Dungeons & Dragons: Ravenloft: Heir of Strahd Review

Like many Ravenloft tabletop adventures, five adventurers are plucked from the realms by the mists to find themselves in Barovia. As usual, Strahd sends one of his minions to invite the newcomers to his castle to enjoy his hospitality, a.k.a. for Strahd to mess with their minds and tempt them.

The characters are:

• Rotrog: An arrogant Orc wizard apprentice
• Kah: A shy Kenku cleric from Waterdeep
• Fielle: A cheerful human artificer from Baldur’s Gate
• Alishai: A moody, hot-tempered Tiefling paladin to Selune
• Chivarion: A good-natured Drow barbarian with a hairless tressym named “Murder” as his pet.

Over the course of the novel, you discover that each one was taken when they were faced with a terrible choice or were poised to take an awful action. That sets the stage for the crux of the novel—which character(s) will succumb to either Strahd’s temptations and/or the malevolent energy of Barovia, embracing their darkest impulses.

Should You Buy It?​

I found Heir to Strahd interesting because while it presented elements of Barovia that Ravenloft players and DMs will be very familiar with, not everything was what I had expected, even though I’ve GM’d Ravenloft adventures. The spirit of Tatyana most notably was presented in a way I did not expect based on the prior information I had read.

I don’t want to explain too much about Tatyana, and how she factors into the plot because it could ruin the mystery of who falls prey to the darkness to become the titular character. I will say that I suspected the doomed character at first, then talked myself out of it, assuming it was a feint to distract from another option. A later character reveal reinforced my original suspicion, but I still thought there might be a twist to go in the another direction. There wasn’t but instead of being unsatisfying, the ending makes me eager for a sequel.

Regardless of how one feels about the mystery and certain aspects of the ending, this Ravenloft novel can be very useful for anyone thinking of DMing an adventure set in Barovia. Dawson, the author of a few Star Wars novels and several fantasy novels, not only sets the tone very well for Barovia but also shows how Strahd could be played by a DM. The audiobook in particular showcased how even a simple conversation with Strahd can be equal parts charming and sinister.

For those who like or prefer audiobooks, the narration by Ellie Gossage was very good. It’s also available in hardcover and ebook editions.

Dungeons & Dragons: Ravenloft: Heir of Strahd: B+.

 

[Dire Bare]

Cheers, valid points all around! Still I’d be in favour of reigning in the proliferation of races on a per-setting basis, just for verisimilitude. The Tolkien races are a well-established genre trope in gaming, but I think we could step back and be critical of it more often too: why must every D&D setting include elves, dwarves, and orcs? The main answer is “because we’ve always done so”, which isn’t a very strong reason. D&D has been rocketing away from being strictly Euro-inspired for decades anyway, so why not put other stuff in core? What really makes dwarf different from a human anyway? A dragonman is clearly different biology, but these days elves and dwarves aren’t so clear.

Anyway, I’m mostly thinking that D&D could skip a lot of these issues by reassessing its reasoning around races even more than it has already.

Some third party publishers do just that, but . . . most don't. And the reason is obvious, folks like options instead of restrictions. Folks like the classics being available, perhaps with a twist, but also enjoy new options.