Funny, that's how I felt about Babylon 5. Cheap costumes, cheap sets, cheap characters with broad cliche personalities, trite dialogue, and by-the-numbers resolutions to each week's plot. It was Monet science-fiction; stepping back to look at the entire elephantine overarching mega-plot, it looks grand. When looking at individual episodes, however, 9 out of 10 were pretty bland.
For all the raves about its non-trekkiness, it was still crypto-fascist science fiction. The B5 crew were still cops, still loyal soldiers following a chain of command. Farscape's cast was a bunch of misfit fugitives on the run from the authorities. They weren't out to protect the universe--no puerile confrontation scenes with posturing characters saying "go to hell" or "get off my damn ___" with a dramatic pause so the fanboys watching at home can hoot and holler at this wanton use of mild swearing. And nobody casually accepted that anyone else was the boss of them. When they finally do decide to pick a captain for Moya, the human doesn't even win. Now that's rebellious non-trekkiness.
I guess crypto-fascist sci-fi must be what people want though, because Farscape's gone and SG1 is here to stay.