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Phaeton's Falcons

"Do we know if there is a way to the top of the warehouse, a ladder possibly or footholds from windows? Maybe a trapdoor or a way through the roof would be useful, instead of just walking in plain as day. I'm not one with the ways of subtleties, but I think this might prove a good way to surprise whomever might be inside."

Livingston gets up, walks to the cook's daughter and asks for a small order of fried fish with lemon and rice, and his cup of tea. Then surveying the information on the table, he looks at Roland.

"Do you know where the gnome is planning on hiding himself tonight? Or do we even know his idea of a stake-out? For those of us who aren't accompanying him, I wouldn't mind burning the late-night oil and getting to know a few of you."
 

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Gurv looks up from his documents, responding when Vyleya refers to him.

"Oh, excuse me. My name is Gurv. Gurv Bhegen. I had a chance to speak to a fence. I'd never met him before but we knew people in common. Seemed on the level. He said that some of the people involved in the warehouse were trying to set up deals. But they were clumsy. Trying to move the goods in bulk. In a town this size in a land this heavily policed? That's asking for trouble and a professional would know better. It's very odd..."

Gurv trails off, thinking on the matter. After a moment, he resumes speaking.

"Anyway, this warehouse is pretty close to other warehouses. If we're worried about people watching for trouble at our target warehouse, maybe we could climb to a neighboring one and get to the roof of our target. Just an idea."

Gurv rubs his three-day old beard qnd then takes a sip of his wine.

"I'd be interested in the surveillance for tonight, as well. I have some experience in these matters. I don't want to step on any toes, though. Maybe I could watch your backs from a distance. You know, watch to make sure no one is watching you or moving on your position."
 

Icklebad Moffet - Gnome Rogue

ooc: Sorry I haven't posted for a while. For some reason my subscription to the thread disappeared.

When Ickle wakes up tonight, he plans on waiting till after midnight, and hoping for a bit of fog, or a dark night. First he will watch the warehouse from hiding to determine if there is any activity there. Then he will sneak around the building noting any hidden entrances, stiarwells, etc. that might prove useful information. When the other characters volunteer to help he will redialy agree, if they can stay quite and hidden. No need drawing attention if not necessary. If they aren't very stealthy, it still might be good to have someone nearby if things take a turn for the worse.

889168 Icklebad 1 1d20+8 [18,8] = (26) To hide and observe 2007-02-23 21:19:06

889175 no one 1 1d20+8 [17,8] = (25) To Hide 2007-02-23 21:20:54

889179 Icklebad 1 1d20+7 [14,7] = (21) To Move Silently 2007-02-23 21:21:55

889181 Icklebad 1 1d20+3 [14,3] = (17) Spot 2007-02-23 21:22:40

889183 Icklebad 1 1d20+6 [16,6] = (22) Search 2007-02-23 21:23:16
 

Vyleya Argnon, Human Fighter 2

scranford said:
When Ickle wakes up tonight, he plans on waiting till after midnight, and hoping for a bit of fog, or a dark night. First he will watch the warehouse from hiding to determine if there is any activity there. Then he will sneak around the building noting any hidden entrances, stiarwells, etc. that might prove useful information. When the other characters volunteer to help he will redialy agree, if they can stay quite and hidden. No need drawing attention if not necessary. If they aren't very stealthy, it still might be good to have someone nearby if things take a turn for the worse.

"Seems like it would be smart if everyone is on hand. If an opportunity, or trouble, presents itself, we should be ready. And the more eyes we have out there, the more chances we'll find something interesting. I don't pretend to be all that stealthy, but I can hole up in the nearest inn easily enough to be available if needed. I'm going to get some shuteye until midnight then, if that's when we're going out." Vyleya rises and returns to her room, turning in early in the evening to be relatively fresh at midnight.

OOC: If there is an inn or tavern with a view of the warehouse, Vyleya will head there at midnight. If not, but there is one within a block or two of the warehouse, she will go there. If none of these options are available, she'll find an alleyway or otherwise out of the way place to loiter, unless someone else discovers a better hiding hole.
 

"I will join you tonight in your inn, which means I need to get some rest too so I'm not passing out in the street. It is possible that we might be able to enter some of the adjoining warehouses, either to get out of sight in there, or maybe even to scout out the possibility of doors. We can dress ourselves like vagabonds, so in case we're noticed, we can pass off as just needing a warm, dry place to stay."

Livingston finishes off his food before setting off to bed, and around midnight, if everyone else is going along, he'll don his backpack (removing all its noisy contents) and his cloak overtop.
 

Night falls and with it comes a new moon. The warehouse district is virtually unlit. Ickle has no problem finding a place to observe the warehouse while remaining unseen. Through the cracks around the doors and through a few gaps in the wooden walls, light spills from the warehouse. It is clear that someone is moving about within, as the light is occasionally blocked.

About two hours into the stakeout, two men approach the warehouse carrying a lantern. They knock at the door and Ickle counts seven heartbeats before the shutter behind the bars opens. No words are exchanged that you can hear, but the door is opened and the two men enter the warehouse. While the door is open, you catch a fleeting glimpse of the interior. Several lamps hang from the south wall. A table placed nearby is surrounded by four men apparently playing a dice game. The door is quickly closed.

Later, a faint spill of light is seen at the back of the south alley. You hear the sounds of someone relieving themselves and then the light is gone again. This happens two more times over the course of the night. Other than that, the night is uneventful.
 

Gurv speaks to his companions as they walk back to the house after the night of surveillance.

"Our best bet is to strike when one of the thieves goes out to relieve himself. Catch 'em with his pants down, literally. Then, we push through the door as quietly as possible. The good thing about warehouses, they have plenty of places to hide once we get in. Even if they know we're inside, they won't be able to gather on any one position if we keep moving and hiding. Then we can pick them off one at a time instead of fighting them all at once."

Gurv yawns as he finishes.

"For now, however, I need some rest."
 

Vyleya Argnon, Human Fighter 2

As the dawn peeks its way over the horizon, Vyleya trudges back with the rest to their lodging. Her shoulders are slouched slightly and her head dipped forward somewhat under the weight of her helm. She leans on her halberd as they walk, the butt of the weapon clacking on the cobblestones as they move through the streets.

"We could just break in before then," she blurts out at Gurv's comment. A moment later she shakes her head heavily, "I mean, pick the lock. But we still don't know what's on the other side, or what the layout is. The thieves will have all the advantage. I don't know what's to be done about that though, I'm willing to risk it."

She grimaces, stifling a yawn against the back of one hand as Gurv yawns openly, "We're doing this tonight, right?"
 

Icklebad Moffet - Gnome Rogue

"I think tonight is just fine". "If you guys want, I don't think a locked door will stand in our way". "That way maybe I could get a look inside before the arrows start flying".
 

Vyleya Argnon, Human Fighter 2

After they return home, Vyleya returns to her room, sleeping fitfully until mid-morning. Her rest is constantly interrupted by the growing day, and no shade or block she can put on her window can contrive to keep her from waking up every several minutes or hour to look balefully on the spreading light and noise of the morning. She finally gives up after a half hour’s tossing and turning finds herself unable to fall back asleep, and the blankets on her bed scattered wildly. Sighing, she rises and takes the time to make her bed, carefully folding in the covers. Dressing in plain, sensible clothing, she ties her hair back with a leather band. Leaving her room she exits the home, and sets off in a run around the neighborhood.

About an hour later she returns. After a quick wash from the basin in her room, she straps on her armor. After checking her halberd and short sword to make sure their edges remain keen, she takes out her heavy crossbow and sets it on her desk. She looks over the stock quickly, making sure there is no damage. She carefully tightens the bridle of the crossbow, making sure the prod is lashed securely in place. She inspects the string to make sure it has not begun to fray and finally the lever to make sure the firing mechanism draws back smoothly.

Satisfied, she steps outside once more and finds or clears enough space to set up a hasty firing range, making use of a spare barrel lid or scrap wood to setup a target, drawing up a simple bulls-eye with chalk. She steps back from the target about 30’ and fires bolts in volleys of five at the target, until she has shot the target fifty times.

She then returns inside to seek out a late breakfast or early lunch, depending on what the cook is preparing. She takes whatever is available without complaint or any special requests.

After noon she takes her melee weapons outside, stretching carefully for several minutes. She then practices her technique with her sword, hammer and halberd. Her technique with the sword and hammer seem composed largely of jabs originating from her hips or low swings, taking advantage of the strength of her lower body. When she switches to the halberd, she practices a wide series of moves, from whirling defensive jabs, powerful arcing sweeps and slashes with both the hook and the axe-blade, to heavy upward jabs with the pointed end up the versatile weapon.

When she finishes, she wiles away the rest of the afternoon in the study, searching through the collection of books their for an appealing tome, information of local interest, a biography on a war hero, or books on tactical history all catching her eye. If she finds nothing, she’ll take the opportunity to go shopping for some. When she finally picks out a satisfactory book, she will remain engrossed in it until supper, or until she is otherwise interrupted.
 

Into the Woods

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