D&D 5E D&D Celebration Schedule Announced

WotC has posted the schedule for it's D&D Celebration online event taking place from 18th-20th September.

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The event includes a range of panels and live games, including sessions on Icewind Dale: Rime of the Frostmaiden and Tasha’s Cauldron of Everything, mental health, inclusive dungeon design, and including asian stories in your games. These include people such as Daniel Kwan (Asians Represent) and Sara Thompson (The Combat Wheelchair), who have both spoken publicly about problematic issues in D&D.
 

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marv

Explorer
Seems like projecting a nitpick into cause to dismantle the entire argument. Your argument is especially troubling when you're standing up to defend blatantly racist texts and their white authors from criticism by people who's cultures were caricatured by the book. Shame on you.
Ease up in the public shaming. You don’t know me. You don’t know my work for social justice and that I prefer Paizo’s adventures because as a company they do a pretty good job as both inclusive hiring and content.
It makes me sad that you feel the very first Asian themed D&D supplement doesn’t deserve a Serious scholarly analysis rather than something played for laughs and fame. Shame. Shame on you for disrespecting our hobby that we both clearly love.
I am heartened to hear that they did a follow up podcast and plan to listen to it tonight.
Tolerance and inclusivity are essential for our hobby (and every other aspect of our lives).
 

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Marandahir

Crown-Forester (he/him)
Ease up in the public shaming. You don’t know me. You don’t know my work for social justice and that I prefer Paizo’s adventures because as a company they do a pretty good job as both inclusive hiring and content.
It makes me sad that you feel the very first Asian themed D&D supplement doesn’t deserve a Serious scholarly analysis rather than something played for laughs and fame. Shame. Shame on you for disrespecting our hobby that we both clearly love.
I am heartened to hear that they did a follow up podcast and plan to listen to it tonight.
Tolerance and inclusivity are essential for our hobby (and every other aspect of our lives).

Standing up for the authors over the people harmed by the work ≠ serious scholarly analysis.
No I don't know you. I am glad to hear some of your words above, but find it sickening that the first impulses of so many in this hobby that we love is to defend white men's racism when it's criticised by BIPOC, as if they have somehow any sort of comparable levers of power in this society.

Good on you to do social justice work. But that's not an excuse for enabling racism.
 

marv

Explorer
Standing up for the authors over the people harmed by the work ≠ serious scholarly analysis.
No I don't know you. I am glad to hear some of your words above, but find it sickening that the first impulses of so many in this hobby that we love is to defend white men's racism when it's criticised by BIPOC, as if they have somehow any sort of comparable levers of power in this society.

Good on you to do social justice work. But that's not an excuse for enabling racism.
I am not qualified to do a serious scholarly analysis, nor did I once imply I was. But more importantly, .... I’ll stop. Your mind is closed. You assume too much.
 

marv

Explorer
Here you go:

Just finished listening. They have definitely matured a great deal in a short period of time. I definitely feel a lot better about them taking part in the Celebration. Their intentions are good.

I still, however, feel strongly that painting OA with one modern brush is wrong. It deserves a constructive analysis. Not the presumption of racism. That is unhelpfull, only feeds an echo chamber and does noting to improve our hobby.
 

It is really problematic to look at something that was written 40 years ago and hold it to the same standards. There are countless things which were different back then and you need to treat those times as different culture too...
I mean 50 years ago a woman had to ask her husband for permission that she may keep working instead of being a house wife.

I did cringe however when I found in a modern child's book about home improvements, that the only persons actually doing it were father and son and the girls asked questions while the mother brought food... not a book I would want my son to read and I would probably feel that way about oriental adventures or stories about Cowboys and Indians.

Edit: and if I read my son historical books I put it into historical context.
 

WotC doesn't only want a reconciliation, making peace, to bury the hatchet, but also to conquer the Asian market. Really it wast the best possible reputation among Asian fandom and companies. We can bet Hasbro and WotC will try to be as politically correct as possible. Maybe there were some mistakes time ago, but sometimes a bad step is better than nothing. Asians should see D&D as a great opportunity to introduce their cultures into our society.

My fear is more about the own predjudices and conflicts with their neighbors countries. Today talking about China sounds as metioning the rope in hanged man's house ( = saying something about an inconfortable thread). Homebred and 3PPs settings based in Asian civilitations could show Mongolians-like hobgoblins as evil empire, and some Chineses could complain about this as an allegory against their fatherland (and maybe they are right). In India lots of Chinese apps have been banned, even videogames as the battle royal PUGB.

I would dare to say WotC has started plans for the return of Kara-Tur setting, of course asking advice to consultants from different Asian countries. Maybe even we could see some coproduction by Hasbro and differents Asian companies, not only from Japan or China but also other, for example South-Korea. Maybe even gameshows as Critical Role by Asian wannabe Idols based in OA xuanhuan fiction. Even some mangakas could use the open licence to get the races and monsters to publish manga/manwha/manhua webtoons.
 

It is really problematic to look at something that was written 40 years ago and hold it to the same standards. There are countless things which were different back then and you need to treat those times as different culture too...
Stuff from 40 years ago isn't generally being sold in a modern context though. OA is, so therein lies the issue and why it will be judged on today's standards.

I would dare to say WotC has started plans for the return of Kara-Tur setting,
Luis, mate, I don't know how to say 'you're wrong' in a nice manner as to why they would not want to touch Kara-Tur, a tainted -mess- that even I identified as such back when 3rd Edition OA came out. Kara-Tur was not coming back at the start of 5E, and its especially not coming back now that the MtG stuff is proven a seller and Tarkir exists.
 

I haven't said Kara-Tur was coming soon. The fact is if we are lucky the playtest of UA will arrive in 2021. Today manganime or otaku franchises are making a lot of money, and this could be a good hook if Hasbro/WotC wants to resurrect old, or create new, franchises. Maybe Kara-Tur arrives after other lines, or to create a complete oriental continent in Greyhawk, or something like wuxia in a fantasy western civilitation, something as Hercules&Xena. WotC doesn't need to print more books, but adding Kara-Tur as sub-setting in DM Guilds and awaiting the reaction by the fandom. I guess the list of best-sellers in DM Guilds are as audence ratings and an easy way to know what lines are most popular among the fandom, and according this date getting ready the plans for the next years. Other reason to justify there is still an open door for the return is Perfect World Entertaiment, the Chinese company of the videogame Newerwinter Online. Why not this contribute with its own ideas experiences and ideas for a spin-off set in the East region?

 
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Stuff from 40 years ago isn't generally being sold in a modern context though. OA is, so therein lies the issue and why it will be judged on today's standards.
You quoted only the first half of my post. You left out the part, where I said about putting into modern context. Which is actually done with a disclaimer. Maybe there could be done more (maybe marking certain passages as problematic in a modern context), but just putting it out of sight is no option either.
 

You quoted only the first half of my post. You left out the part, where I said about putting into modern context. Which is actually done with a disclaimer. Maybe there could be done more (maybe marking certain passages as problematic in a modern context), but just putting it out of sight is no option either.
The disclaimer didn't exist when they did the whole thing and now exists as a response to that

Its just, we can't forgive stuff for historical context if its just being thrown up with no warnings of that context. Its one thing to scrounge something old up and another if its being sold
 

The disclaimer didn't exist when they did the whole thing and now exists as a response to that

Its just, we can't forgive stuff for historical context if its just being thrown up with no warnings of that context. Its one thing to scrounge something old up and another if its being sold

I actually watched only a few minutes of the youtube video. I am not sure if every point was fair... They complained about that only weapons, armor monsters and the myth of the east is brought to dnd instead of real culture, while in the PHB actually you mainly find weapons, armor, and in the monster manual monsters and the myth of the west. Also it was critizised that different eastern cultures were thrown together, but the same can be said about the base game...
That all does not mean, that it should not be watched critically and I bet they pointed out things that in hindsight is not ok, but if you set the bar too high, you need to scrap the whole DnD game, which is mostly about fighting in a pseudo historical setting that never was and draws from myths, legends and fairytales.

Actually, I would appreciate it, that the focus would shift a bit more to heroic deeds other than killing things.
 
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Mistwell

Crusty Old Meatwad (he/him)
WOTC: "Hey, here is this cool D&D stuff which brings us together in the joy of our hobby during these difficult times. Let's Celebrate!"
EnWorld Users: "Let's all focus on the small parts which divide us, and use hyperbole, shaming and angry rhetoric to fight over it!"

Me, I am interested in the Bards panel. I always enjoy hearing what others think the Bard concept includes, and interesting ways to role play and develop them.
 
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marv

Explorer
Tar and feathering OA for being racist (which has now been made popular to do by the podcast) would be like labeling and banning the TV show I Love Lucy for being sexist (because she is always answering to Ricky). Yet, if we did so, we would miss the reality that her character is a seminal strong woman in comedy (not just TV comedy).

OA was a seminal work in Asian themed gaming that paved the way for all other such TTRPG supplements that came after it. It was clearly written with a sincere effort to do so. Yes, Bushido was printed before it (and is also deserving of analysis), but at the time (far more so than today with WoTC) nothing had greater reach and influence in the industry than TSR. And the product reviews at the time, as I recall, we incredibly positive. I also don’t recall a single letter to the editor of Dragon (the equivalent of these EN world forums before the internet) labeling the work racist.

And that is how it reads today. IF you understand background of the authors and the limits of the resources available to the authors at the time. And IF you know what the purpose of what of an RPG source book is: it is a gamification and launching point of a topic for both DMs/GMs and players to learn more and invent more. It makes playable mechanics more important than accuracy. Also, it is not an exhaustive historical and mythological treaties of such a vast region and radically different cultures.

The podcast in question ignores these things. Instead it “nitpicks” over word choice and complains about choices made by the authors from the comfortable cheap seats of decades of hindsight. It doesn’t help that none of them experienced the release of this product (not born yet?) so MANY obvious historical facts about the game (Such as comeliness and NWP being created for all types of settings) are unknown to them. All played for a cheap laugh.

It is a tar and feathering rather than a true attempt at promoting inclusivity into the game. I can hear in their updated podcast that they have grown as people since then. Of course the irony of suggesting of one look at the original podcast in the historical context of modern people, new to the game, seeing OA for the first time is not lost in me.

Social media is a hostile place and everything you post should be considered seriously before doing so. I waited a long time before I spoke up about this podcast because I knew I risked backlash. Indeed, already the same person in this thread has made some unkind assumptions about me. This game is very important to me. The history of the game is important to me. Even (gulp) 4th Ed has a place for me.

It’s great that those associated with the podcast are now trying to be constructive and help improve inclusivity into the game. But they still own their words of the past and wield far more influence over how OA is perceived than I do. I just hope they care enough about this game to undo the damage they have done to OA.
 

marv

Explorer
WOTC: "Hey, here is this cool D&D stuff which brings us together in the joy of our hobby during these difficult times. Let's Celebrate!"
EnWorld Users: "Let's all focus on the small parts which divide us, and use hyperbole, shaming and angry rhetoric to fight over it!"

Me, I am interested in the Bards panel. I always enjoy hearing what others think the Bard concept includes, and interesting ways to role play and develop them.
You are 100% right. I should have started a new thread, expressing my concern. We are such a small community, it’s important to know when to celebrate!
I’m looking forward to learning more about Tasha’s. It has been far to long since we had an official expansion.
 

Marandahir

Crown-Forester (he/him)
Tar and feathering OA for being racist (which has now been made popular to do by the podcast) would be like labeling and banning the TV show I Love Lucy for being sexist (because she is always answering to Ricky). Yet, if we did so, we would miss the reality that her character is a seminal strong woman in comedy (not just TV comedy).

OA was a seminal work in Asian themed gaming that paved the way for all other such TTRPG supplements that came after it. It was clearly written with a sincere effort to do so. Yes, Bushido was printed before it (and is also deserving of analysis), but at the time (far more so than today with WoTC) nothing had greater reach and influence in the industry than TSR. And the product reviews at the time, as I recall, we incredibly positive. I also don’t recall a single letter to the editor of Dragon (the equivalent of these EN world forums before the internet) labeling the work racist.

And that is how it reads today. IF you understand background of the authors and the limits of the resources available to the authors at the time. And IF you know what the purpose of what of an RPG source book is: it is a gamification and launching point of a topic for both DMs/GMs and players to learn more and invent more. It makes playable mechanics more important than accuracy. Also, it is not an exhaustive historical and mythological treaties of such a vast region and radically different cultures.

The podcast in question ignores these things. Instead it “nitpicks” over word choice and complains about choices made by the authors from the comfortable cheap seats of decades of hindsight. It doesn’t help that none of them experienced the release of this product (not born yet?) so MANY obvious historical facts about the game (Such as comeliness and NWP being created for all types of settings) are unknown to them. All played for a cheap laugh.

It is a tar and feathering rather than a true attempt at promoting inclusivity into the game. I can hear in their updated podcast that they have grown as people since then. Of course the irony of suggesting of one look at the original podcast in the historical context of modern people, new to the game, seeing OA for the first time is not lost in me.

Social media is a hostile place and everything you post should be considered seriously before doing so. I waited a long time before I spoke up about this podcast because I knew I risked backlash. Indeed, already the same person in this thread has made some unkind assumptions about me. This game is very important to me. The history of the game is important to me. Even (gulp) 4th Ed has a place for me.

It’s great that those associated with the podcast are now trying to be constructive and help improve inclusivity into the game. But they still own their words of the past and wield far more influence over how OA is perceived than I do. I just hope they care enough about this game to undo the damage they have done to OA.
Sounds like you value including OA in the game more than including people in this game. :/

We don't need WotC to "undo damage" to OA. OA doesn't require fixing, it doesn't require respect, it doesn't require any thought. People deserve respect. People deserve inclusion. OA doesn't respect people or include them - it shuts people out.

My apologies for any words that were harsher than intended. Still, nobody is threatening you. I certainly am not, or intend this not as much so much as pushback. You can go along and play the game however you want. Just please don't use such toxic metaphors as tar and feathering when it comes to books; it's demeaning to the memory of people who have been tarred and feathered in real life. All I and others are doing is standing up against racism in our beloved hobby.

The only way we have EVER been able to make progress in this hobby is by demanding change and by holding the people in power accountable, with the threat of taking our business elsewhere if we don't get that change. WotC is FINALLY starting to listen to demands for human decency and equal representation and elimination of racist and sexist caricatures and tropes in their games. This only happens because people like Kwan have pushed them into the corner that they have to act.

WotC listens to big data. The vast majority of players want the game to be more respectful and more inclusive. OA has NO place in that. It can't.

And yet, still, WotC are selling you OA in their backcatalog, because they don't want to lose the potential of a sale to someone like you who wants OA in their lives. If anything, WotC should be removing the book from their digital stores. The least we can have is Kwan on a major panel taking the company to task on this front.

The soft pushback you're getting here is marginal compared to the centuries of ridicule and caricature minorities have endured, in which D&D has the very gross history of engaging in. OA is on the wrong side of history, and I applaud Kwan for forcing WotC's hand so far as to even get a seat a the table.
 
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Parmandur

Book-Friend
Sounds like you value including OA in the game more than including people in this game. :/

We don't need WotC to "undo damage" to OA. OA doesn't require fixing, it doesn't require respect, it doesn't require any thought. People deserve respect. People deserve inclusion. OA doesn't respect people or include them - it shuts people out.

My apologies for any words that were harsher than intended. Still, nobody is threatening you. I certainly am not, or intend this not as much so much as pushback. You can go along and play the game however you want. Just please don't use such toxic metaphors as tar and feathering when it comes to books; it's demeaning to the memory of people who have been tarred and feathered in real life. All I and others are doing is standing up against racism in our beloved hobby.

The only way we have EVER been able to make progress in this hobby is by demanding change and by holding the people in power accountable, with the threat of taking our business elsewhere if we don't get that change. WotC is FINALLY starting to listen to demands for human decency and equal representation and elimination of racist and sexist caricatures and tropes in their games. This only happens because people like Kwan have pushed them into the corner that they have to act.

WotC listens to big data. The vast majority of players want the game to be more respectful and more inclusive. OA has NO place in that. It can't.

And yet, still, WotC are selling you OA in their backcatalog, because they don't want to lose the potential of a sale to someone like you who wants OA in their lives. If anything, WotC should be removing the book from their digital stores. The least we can have is Kwan on a major panel taking the company to task on this front.

The soft pushback you're getting here is marginal compared to the centuries of ridicule and caricature minorities have endured, in which D&D has the very gross history of engaging in. OA is on the wrong side of history, and I applaud Kwan for forcing WotC's hand so far as to even get a seat a the table.

I would love to see a panel with these folks, Zeb Cook, James Wyatt, and Jeff Grubb getting into the nitty gritty about the background of these works and ways for the hobby to move forwards.
 

The only way we have EVER been able to make progress in this hobby is by demanding change and by holding the people in power accountable, with the threat of taking our business elsewhere if we don't get that change. WotC is FINALLY starting to listen to demands for human decency and equal representation and elimination of racist and sexist caricatures and tropes in their games. This only happens because people like Kwan have pushed them into the corner that they have to act.
Please compare 5e phb with editions before. The designers of 5e already did a great job of doing no sexist pictures and having a very diverse race/class section. Of course you always can do better and sometimes you miss something (like the word androgynous), which the designers of 5e corrected fast when they were pointed at it.
WotC right now is trying to do a good Job of trying to include everyone, but naturally you sometimes miss the mark.
And it is good that you complain if you are personally hurt by something. But you also need to be reasonable about it and not try to change the past. It is the present and future that counts. And it is a good thing that WotC invites critical persons to their panels and allows them to speak about missteps in the past. And it is important that they do their best to not repeat those errors. And probably 10 years in the future you will find bad mistakes in things you think are well done today.
 


ART!

Deluxe Unhuman
Ease up in the public shaming. You don’t know me. You don’t know my work for social justice and that I prefer Paizo’s adventures because as a company they do a pretty good job as both inclusive hiring and content.
It makes me sad that you feel the very first Asian themed D&D supplement doesn’t deserve a Serious scholarly analysis rather than something played for laughs and fame. Shame. Shame on you for disrespecting our hobby that we both clearly love.
I am heartened to hear that they did a follow up podcast and plan to listen to it tonight.
Tolerance and inclusivity are essential for our hobby (and every other aspect of our lives).

"Shame on you for shaming me!" ;)
 

Emirikol Prime

Explorer
Definitely keeping the race rules as they are. These races were sometimes made in the image of their creator ans it’s always made sense they they have built in differences. I want my elves naturally more dexterous. Of course standouts as heroes would have broken the mold and that is what makes them special. And also min/maxing is anathema to me.
That said every table should play as they wish.
 

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