Nellisir
Hero
Banshee16 said:I was *very* hesitant moving into his books, thinking they'd be "out there", but they ended up being superior to just about anything I've read in several years (fantasy-wise, that is).
This was more or less my experience. The "type" of fantasy CM has been billed as has not generally been my pleasure, so I read Perdido Street Station with some trepidation, and enjoyed the heck out of it. I just finished "The Scar" last night, and enjoyed it even more. I'll be looking for "Iron Council" in a few minutes, when I head out to Borders.
China Mieville said:[referring to Iron Council] The prose is very, very different from the previous two books. I think it’s to do with bringing the prose under control. The previous two books were very baroque and meandering.
I think that's a fascinating thing to hear from an author, and it's reassuring. I'm not a fan of baroque writing. PSS did take some time to get into, but eventually you start getting sucked through it just to find out what else he's conjured up around the corner.
Banshee16 said:I definitely recommend giving them a try. Steampunk, very evocative writing style, very deep characters, and overall, very well done. I agree that if you like Planescape, you'll likely love the books.
I didn't like Planescape, and I like the books. I'm not even certain I'd call them steampunk. While it certainly has the overt trappings, it's becomes increasingly clear that magic, pure and simple, is the foundation up which everything "technological" rests. IMO.
It's also fascinating to see someone take the "Taslanta" approach to races -- 100 character races, and NO elves.

And the most beautiful quote of all...
China Mieville said:I know there are people playing home-brewed RPGs set in Bas Lag and there is no higher compliment. I am enormously pleased. I had a conversation with someone about this the other day, and I said, “Yeah, I’d love to write the Bas Lag encyclopedia.” And they said, “That’s really bad though, because you’re a socialist. You shouldn’t be writing these books that are just a kind of naked, cynical attempt to cash in on the sad obsessions of the geeks.” And I said, “No, no, no, you don’t understand at all! I can’t imagine anything I’d love to do more than write an encyclopedia of my imaginary world, with the possible exception of writing the bestiary.” I’m in thising business for the monsters. The monsters are the main thing that I love about the fantastic. And unfortunately, you can’t really sell books of monsters to publishers. They insist on stories linking them.