mojo1701
First Post
I usually find that if there's some chemistry and some plausability in motives of plot, then the movie works.
I recently watched "For Your Eyes Only," and almost no gadgets (save the face-recogniton computer), and there was very little to go on there. The girl said she wanted revenge, yet I didn't believe her.
"The Living Daylights" also was an attempt at more-realistic compared to, say, the Lewis Gilbert-directed movies, but I liked it, because Bond and Kara fell for each other.
Though, one thing I do agree with (and this is where my two examples fail) is that a series of movies relies on a good villain. "Star Trek II" had Khan, "Goldfinger" had Goldfinger, and "Moonraker" had Drax. Those two didn't. A man who modeled himself after various historical generals? This might've worked if he had wanted to destroy the world and not play with toys.
I recently watched "For Your Eyes Only," and almost no gadgets (save the face-recogniton computer), and there was very little to go on there. The girl said she wanted revenge, yet I didn't believe her.
"The Living Daylights" also was an attempt at more-realistic compared to, say, the Lewis Gilbert-directed movies, but I liked it, because Bond and Kara fell for each other.
Though, one thing I do agree with (and this is where my two examples fail) is that a series of movies relies on a good villain. "Star Trek II" had Khan, "Goldfinger" had Goldfinger, and "Moonraker" had Drax. Those two didn't. A man who modeled himself after various historical generals? This might've worked if he had wanted to destroy the world and not play with toys.