor (him playing a 20 year old in the beginning is a larf), Donna Reed is both stunning and, IMO, the best actor in the film, Mr. Potter is a suitably scenery-chewing villain (he gets away with it!), the set designs are gorgeous, and that ending got me, 100%. It just delivers.

And AMCC is, for my money, the best film adaptation of Dicken's novella, and that's saying something. I love the Muppets but there is such a thing as too much Muppets, and they work best when paired with actors who counterbalance their wackiness. Enter Michael Caine, one of the best to ever do it. The film only works because he plays it absolutely straight, and man, does it work. Doesn't hurt that the source material is one of the best contructed stories ever written, and the narration, delightfully delivered by Gonzo, makes the most of Dickens' incomparable prose. That man could write a sentence. This is another one that hits me right in the feels at the end.

Both are fantastic.
100% agree with both.

Weirdly, I didn’t see IAWL growing up either. In fact I didn’t watch it until I was an adult, and only because Bedford Falls is such a big issue in Rob Grant’s Red Dwarf books (it’s Lister’s personal paradise).

Having watched quite a few other Capra films, it’s interesting how he oscillates between “money won’t bring you happiness, we must help each other” (IAWL, You Can’t Take it With You, with Lionel Barrymore being the opposite of Mr Potter and one of James Stewart’s first leading roles) and “the system is corrupt and broken, only individualism can save us” (Lady for a Day, Meet John Doe, Mr Deeds Goes to Town, Mr Smith Goes to Washington). He was actually pretty opposed to the New Deal and Roosevelt and was a lifelong conservative Republican who believed firmly in American capitalism, exceptionalism, and individualism - as someone who’d lived a rag to riches story, Capra reckoned that if he could do it, so could anyone else.
 
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Yup, which is partly why it can never make it above a Type 3 in my book.

So, um...

1) Best classic Christmas film: A film that is clearly intended for Christmas viewing and celebration, and preferably hit cinemas (or streaming, etc.) during the season. Examples include It’s A Wonderful Life, Miracle on 34th Street, Elf, Nativity!, The Polar Express, Santa Claus the Movie, most adaptations of A Christmas Carol (including Scrooged etc.), and (God help us) most Hallmark Christmas movies.

Miracle On 34th Street was released June 4th, 1947.

FWIW, Gremlins and Holiday Inn were also summer releases.
 



(2) Alt Christmas film, if you can find it, is Bill Forsyth's Comfort and Joy: Glasgow radio dj gets caught up in a gang war between ice cream companies, at Christmas.

Comfort_and_joy.jpg


(Admittedly, not released at Christmas, but then again every Christmas song you hear was recorded in like May or June. And I re-watch it at Christmas time.)
 




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