Ceramic DM Winter 07 (Final Judgment Posted)

Good analysis (this goes for the others who have commented on my story, as well). I really appreciate it. I have never really written any fiction (since high school), but have always wanted to try (two failed attempts at NaNoWriMo so far).

I'll also admit that I was nervous, with this being my first attempt this and such great competition to go against.

The three biggest things that I took from my first CDM are:

1) Build tension and suspense.

2) Show, don't tell.

3) You all give good, solid analysis.

I think that I will definately consider doing this again (depending on other priorities, of course). This was a good experience and I will definately take your advice to heart and use it to improve.
 

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Gabriel said:
I'll also admit that I was nervous..., with this being my first attempt this and such great competition to go against.
Congratulations on doing so well in your first appearance at CDM! Did you find that those nerves pushed you in a good way or was the pressure thing a complete distraction? And by the way, how big a rush did you get when you hit that submit button?
[sblock]I hope to see you in future CDMs and possibly even this one - remember the best of the losers gets a free ticket to the second round. Anyway, congratulations once again for your efforts.[/sblock]

Best Regards
Herremann the Wise
 

Judgement Round 1 Match 2 Mythago vs. Graywolf-ELM

Orchid Blossom:
Mythago vs. Greywolf-ELM

Domino – Mythago

The first picture use is very strong. The story seems built from this picture, every element used to create the basis of the story, wherever it may go from here.

The strong beginning is marred y some minor technical problems. The sentence, “Varukovna was not only one of the most pitiful subject, but at twenty-four, one of the most photogenic,” is a little confusing. I’m not sure if it’s meant to say that she is not a pitiful subject, or is the most photogenic of many pitiful subjects. Either, “…was not the most pitiful subject…” or “…was not only one of the most pitiful subjects…”

Each scene included tells us something and moved the story forward. We see Tetsuno as proud of his accomplishment, savvy in business, and selfish enough not to worry about what his creation is doing; as if he knew that people would use it incorrectly, but doesn’t care as long as it brings him money. His encounter with Sadhye Thul exposes how he has an ability to read people, and helps explain his annoyance with people wearing the RealMasques all the time. They are losing the very humanity that allowed him to manipulate them.

While the second picture use isn’t a throw-away, it almost feels like an aside. We learn there about the RealMasques affect on the body’s reaction to trauma, but we’re removed from the picture. It’s something Tetsuno has seen in the past rather than being present in the story. The third and fourth are present in the story, helping create a picture of some rather ridiculous looking people in our minds.

The last scene seemed a bit out of sync. Although we had the scene where Tetsuno realized that one of the RealMasques is “empty” we never get any hint that the empties might be organizing, taking action, or becoming a cult. Without any foreshadowing it feels like a car having trouble shifting. The fact that they’re coming to change their creator would have been enough of a twist for me.


The Princess – Greywolf-ELM

This story is more a character sketch than a full-fledged story. In the first three paragraphs we get just about everything we need to know about the Princess. Entitled, manipulative, looking to take the best advantage she can of her marriage. The handmaid is also sketched in quickly but effectively. Appropriately smug, it’s obvious she knows something Sharinta doesn’t.

The piece is very short, and the end comes unexpectedly. We know a war ended, but not that the old King of her new nation was supposed to be dead. We can’t share Sharinta’s shock because we never shared her assumptions.

The last picture used is definitely an illustratable moment, the big reveal of the story. The first two illustrate the Princess’ personality, but don’t offer anything new. Each one is place with a purpose, so none feel out of place or forced.

There are also some referenced that are under-explained. It’s not clear if Sharinta’s charms are natural; a pretty girl who knows how to use what she has, or magical in nature. The end of the story mentions demons, which suggests she might be a succubus of some king but it isn’t clear.

The end would have had more effect for me if I had a handle on what the war between the two countries had been like beforehand, as well as what the relationship with Sharinta and her father is.

Both stories got my imagination going for different reasons, but I have to throw this one to mythago.



Herreman
Round One - Match Two Judgment
Graywolf-ELM vs. Mythago

Not wishing to delay any further, and with ‘Lady Death’ eagerly pushing for her next meal, I swung her in the air declaring the next match. “Infernal Jury, I address you for the second time this evening to beg your weight of judgment to the offerings of Graywolf-ELM and Mythago”.
Again the two dressed-up imp servants presented the two offerings. I noticed that this time, the offerings had been painstakingly printed on vellum as I placed them upon the altar.

“Infernal Jury, Graywolf has given us the story of an unnatural accord between the Lands of Men and the Infinities of Chaos, whilst Mythago has trekked into the near future and the deviously hidden possibilities of a cyberkinetic uniform. Unfortunately for Graywolf, awkward pacing has made otherwise good elements of his story suffer. In addition, we are not given very much in terms of emotion to hang our interest on. Karina’s palpable mood of vengeance simmers underneath her mild servant guise but otherwise, we are left feeling little one way or the other in regards to Sharinta’s eventual trapping.”

“Mythago starts in strong voice with a story completely convincing in its detail. Tetsuno’s dramatically obvious ego steams off of the page with the story temporally advancing to his eventual demise (and name change - Tetsuno/Tetsudo?). Thoroughly enjoyable, perhaps the only thing that jarred was the conclusion. If Tetsuno had have truly fallen to his own genius in some way, the conclusion would have been more convincing. Falling to a lapse in security was… not the huge plummet that he deserved. But I digress, as presented Mythago has presented us with a clever tale from a notoriously difficult set of images. Very well done!”

“Jury of this Dark Court, if you feel Graywolf-ELM has delivered upon his promise, to the left must you venture while if Mythago’s prose strikes the correct note, progress to the right if you will.” At this, several scuffles broke out as debates ensued in pockets of the crowd. Apparently, there were some imps sympathetic to those of fiendish origin while others, fearful of succubi of any description cast resistance amongst the crowd. Others feeling that one writer has surpassed the other also voiced their attitude. Eventually and with name-calling flying from one side to the other, the final tally went Graywolf-ELM 17, Mythago 20. I was a little surprised at this given what I thought Mythago’s dominance. Still, imps as a whole seem to enjoy a more pure D&D yarn so maybe that’s it.

I directed the Gnopf to fire up his projector as I waved ‘Lady Death’ in a casual arc before providing three soft taps on the granite. A disturbingly grainy image was cast upon the garage’s wall of four people presumably at sea. The Gnopf was tinkering with something but to little effect.

“In all honesty, I felt that neither contestant got the best out of this image. Graywolf used this as an important display of cultural significance for the princess while Mythago impresses upon us that RealMasqued pirates seeking to crown their maker is the best way to encapsulate this picture’s essence. I would have liked to see Graywolf explain the story so its significance could be judged; show us rather than tell us. Why was there a difference in interpretation, what was the difference and how would it add to Sharinta’s eventual demise? Pictures are best used when they permeate the story in initially unseen ways, having their tendrils spread and hook into various elements of the story. Mythago’s use was suitable but obviously not brilliant. What can I say; it was a difficult image almost completely out of context with the other three. In fact all the images in this selection were disparate. Still, on the pictures must the contestants be judged and for good or ill, so must you the jury decide.”

Again a tapping of the scythe on stone and again several arguments developed. I suppose if nothing else the imps were getting into this match-up a little more than the previous. Still, I would soon have to curb some of the more rambunctious behaviour. As movement finished but yelling continued, the final tally was Graywolf-ELM 15 imps to Mythago’s 22. The Gnopf then cast the next image upon the garage: a combatant getting stabbed by a short sword with onlookers of significance displaying zero passion in the background. The imps finally quieted with a few harsh words from me.

“Well this was classic D&D dress-ups. Graywolf cast this as a martial display gone wrong to honour the soon-to-be-crowned Princess where as Mythago has more ingeniously used this to demonstrate the RealMasque’s damage evading properties and eventual naval involvement. I found Graywolf’s use a little simple and Mythago’s quite bizarre - which is a good thing. Well, it wasn’t brilliant use I suppose but it did help connect an important story development - even though the naval involvement could have received a little more attention just to round things out. Anyway good jury once again, more focus on movement and less focus on combat. This time, there was just the slightest trickle as two imps headed over to Mythago and one headed back to Graywolf. Goodness knows what the hell that imp was paying attention to? And so Graywolf-ELM 14 imps to Mythago’s 23.

The Gnopf having finally rectified the projector’s “grainy-image-producing” problem now displayed in brilliant colour four uniformly contorted ballerinas.

“Now here is where I think we see the greatest divergence in image use amongst our two competitors. While Graywolf has continued with his series of entertainment displays (ho-hum), Mythago has brilliantly used what I thought to be the most difficult image of the entire first round (closely followed by the bulldozing nuptial couple). This image completely inspires the whole RealMasque Domino story and in such a convincing way as well. Given the image-difficulty I consider this the best picture use I have presided over and certainly up there with the best I have seen in CDM competition. Please Mythago, take a bow and jury, don’t halt in your praise for such fine use!”

The imps failed to move.

“That means deliberate you ignorant sods! Express your opinion!” Still nothing. “MOVE!”

Finally as if only just understanding my command (or was it the slightly careless angle in which I wielded the scythe?), the imps progressed to a position of a full 28 imps to Mythago’s side leaving Graywolf-ELM with 9. All was going well but I heard a quick snap then minor implosion as I turned to the projector to see the Gnopf blown back twenty-foot impacting with the back fence. He got up quickly indicating he was OK but it was obvious the projector was having a moment of difficulty.

“What about the next image?” The Gnopf turned at my question and his expression changed from worried thought to spreading grin. He hurriedly wheeled out a strange device then jumped up and down indicating something. Again I felt a tug from behind and one of the court functionaries informed me that the Gnopf had an emergency back up machine but he would require one of the jury members to “assist”. I slowly turned back to the Gnopf and nodded my hesitant assent to which he grabbed one of Mythago’s imps. A quick instruction and the hapless imp was bundled into the machine. The Gnopf then adjusted several knobs, manoeuvred the machine for several seconds into a particular position before pulling the operating lever with a loud pop.

The judging imp was projected at high speed directly into the garage wall with a loud bang, the poor creatures blood and bits forming a bizarre pattern. I looked to the Gnopf with a look of “what the…” but he pointed back to the garage. The imps fluids had quickly dried into the image of a strange looking Indian complete with bizarrely flowing headdress. I was taken completely aback. We may think that we as a society are high-tech but seriously, Hell has it all over us! I was impressed.

The imp divested of a large portion of his vitals stumbled back mistakenly towards Graywolf’s group. Despite cries from both sides, he remained slumped in place changing the tally. I suppose Mythago had a good lead so with luck it would not unduly affect the result. After the commotion, I continued.

“Graywolf uses this image quite well as the old, wise King having seemingly trumped his rival while Mythago presents Tetsuno with his final form. The creator is forced to be his creation. Graywolf picks upon the wizened features of someone who oozes leadership while Mythago picks upon the technologically advanced elements of the dress. As such both uses were OK if not brilliant. Still, I wonder how much this image influenced Mythago and the domino avenue that was taken? Perhaps I have directed too much kudos to the previous image? Jury, you alone have the insight to see into such things and so please, vote with a will.”

There was some minor shuffling as members of the jury decided upon their final position. However, the largest of the imps staunchly opposed to Graywolf’s offering jumped through the ranks to find the seriously injured imp. However rather than seeing if one of his brethren was OK or nursing his slumped form, he instead catapulted the hapless creature back towards Mythago’s supporters before stomping back himself.

Our final tally for the round then is 8 for Graywolf-ELM to Mythago’s 29 supporters. I tapped ‘Lady Death’ to finalise the jury’s decision. Congratulations to both competitors and commiserations to Graywolf. Unfortunately I think you caught Mythago in particularly inspired form.

Yangnome:

Graywolf–ELM - The Princess

Interesting story. It doesn’t really start to pick up for me until the handmaid talks about resisting her charms. You had me hooked from there. You did a decent job with characterization all around, the characters seemed real and believable. All in all though, the story seemed short. The bulk of the story focused on the entertainment, which held very little emotional impact on the overall story. It seemed as if it was meant to be a prelude to a larger story, and I would have liked to have seen that larger story.

Picture Use:
This is where your entry is weakest. You used three of your pictures as entertainment events that didn’t really apply to the whole story. This to me is tantamount to using in story pictures. I could maybe forgive it for one picture, but for ¾ of your pictures, it seemed that you were avoiding incorporating them into the story. The use of the King was strong.

Mythago – Domino

Wow. I really enjoyed this story. Where you succeed for me, is that you are able to develop a story with a common theme running through it. You take that theme and develop it and every part of the story helps support that theme. It is interesting to see Tetsubo’s opinions change over the years as his invention becomes more ingrained into society.

Picture use was very strong. You seem to have taken your pictures and used them as a foundation for the whole story. The ballerina picture definitely sets the stage for the entire story, but the others help support it, especially the Indian Chief. The sword fight picture was probably the weakest, but even here you showed the important evolution of the real masks that built up to the end of the story.

Congrats to both competitors for putting together strong stories. My vote goes to Mythago for a very well done story.

Mythago takes the round 3-0.
 

Gabriel said:
Good analysis (this goes for the others who have commented on my story, as well). I really appreciate it. I have never really written any fiction (since high school), but have always wanted to try (two failed attempts at NaNoWriMo so far).

I'll also admit that I was nervous, with this being my first attempt this and such great competition to go against.

The three biggest things that I took from my first CDM are:

1) Build tension and suspense.

2) Show, don't tell.

3) You all give good, solid analysis.

I think that I will definately consider doing this again (depending on other priorities, of course). This was a good experience and I will definately take your advice to heart and use it to improve.

thanks again for competing. You clearly have the ability to come up with interesting ideas. I think your list of things you took from the competition are very good, for any kind of writing. Stories are built on conflict. Build the conflict and you have a reader wanting to find out how it is resolved. Your characters should be able to write a country western song when you are done with them ;).

I know it comes off a bit trite to say good job for a first time at CDM, but between teh pictures and the timelimit, CDM is really a style you have to develop. I look forward to seeing more from you in the future.
 


Thanks, looking forward to them -- and congratulations to the winners so far!

Today has been such an utterly excrable day for me that I figured if you posted round 4 tonight, I could already have predicted the results. Of course, what's bad for me Ceramic DM-wise is good for BSF, and vice versa, so it'd be okay either way. I like competing with lots of people that I like. :D
 
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yangnome said:
Those are the two I have at the moment. Results from rounds 1 and 4 should hopefully be up sometime tomorrow.
I was wondering why the reverse order - now I understand. Unfortunately, I have written my judgments in sequence so certain elements of my judgments might not make much sense.

Who am I fooling. They most likely make little sense regardless of order. :D

Best Regards
Herremann the Wise
 

P.S., Transversed Round One entry

P.S., Transversed

A Tech No' Logical Story Related to or perhaps in The World

© CW Kelson III 2007 All Rights Reserved

CDM 2007



pollution is a necessary result of the inability of man
to reform and transform waste.
the transformation of waste

is perhaps the oldest pre-occupation of man.

25th Floor The Patti Smith Group

www.pattismith.net









Stone steps, stone walkway, overlooking the cathedrals and myriad bronze Buddha, down far below in the valley, men, women, and children plied their day to day tasks, making money, spending money, just fighting to get enough food to eat or feed their families. In the fields all around the city, the poor worked the land, tilling and toiling to produce the food to feed the burgeoning masses. The jungle reaches up from all around, the clear cut and fires still unable to utterly dominate the scenery and place it into submission.



"Coffee beans come and get some coffee beans?" the small child asked in a soft, plaintive voice. Pushing a small cart ahead of her tired foot, the other leg ending in a stump gained on birth to make her more efficient as a beggar and street vendor, the cart with straps a semi-rest and a place to maintain balance with moving at a low gliding hop, with only two wheels, made of recycled hubcaps imported from Hong Kong stolen off some rich Tong leader's car, it was getting too short by far for the scrap of flesh that moved it along, peddling the roasted coffee beans for drinking or chewing.

"Coffee beans come and get some coffee beans?"



Thailand, all the ladies standing there, waiting in an endless row, waiting to see if someone will come to marry them, to take them away from the sordid life of the endless nights, pious Catholics by day, spread legged and sweaty all the night long, working for a few baht to trade in for euros on the scant days the rate favors them. Otherwise they are exchanging dignity and love for an hour or so at a time of their company
[Pic 3]


But the sweat, liquor and spent seed comes after night arrives, once the sun goes down, so do they. During the daylight though, it is look for life, love, a nice man to take them away from the sordid life the all chose in alternative to what could have lain ahead of them.



Gutter punks drift away on tides of opium and mescaline slashed with simple tobacco, dancing along to tunes downloaded into their minds, memes that etched the songs of hate and discontent rending them incapable of conscious decision. Their feet in designer shoes, all made locally of course, kept out of the filth lining the inner city sanctums. This is the status quo here in the developed world.





PS wandered along, passing up the odd man out, strolling and surveying the wares on display, quality is a variable, like all others, still the few men seemed more interested in the shortness of life lived, perhaps to find one less broken to the saddle than one with more time under her skin.



All of them are in the same business that PS is in, how to get the most of what is needed to survive with the least wear and toil on the flesh, with the fewest scars on the heart and soul, all the while making a living as honestly as possible, and turning the time and tides to an advantage, recycling the flow of life, in one tangible form or another, into something else entirely different. The insects are not so bad way up here, away from the stench of the slums and the reek of alcohol induced actions. Up here on the long cobbled stone walkway where the ladies all stand around, waiting for a rich man from the city, or a tourist to walk past, and whisk them away from the life they know, in Phuket, Bangkok, or one of the other cities scattered about the verdant and lush jungle country side.





Just a short change of heart awaits PS somewhere far and away from this dismal place, where the tale has begun. Just living in a wicked age is difficult enough, without all the predators that come along with such a time as this. Monsters, freaks, geeks, the unknown, the scary and the lost ones, all making their way along roads used and abused too many times before the start of civilization. All working to beat the man, tax the system till it can no longer support the downtrodden, and then sift through the wreckage they have left behind in the fall.





Down far below under the canopy the watchers lurk, waiting to find more uses for those that walk the land. They keep an eye out on the variables, the ones that sit outside of the norm, that walk the edges of societies, as well as stand in their way for what they think things should come out as, how the world should play its tune, and the melody and harmony of cooperation and toeing the line, is all they are really interested in. Not the loves and foibles of humanity. So they slink away into the darkness created with tree cover while PS stands there looking out over the edge, before they too turn away and head towards the airport, to arrive back many hours later, in the city on the ocean shore, where several compatriots wait for instructions and edification of the goals PS has in mind.





Days or weeks past since PS was standing on that high road, watching all the women waiting for life to come and save them, the time since then spent mostly in travel, airlines not being the way they should be, it took so much longer than necessary.



All too many hours, watching sun rises and sun sets occur, while staring out of dirty windows as large and small aircraft took off and landed. Sometimes an errant dirigible would wind its way across the shocking blue skies, moving to destinations unknown. Sometimes a fat bellied steamcar would chug its way down forgotten roads while PS walked from one bus stop to another one, miles or towns away from the previous. All this time moving is spent in contemplation of the state of affairs. How the worlds had spun and turned all the same until that single day, when it no longer made a lick of sense. Waking up that day to find love had moved out in the middle of the night. That suddenly former friends no longer knew the names of their loved ones, and things prowled the city streets using the homeless for their feasts of sinew and plasma. All of it had shifted in some sense over the course of a night filled with sleep and terrors wrapped up in the cold and clammy sheets.



The sun rose that day, the old missive of Red Sky at Night, Sailors Delight, Red Sky at Morning, Take Warning, never more true than that sunrise. Blood orange red, staining the landscape until it rose high enough to clear the pollution and then it all was wrong somehow. Something had happened, and PS was still searching for the cause.



The first few days were freakish, running into people that no longer knew who PS was. Finding empty bank accounts, strange shadows in the darkest of alleyways, as well as the misshapen suddenly all about the place, freaks and geeks, sideshow performers as well as the tatted and pierced were everywhere. No longer just the fringe, the edges of the map had curled over and taken over the center of things.



This is when the search for meaning took on an entirely new definition. That was when traveling from country to country, all on an expired passport that was never questioned, never challenged, became the norm, working to find the answers that were elusive so far.

Along the oceans it was more the way that PS remembered it, like the moderating influence of the waters extended to reality. Farther away from bays and lighthouses, the odder it seemed to feel, yet few seemed to sense it. All was the same, reality tv ruled the nights while fashion and anorexia dominated the lack of self esteem during the daylight hours, with the endless levels of want for more ruined marriages and stomachs with equal panache.



Still the feet were in motion now, and there was no stopping the inertia that had built up over that long last night of semi-normality.





We've been living in the shadows all our lives
Where it's stand in line and don't look back and don't look left and don't look right
So we hide our eyes and wonder who'll survive
Waiting for the night...

Run Straight Down by Warren Zevon





Back across the ocean in another country, another world in practicality, nearly reality, PS moves from place to place, heading in a winding tortuous fashion to the small tourist town trap shop on the west coast where the others were waiting.



The situation with the powers in charge that are gouging them of their life savings and leaving them homeless on the streets like stray curs gone feral. This has been the situation for decades before the start of Ps' crusade to find out what went wrong. How it all ended up in the state that it has arrived at. No where near to an answer, seems the clues lead to dead ended streets, deserted moors in desolate countrysides, abandoned morgues and refuse bins where discarded lives have all lost the battle with entropy. None of the clues PS has found leads to a single source, nothing concrete, and nothing tangible to the eyes or ears or sense of touch. It flickers on the outskirts of the eyes, the peripheral vision is the only place that it all starts to coalesce, then it dries up and drifts away on the winds like spiderwebs on the night breezes.



Nothing adds up, 2 and 2 does not equal 4 when all the disparate facts and suppositions are placed side by side, Instead they add up to weird things, the strange and unnatural moving in the shadows between the day before it got odd, and the next morning. So PS went and found a few friends, who didn't get all the pieces, but had seen enough to wonder some of the same things. Banded against the night, a small coterie of misfits all looking into the cracks in the world to find out what was crawling there.



There were mistakes made, people died, packs of wild dogs ripping the innocent and defenseless into misshapen bloody pieces, all the while the feeling that something was moving behind the scenes would grow, the farther away from the small towns and suburban streetlights PS and friends would go. The inner cities and the deepest, old growths were the worse places. There things moved and used straight razor like fangs or claws on the unwary.





But that was the past, leading up to the trip to Thailand, the searching for more answers in the flesh dens and storefront rental brothels, back to the land where it all seemed to start at. Down the many long miles, cabs, cars, trains, aircraft, buses and walking all keeping to the hard places that made more sense, to the tired old shop along the waterfront where TM and the others waited to find out what PS had or had not found. There had been no rational reason to look there, and perhaps it had all be for naught.



Up to the front of the place, the garish lights and tacky B-movie spaceship looking like it had made a landing, which while not perfect, was one that would have been walked away from. Mannequins lurked on the overhang and inside, while the whine and whirr of drills, needle guns, nail guns and tattoo machines all made a ratchet and cacophony on the inside, Transversing the inner labyrinth, until the back of the storefront was reached.
[Pic4]


In there were the core crew, TM, a few others, that tall geek PS could never remember the name of, the bearded guy with the taste for snails he found on the sidewalk and would de-shell and pop into his mouth regardless of the poison hazards or not. The core crew were there, sitting around, some getting more ink placed into hard to reach places, the scent of stale blood on the floor mixed with ash and tar from the rooftop across the alley.



"Everyone outside, talk time." PS utters without preamble, then watching the bodies file into the inner courtyard area, TM and the tall geek the first out, the first to stare PS down, the first to just challenge it all. A grandfather clock counted of seconds, long ones, passing while the small motley gathered out there.
[Pic 2]


"There was nothing to be found there in Thailand, it was for nothing." PS Stands there defiant to the others, will defense need to be made of the decision to pool and seem to squander scant resources for that long trip.

"It is the same there as here, they don't remember what they lost that night, and it all is just for nothing, no reason at all."



"It makes no sense at all, it is like blinders are in place, no one sees what is clear, is obvious, damn it all, I don't get it." The frustration, the blank looks, the dim accusatory glances there of the others, some milling around, the tall one and TM just shuffling their feet, Mr. Snail wondering what is going on by the vacant look in his eyes, suddenly bending down and picking something off the ground.



"Why do I even bother with you all, look, he eats snails, fer the love of sanitation, they are poisonous, how can he eat them and live."



The rest all turn to see the shell cracked and the little slimy thing going straight into the waiting mouth, tongue slightly extended to take the mucus covered thing, almost as if taking Communion on a warm Sunday Morning Mass.

[Pic1]

"See, that is so wrong, why can't you all see that? What is wrong with you people?" PS is about screaming at this time, hair flying all over the place, the wind whipping the loose clothing as it does the mannequins on the store front.



In disgust PS just stops the rant. Stares at the assemblage about the small area in the back part of the shop where the search to ascertain answers began, then comes the admission.



"Lately", PS says, "I have dreamt of captivity, held down, tied into a maze of stone"

Then there comes a long slow pause, like a slow sip of too hot coffee, trying to not burn the tip of the tongue, the roof of the mouth, the back of the throat, before speaking again to the assemblage.

"I do not feel a kinship with those that walk this earth.", then "I do not feel like any of them at all, not even my fellow misfits."



Head bows in shame, shame of speaking the mind, saying the words out loud, but then TM spoke up, " You talk like you know everything, but you know nothing."

PS looks up at him, at TM, wondering how he could utter such a statement, surprise running rampant across the face.



TM continues on with the verbal chastisement, "You sit there, whining and complaining about things you know nothing about. You have no connection to humans; never let yourself feel connected to people, or places, or even things, only to you. No wonder you're trapped, because you are. Trapped with no where to go, not even a means to remake yourself into another image, the great one unable to even recycle their own self."



TM bursts into deep, raucous belly laughter, mocking all that has gone on, and will go on in the life of PS. The shame, the ridicule, the humiliation of it all bringing tears to the eyes. PS stands there unable to do a single thing, there is no refutation. He stomps his stunty legs, his half sized body in contrast to his full sized head, and extra large sized mind and ego.



"You should go recycle yourself; you are not fit to be around." With that pronouncement Tim turns on his heels, and walks out the side gate, away from PS standing there staring at his wide receding back. The others watch him leave as well, before they too turn and head out of the same way, not even dignifying the occasion with the front entrance.





There are no words to be said as they all left, as PS stood there all alone, standing in the cold sunlight streaming down, as the noises of the car, trucks, vans and SUVs all wandered mindlessly up and down the busy road in front of the store with the little fake spaceship, with the decorated mannequins, all a symbol for the world and its absurdity especially since the change came over the reality that might have never existed, save in a solitary mind.



PS turned and followed them all out the side gate, with no destination in mind, save to avoid the night terrors wandering the daytime streets and the ugly truths that haunt hearts during the nighttime hours.
 

Ha! They laughed at me when I put points into Bribe Imp. Who's laughing now, I ask you?

Greywolf-ELM, thanks for such a good round.
 


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