Dragons. Dragons. Dragons.

The new art looks like the red dragon's dumb brute cousin. More like a fire drake or white dragon.

Granted if they're going in a different direction with dragons, making them dumb brutes rather than intelligent casters, that's a good choice. Otherwise, hold the steroids.

On a related note, I wish we'd get art of flying creatures that showed them flying. "Just standing around" doesn't seem like a pose you'd meet a dragon in very often. Flying? Sure. Swooping in? Absolutely. Sleeping? If you're lucky. Standing around like a dinosaur with vestigial wings that are just there to look menacing? Not how I usually portray my dragons.

Cheers!
Kinak
 

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More than any other monster I would really like to see some realism in the pictures of dragons, especially in colouration. It is not enough that they look good on the page. They ought to look like they could pop out of the page and come after you. Their scales need to shine, and their teeth glisten. And no dragon should look monotone.

So far this is perhaps the best dragon picture I have found, in terms of realism...
http://1.bp.blogspot.com/-6V1BRPvRL1Y/T2LGPetVkbI/AAAAAAAAAq0/icIqbsKrScc/s1600/dragon9.jpg
 
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I think some people are focusing too much on the pose. Since this is a concept piece (and line art, at that), here's what you can look for:

- Big Red has bigger claws and teeth than the Lockwood red (whose forelegs are almost cat-like). Good or bad?
- Big Red has large talons tipping his wing-limbs. Does it convey an additional attack mode?
- Big Red's neck is shorter and more muscular than Lockwood's. His body is more compact (the muscles aren't as protuding) and the tail is thicker. This lends a sense of it being a single, sinuous shape, as opposed to Lockwood's, where the neck clearly stands out from the body at the chest area. Which is better?
 

Klaus said:
- Big Red has bigger claws and teeth than the Lockwood red (whose forelegs are almost cat-like). Good or bad?

For me, neutral-leaning-to-bad. A red dragon can have big claws (why not), but the size of the claws shouldn't be what is attention-grabbing about it. Lockwood's more elegant digits imply a more careful, precise, considered gait that helps convey a sense of an un-hurried mind.

- Big Red has large talons tipping his wing-limbs. Does it convey an additional attack mode?

Yeah, maybe, but that isn't exactly relevant to me. A red dragon's attacks will kill you dead regardless of if it can also kill you with wings or not.

- Big Red's neck is shorter and more muscular than Lockwood's. His body is more compact (the muscles aren't as protuding) and the tail is thicker. This lends a sense of it being a single, sinuous shape, as opposed to Lockwood's, where the neck clearly stands out from the body at the chest area. Which is better?

When I think "sinuous," I find it's incompatible with "shorter...more muscular...more compact...thicker."

I mean, a boa constrictor is a powerfully muscular creature, but being sinuous implies an elegance and water-like quality to it. A boa constrictor is muscular, but it's also very very long and very very flexible, and that is what makes it sinuous to me.

Shorter, more brutish red dragons don't work for me because it works against the idea of them being concerned with wealth and power and control. It draws more attention to their physical abilities of claw/claw/bite/buffet/buffet/tail than it implies plots and narratives beyond the combat-scene pose.

For a white dragon, a more physical, buff, stocky bearing is perhaps relevant -- white dragons are the savages and brutes of the dragon world. For a red dragon, that hypermasculinity and physical presence is a distraction from what should, IMO, be important: the evil intent of the thing. Not hostile. Not necessarily aggressive or violent. But thoroughly wicked. Red dragons are magnificent bastards. I don't get that from this illo. I get "Rargh, I'm angry and violent, grrr, snarl."

Things that would help:
1) Muscles should flow more smothly than bulge. More snake, less George Foreman.
2) Smoother scales. Not so jagged and rough, but sleek, seamless, almost flesh-like.
3) Pose. It should not look like an animal, with an animalistic "DID I JUST HEAR THAT?! RARGH!" pose. It should be more confident and methodical.
4) Mouth. Shut it. Are you a drooling savage or one of the most profound powers on the material plane?
5) Claws. More hands, less paws. More svelte, implying control and manipulation. More Mr. Burns less Mr. Woofs, the neighbor's big shaggy great dane.
6) Wings. Less "bringing them in," more "extending them out." Red dragons are rarely tense or excited, they're confident and intelligent, they put their wings wherever they want, not hide them out of the way.

Some of that works against the explicit goals that he gave the artist, so I get that he was trying to give a counter-point. But I'd much rather have one of the pinnacle threats of the D&D game retain the idea of authority. Look at the body language on display. Big Red is all turned around, surprised, nervous, tense, alert, spooked. Lockwood's Red is doing what IT wants. It doesn't react, it makes YOU react to IT. It's not scared or confused.

Body language communicates a lot about a creature. And while "GRR, I'M A MONSTER, RAR!" works for some monsters, it doesn't for all of them. For the Red Dragon, I don't think it works.
 
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Yeah, show a red dragon landing as an awesome, terrifying presence, scattering the gathered pitiful townsfolk, leaving behind only the desperate human offering lashed to a pole and the pile of gold the humans pray will make the beast spare them. Have its wings cast a shadow across the whole scene, with the doomed victim illuminated by a red glow from the dragon's maw.
 

Both have their advantages and disadvantages. While I like dragons that are ancient and wise, I really want them to be a concentrated force of nature that are a terror to all and sundry. I don't want to go back to them being high level spell casters with scales. Not to say they can't have magical powers, but they shouldn't be like every other wanna-be wizard/cleric.
 

For me, neutral-leaning-to-bad. A red dragon can have big claws (why not), but the size of the claws shouldn't be what is attention-grabbing about it. Lockwood's more elegant digits imply a more careful, precise, considered gait that helps convey a sense of an un-hurried mind.

He may be brilliant (high Int), but that is still a Chaotic Evil force of nature. "Un-hurried mind" fits the manipulative Greens or the regimented Blues (not to mention Silvers and Golds).

When I think "sinuous," I find it's incompatible with "shorter...more muscular...more compact...thicker."

I mean, a boa constrictor is a powerfully muscular creature, but being sinuous implies an elegance and water-like quality to it. A boa constrictor is muscular, but it's also very very long and very very flexible, and that is what makes it sinuous to me.

Big Red's entire body (and its much longer tail) form a continuous form, twisted by the motion. It is more of a "wyrm" (as in "serpent") than the Lockwood red (which I love, BTW). The muscles don't bulge out so much, they're more tightly packed into the form.

For a white dragon, a more physical, buff, stocky bearing is perhaps relevant -- white dragons are the savages and brutes of the dragon world. For a red dragon, that hypermasculinity and physical presence is a distraction from what should, IMO, be important: the evil intent of the thing. Not hostile. Not necessarily aggressive or violent. But thoroughly wicked. Red dragons are magnificent bastards. I don't get that from this illo. I get "Rargh, I'm angry and violent, grrr, snarl."

Really? I think they're more Smug Snakes. Certain individual red dragons might rise to Magnificent Bastardry, but their short tempers and unparalleled arrogance often cuts them short.

Things that would help:
1) Muscles should flow more smothly than bulge. More snake, less George Foreman.

Big Red's muscles bulge less than the Lockwood dragon's (which takes a lot from a bird's muscles, which are comparatively huge).

2) Smoother scales. Not so jagged and rough, but sleek, seamless, almost flesh-like.

Reptiles native to hot environments, such as gila monsters, rattlesnakes and horned lizards are *far* from smooth.

3) Pose. It should not look like an animal, with an animalistic "DID I JUST HEAR THAT?! RARGH!" pose. It should be more confident and methodical.

That is something to be decided later. I agree that pose is important. But again, "methodical"? This is a Chaotic Evil monster.

4) Mouth. Shut it. Are you a drooling savage or one of the most profound powers on the material plane?

I prefer my (as [MENTION=63]RangerWickett[/MENTION] has called them) "jack-o-lantern dragons" (mouth open, glowing from within).

5) Claws. More hands, less paws. More svelte, implying control and manipulation. More Mr. Burns less Mr. Woofs, the neighbor's big shaggy great dane.

Does it need hands to feel manipulative? I think that is shown in the eyes and head. And if you give them hands, they stop looking like dragons and start looking like dragonborn.

6) Wings. Less "bringing them in," more "extending them out." Red dragons are rarely tense or excited, they're confident and intelligent, they put their wings wherever they want, not hide them out of the way.

I agree with you there. BUT I have to make a practical sidenote: a dragon's wings are huuuuuuuuge. But the space in a painting isn't, so you end up either cropping the wings off, or your dragon ends up looking tiny.

Body language communicates a lot about a creature. And while "GRR, I'M A MONSTER, RAR!" works for some monsters, it doesn't for all of them. For the Red Dragon, I don't think it works.

Of all the classic Chromatics, I think "RAR!!!" fits the Red more than any other, perhaps save the White.
 

The most horrible monsters in the game, for me, ARE thinkers and manipulators. A White Dragon might be more of a raw muscled beast of a creature, but it's also the weakest of the dragons. A red dragon is an ancient being of immense intelligence, and one of the most powerful and ancient beings on the planet.

To me red dragons are smart. But their intelligence is not their primary feature. They aren't smart first. Individual reds might lean to cunning, but most reds strike me as lacking patience. They can be manipulators but most won't bother, as lesser beings aren't worth the though. They're ants. Better to just take what you want and get back to something worth doing. They just can't be bothered by subtleties, that's for greens and blacks.
 

I also think their bodies ought to be longer and a bit thicker at the back. Look at any monitor lizard; seems there is a lot more space between the two sets of legs: http://upload.wikimedia.org/wikipedia/commons/3/3e/Nile_Monitor,_Lake_Manyara.jpg .

Edit: Though on the other hand: http://en.wikipedia.org/wiki/File:Varanus_griseus.JPG . I think that one plays a dragon rogue in his local D&D game...

Edit+: This guy might be modeling the ideal neck length for the iconic dragon: http://en.wikipedia.org/wiki/File:Pirentie_tripodding.JPG .
 
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He may be brilliant (high Int), but that is still a Chaotic Evil force of nature. "Un-hurried mind" fits the manipulative Greens or the regimented Blues (not to mention Silvers and Golds).

Chaotic in D&D isn't necessarily about poor impulse control. Keep in mind that demon lords with multi-millennia plots and gods who never die and were never born are Chaotic. Chaotic in D&D is more about how you interact with others. Reds are independent -- they don't organize, they don't unify, they don't trust outside authority. But they don't have to be easily distracted. They can have plans. Those plans are just self-interested, Chaotic ones. That's why I mentioned the "plot to collapse an empire just to own its ruins." They wouldn't LEAD that empire, but they'd absolutely terrorize it until it dies.

Big Red's entire body (and its much longer tail) form a continuous form, twisted by the motion. It is more of a "wyrm" (as in "serpent") than the Lockwood red (which I love, BTW). The muscles don't bulge out so much, they're more tightly packed into the form.

I'm not sure we're talking about the bulge in the same way. The Lockwood muscles look sleek to me -- smooth. The new concept's muscles look bulky, chunky.

Really? I think they're more Smug Snakes. Certain individual red dragons might rise to Magnificent Bastardry, but their short tempers and unparalleled arrogance often cuts them short.

I think they're much more BBEG than sidekick. In the game called Dungeons and Dragons that is about heroism and treasure they ARE the antagonists. They ARE the dragons. Their lairs ARE the dungeons. Their hoards ARE the treasure. They help define the tone of evil for the game. Personally, I wouldn't want to demote them to "easily duped arrogant guy."

Reptiles native to hot environments, such as gila monsters, rattlesnakes and horned lizards are *far* from smooth.

What, boa constrictors and coral snakes are suddenly temperate critters? ;) And have you ever seen the belly of a rattlesnake?

That is something to be decided later. I agree that pose is important. But again, "methodical"? This is a Chaotic Evil monster.

Chaotic Evil, not Chaotic Stupid. Chaos + Evil + Godlike intellect = schemes of vast an incalculable chaos and evil.

I prefer my (as [MENTION=63]RangerWickett[/MENTION] has called them) "jack-o-lantern dragons" (mouth open, glowing from within).

That IS a pretty cool visual. But that breath weapon in an illo featuring the villain needs to be menacing and foreboding, not action-scene confrontation. I should look at the picture of the Red Dragon and see the reason I want to be a hero.

Does it need hands to feel manipulative? I think that is shown in the eyes and head. And if you give them hands, they stop looking like dragons and start looking like dragonborn.

I think hands can help achieve that feel, but they can also have long, dexterous claws. The point is that they aren't on a reckless rampage, they're operating confidently, with efficiency.

I agree with you there. BUT I have to make a practical sidenote: a dragon's wings are huuuuuuuuge. But the space in a painting isn't, so you end up either cropping the wings off, or your dragon ends up looking tiny.

True, it's a balancing act. Still, unfurled and confident and majestic > tense and alert and aggressive, for the Red Dragon IMO.

If all the classic Chromatics, I think "RAR!!!" fits the Red more than any other, perhaps save the White.

I don't see Reds as so obviously aggressive. They don't need to be. Consummate badasses and some of the most eternal evil in the world. They're not going to go scream and frighten the villagers. They're going to terrify the villagers -- with their mere shadow. I don't see Reds as reckless and untamed, I see them as the long-waiting entropy, beings who unravel entire civilizations for their own amusement, who have no real need to be frightened or aggressive. Anger is an emotion for those who don't get their way with a wave of their wing. It's a display to show others you're scary. Reds don't need to SHOW that. They are that. They KNOW they are that. Rather than simply an untamed force of nature, they are a creature that CAUSES the forces of nature.

"Rar!" is what you say when you want somebody to be afraid of you.

"Hello." is what a Red Dragon says when they want somebody to be afraid of them.

IMO, of course. I know this is probably part of the controversy JS was talking about. ;)

Jester Canuck said:
To me red dragons are smart. But their intelligence is not their primary feature. They aren't smart first. Individual reds might lean to cunning, but most reds strike me as lacking patience. They can be manipulators but most won't bother, as lesser beings aren't worth the though. They're ants. Better to just take what you want and get back to something worth doing. They just can't be bothered by subtleties, that's for greens and blacks.

Perhaps weirdly, I don't see greens and blacks as particularly subtle.

When I think Green Dragon, I think, Vanity. Green dragons are the sly snakes, the all-too-arrogant creatures likely to respond to flattery. They're not the highest dragon on the totem pole, and they make up for it by trying to be the center of a power structure that supports them and all their needs, reassuring their egos. They reflect the Fey in this way (which is why they have charm magic and plant magic) -- if they feel powerful, they're happy.

When I think Black Dragon, I think Cruelty. Black dragons are sadistic and mean for the sake of it, petty, jealous, and reprehensible about twisting whatever knife they have in you. They aren't as concerned with power, they just want to see you yelp in pain, beg for release. This is why they focus on disease and acid and plague: a long drawn out death is vastly more amusing to them than a quick one.

For completeness, White = Brutality (barbarism, savegry, anger, rage) and Blue = Deception (lies, trickery, deceit, mind games) for me.

Reds don't need cults (though they're not above taking advantage of them). Reds don't delight in your particular suffering (what do YOU matter to a being of infinite aeons and unmatched power?). Reds don't care for unrestrained brutality (why rampage against an anthill?), and don't particularly get off on their own cleverness (what should they have to prove to children?). They value wealth, they value power, and they value themselves. Crass displays of fury and petty cries for attention are for creatures who aren't already absolutely assured of their own superiority. They have no need to prove it.
 
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