Enterprise 05-21-03 (Season Finale)

John Crichton said:
...just in time for Archer and crew to have another ship waiting for them when they come limping back to spacedock from the Expanse in a borrowed Klingon ship which they...

Purchased from their new allies the Duras clones. Meanwhile, T'Pol has been brought back to life in a borrowed SG-1 sarcaphogus but has been reincarnated in a velveteen creature with ping pong ball eyes who sounds suspiciously like Frank Oz. Trip has given birth again, this time to a Xindi child who he has vowed will not live to see the age of his deceased baby-sister. Phlox is addicted to dilithi-crack that he smokes from a miniature replica of a warp core with his new love Hoshi who has taken to wearing nothing but veils, one of which is removed each episode. Malcolm shakes his head and services the General and his troops in an effort to be accepted by the military men. In an oversight, Mayweather is completely left out of season three but still collects a paycheck after marrying Braga's daughter off-camera.

Well, it would be a new direction... :p

*EDIT* Good point, JR.
 
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Oh, another thing I wanted to point out about this episode: the death of the Klingon, Duras. If I remember correctly, when his ship was blown up, didn't we see the "command section" of the ship (the front part of the ship, as is common with Klingon vessels) go spiraling away from the massive explosion? That, to me, says the people behind the show have given themselves a plot "out" if they even want to bring Duras back. All they have to do is have that section of the ship sealed off. The Klingons can always be encountered by another alien ship, which they then take over and use as their own.

Hey, it worked for Darth Vader at the end of Star Wars, didn't it? His "modified Tie fighter" looked like it was destroyed, but he turned out okay, right? ;)

Johnathan
 

Mark said:
Purchased from their new allies the Duras clones. Meanwhile, T'Pol has been brought back to life in a borrowed SG-1 sarcaphogus but has been reincarnated in a velveteen creature with ping pong ball eyes who sounds suspiciously like Frank Oz. Trip has given birth again, this time to a Xindi child who he has vowed will not live to see the age of his deceased baby-sister. Phlox is addicted to dilithi-crack that he smokes from a miniature replica of a warp core with his new love Hoshi who has taken to wearing nothing but veils, one of which is removed each episode. Malcolm shakes his head and services the General and his troops in an effort to be accepted by the military men. In an oversight, Mayweather is completely left out of season three but still collects a paycheck after marrying Braga's daughter off-camera.

Well, it would be a new direction... :p
LOL!! :)

I knew you wouldn't be able to resist running with that!
 

Richards said:
Oh, another thing I wanted to point out about this episode: the death of the Klingon, Duras. If I remember correctly, when his ship was blown up, didn't we see the "command section" of the ship (the front part of the ship, as is common with Klingon vessels) go spiraling away from the massive explosion? That, to me, says the people behind the show have given themselves a plot "out" if they even want to bring Duras back. All they have to do is have that section of the ship sealed off. The Klingons can always be encountered by another alien ship, which they then take over and use as their own.
Yep, I made sure to watch and there were 2 (maybe 3) huge chucks of the Klingon ship still intact after the explosion. I was thinking the same thing as to being able to bring Duras back. There is no reason to kill him off just to have another Klingon with the same temperment hunt Archer down later. Seems to me like B&B watched Trek 3 & 5 before writing the last few eps of this season... :)

John "who liked ALL the original cast Trek films" Crichton
 

fba827 said:


What was Kim? I think he sat in the place the science officer would sit.

If not Kim, then, definately, seven took that role when she became the chief user of the astrometrics facility on the ship ;)
(even if not by official rank/title, she was the main science officer at that point)

Kim wasn't the science officer, he was the ops officer. I concede somewhat about Seven, but she really wasn't a science officer either. I'm not really sure what her official designation on the crew was.
 

Orius said:
Kim wasn't the science officer, he was the ops officer. I concede somewhat about Seven, but she really wasn't a science officer either. I'm not really sure what her official designation on the crew was.
Someone can feel free to correct me, but she didn't have a designation or even a position on the ship.


Also: Because it was brought up before about the age of Trip's sister it should be noted that he used to stand up for her when they were younger which would make her an adult now.
 

Allow me to offer a somewhat different viewpoint.

I came to Star Trek with the original movies, saw a few of the original series episodes on reruns, and fell in love with the Next Generation, eventually seeing every single episode. While I can't even bear to watch 98% of those shows on re-runs now because I find them so dated, boring, and horrible, there was something about that show that hooked me instantly and held me until the very last episode.

I didn't care for the first couple of seasons of Deep Space 9, but I eventually learned to love that show, too, especially as they got closer to the end and it became more and more a political drama. The last couple seasons mark a Trek "high-water mark" for me.

Voyager was a bitter disappointment, and aside from a few episodes in which they brought in 7 of 9 and the Borg Queen, I largely ignored the last five seasons of that show. Judging by the ratings, I was part of a mass exodus of Star Trek fans.

When the new show came out, I took stock of the situation. Same production team. Odd "set in the past" format that seemed at odds with the "canonical" information I knew about the show. Folk music opening. Without ever watching the show, I happpily wrote it off. Up until last night, I'd _never_ seen an episode of Enterprise, and I was content to live a life completely absent of Star Trek.

"The Expanse" was written for viewers exactly like me. I read all the quibbles and complaints in this thread with an arched eyebrow. I'm sure the producers are glad that many of you regular viewers liked the episode, but I'm also certain you're not the episode's target market, and that trekkie complaints about water rushing into canyons and quantum dating problems (valid as both are from a scientific perspective) are of little concern to Braga and Berman, who are trying to save their show (and probably their careers).

If Enterprise is going to succeed as a show and as a financial enterprise, it's got to attract more viewers. The logical place to start is with viewers like me, who once had an affinity for Star Trek but who had lost faith in the "franchise runners" and were willing to give it up.

Like I said above, I've _never_ seen an episode of Enterprise. Here's what I saw last night:

* By far the most exciting and visually compelling Star Trek space battle I've ever seen. Yes, the "whip around and shoot them from behind" maneuver was a bit cliche, but it looked _spectacular_. I have no idea if all Enterpise space battles have looked this cool so far, but the special effects technology of this show is _leaps and bounds_ better than its predecessors. The ships seem to have a "weight" to them that's been missing from previous series, and the camera angles are much tighter than in the past, making you feel like you're flying along with the ships. I thought this was great, and so did my girlfriend, incidentally. She thinks Star Trek is for nerds, for the most part. If the "bold new direction" gambit is going to work, the show must attract people like her, too.

* An obvious compact with the fans that "yes, we know certain characters on the show are namby-pamby, and all that's about to change." I like Scott Bakula fine as an actor, but had concerns about him as captain. In the time since TNG, it's become clear to me (and I think several others) that the passive, "let's think our way out of this problem with a psychologist at our side and a kid on ops" style of Captain Picard is far less enjoyable to watch than the "devil may care" emotions of Shatner's original fist-fighting Captain Kirk. I think most viewers want an emotional captain willing to throw a punch and willing to blow his enemies to high heaven. While I have no idea where Archer has been as a character, it seems clear that the deaths of 7 million people are going to push him a tad further into the Kirk region.

* Lots of "fan service" to people like me. THAT's why the klingons were there. Klingons remind the casual viewer that this show has ties to the previous series. Showing the Enterprise shoot photon torpedoes was a great touch. Both my girlfriend and I said "oh, wow! This is where they introduce photon torpedoes! Neat." Not "according to my desk reference of Star Trek technology, photon torpedoes were introduced several years later."
The Vulcan high command was another such reference. As were the Starfleet scenes. As was the spacedock allusion to Star Trek I. As was the image of the first warp ship in the opening credits. I know you guys have seen that image lots of times by now, but for people who haven't ever seen the show, it was a welcome nod to the past that suggested the people in charge of the show know what they're doing.
Now I don't know if they _do_ know what they're doing, really, but the job of this episode was to make it seem like they were, and for me it worked in spades.

* As Jonathan mentioned, the Xindi attack was an obvious allusion to September 11th, and how a terrible surprise attack on the homeland can change everything. I thought this was too heavy-handed, but it appears to have been missed by a lot of folks, so perhaps they played it off with just the right amount of subtlety. In any event, it helps to make the new series direction "relevant" in the same way many people thought Lord of the Rings, with its tale of good against evil, tapped the post-September 11th zeitgeist.

* Most importantly, I left the episode with the impression that the show will now be about exploration into unknown space (like the original series, and like Voyager attempted and failed to pull off convincingly) with lots of fighting and explosions (like the best movies and episodes of TNG and DS9, notably Wolf 359 and the last season of the Dominion war) and a cool new ship with a captain that's not afraid to use his numerous new armaments.
I'm desperately hoping that the show will cast aside the liberal posturing of the 1990s that made Voyager seem so dull and boring and will get back to the spirit of high adventure that made the original series so enjoyable in its time. But this time, it'll hopefully have some of the politics of DS9 and Babylon 5 coupled with the exciting space battles of something like Battlestar Galactica or Star Wars.

Am I a convert to Enterprise? Not really, no, but I definitely will record the first couple episodes of the next season on my TiVo. If they're good, I'll add it to my season pass and will become a happy new viewer. So will my girlfriend, who doesn't generally care for Star Trek, but who really liked that show.

Chances are most of you die-hards will be watching the show no matter what. You watch it now, when by all accounts it's got some serious flaws--flaws the producers apparently recongnize and are trying to recitify with this new direction. If they were able to pick up two viewers like me with last week's episode, I'm sure they picked up thousands more. Maybe hundreds of thousands more. If those people tune in to the first episode next year, they'll have vastly increased their audience, which seems to be the point of the "bold new direction."

I suggest that, at least as far as my apartment was concerned, "The Expanse" was a staggering and utterly surprising success.

--Erik
 


I think Erik's take on the episode was both dead-on accurate, and interesting from the standpoint of someone like me, who has watched the show from the beginning.

I also think that many people who were already Trek fans may have passed Enterprise by simply due to the legacy of Voyager. That's too bad, and I hope more come back into the fold for Enterprise. Personally, I've thought the show had begun to wander into the politically-correct/talking head/technobabble territory Erik decried, and which plagued much of Next Gen and Voyager. I think Archer's destruction of the Klingon ship was as much symbolic to the viewership as it was to the characters on the show - "less talk, more action, and oh, by the way, enough with the namby-pamby attitude you're all used to."

I thought it was a good, if subdued, episode. There was an air of desperation that lent an immediacy to the show. Some have criticized the allusions to 9/11, but I have to say that a lot of shows do "ripped from the headlines" stories, and I don't think Enterprise has to be different. In some ways it harkened back to more muscular, Kirk-punching-his-way-through-the-galaxy attitude of the original series, but I think Enterprise in general has modelled itself after the old show more than any of the other Trek shows.

The space battle was cool, true, but I've seen bigger and more spectacular ones (the kind I like) on DS9, and there have been some cool ones on other episodes of Enterprise - I liked the brief skirmish they had with the Tholians, for example.
 

Richards said:
I'm surprised nobody's mentioned the one obvious analogy to the plot of this episode (well, it was immediately obvious to me, anyway, and also to my oldest son, who watched it from halfway across the country, so I can site two separate sources): September 11th.

To me, this episode simply screamed 9-11. Here's the Earth, sitting fat, dumb, and happy, when out of the blue comes a major, devastating attack from an unexpected source. Extreme damage is incurred. The reaction is first one of disbelief and shock, followed quickly by anger and a desire for retaliation (especially on the part of Trip, who lost someone close to him in the attack).

Here's a link to an interview with Berman that touches on that point:

http://www.scifi.com/scifiwire/art-main.html?2003-05/20/12.30.tv

Basically, Berman says a 9-11 analogy wasn't intdented from the beginning. He says they went back and copied elements from Trek films, though he claims they borrowed from IV and VIII. He does admit that there are parallels to 9-11, though that wasn't the focus they were going for from the start.
 

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