"Negotiations"
Gorbois was not pleased, not at all. Not only had Eremis cast him, once again, as the dastardly villain for Acts I and III, but he had to work crowd duty in Act II. How was he supposed to change costumes that quickly, and still look good on stage? He would have to have a talk with his employer. They could not treat him like this; He was Gorbois, an actor and a gentleman, not some petty thief. Although he did have talent off the stage…
He did not knock at Eremis’ office door, brusquely knocking it open. There was a loud bang when the door hit the wall. Eremis looked up from his papers. Eremis was a tall, brown haired human, with a serious face that was undercut by the smiles that often showed on it, and the laughter that erupted from its mouth.
“What ees thees, Eremis? I will have you know, I weell not tolerate being the veellain een every play your write! C’est stupid, Monsieur!”
He hit the desk with his light green fist. “And to make me work the crowd een Act deux, c’est, c’est horrible! I, I do not like thees!”
Eremis looked up at the orc actor, just recently arrived from Gaul. Gorbois was short for his race, but handsome. He kept his tusks quite clean and short, jutting up above the edges of his mouth in a dashing sort of way. He was well dressed, in subtly styled leather armor over a long black shirt and pants. He was, in all respects, a well cultured actor.
“Weell?” asked Gorbois, his eyes shooting needles at Eremis.
“Gorbois, Gorbois, I do these things for your own good! Come! I tire of this office. Let us walk, and I shall explain to you why I make you work so.”
“All right, Eremis. But you beest have good answers pour moi.”
Eremis got up and walked around the desk to the orc. He put his hand on the green man’s shoulder as they walked out of the office and down the hall, towards the main stage.
“I work you so hard because you are already so good.”
“Flattery will not heelp you, Eremis.”
“But my friend, it is true. You are one of the finest actors I have ever hired, and a good pickpocket to boot. If I did not challenge you, those skills would fade. You know what they say-“
“- And what is that?”
“Use it or lose it, Gorbois. And you definitely do not want to lose it. When I saw you, sneaking off that ship from Gaul, you had nothing but the cloths on your back, and in fact owed the captain quite a bit of money. And look at you now! You have style, you have money, you have friends and a carreer.”
“But why must I always play the veellain?”
“All the villains I write are challenging roles, are they not?”
“Oui.”
“So I am challenging you again and again, you see? And the fact that the crowd responds to your tusks better than, say, Lasathalanus’ golden locks and pointed ears, well that cannot hurt you.”
“But all the otheer actors, Lasathalanus, Hobin Kobad, Robert Yorn and the rest, they play all sorts of characters, and I only veelains. What ees the parity there?”
“Gorbois, Gorbois, they may play many different kinds of characters, but not half as well as you play villains.”
“Fine, fine, Eremis. You ween.”
“Gorbois, you do me wrong! I’m doing this for you, not for me.”
“Oh, oui Eremis, of course you do.”
“But there is something you could do for me, and maybe I could get Hobin to work the crowd in Act 2…”
“Oui?”
“I had a whole bunch of pamphlets printed up about the play and the Globe in general. The usual. “Moon Maiden’s Folly” in big letters across the top, little descriptions and a few drawings of the sets and the stage, and a little bit about the theater on the back. Anyway, I need them distributed, a sort of publicity thing, and I think you would do a great job. You were excellent as the devilish hawker of wares in “Riding Day for Roxo,” I think you’ll do well with this.”
“Eremis, this work ees below my station, but I will do it eef you make Hobin work the crowd, and perhaps increase my pay for the performance, by, oh, ten gold.”
“Five.”
“Eight.”
“Seven.”
“Fini!”