Dr. Strangemonkey
First Post
This is from the Iron Lore and no disrespect is meant to Azgulor, this has been an issue that's been bugging me for a while.
Just to discuss this not to challenge Azgulor's taste, decisions, or the corrections in his assumptions, cause Iron Lore is certainly not a correction to DnD so much as an elaboration, but I have to say that I find this attitude mystifying.
Or at least two aspects of it anyways:
That super-heroic is somehow in conflict with gritty fantasy, when really I've almost always assumed it was the point.
And that DnD is the primary originator of the super-heroic fantasy trope.
I mean, don't get me wrong, there are some very good gritty fantasies that never really enter the realm of the bad ass or include it but they strike me as supremely rare. And there are some very good gritty fantasy systems out there, but it strikes me that they and the current of disfavor often heaped on the 'DnD' style of play is more a prejuidice than a legitimate critical perspective. Which isn't to say that they aren't fun to play either, just that I don't understand the basis for the hate.
I'm pretty dang widely read and I'd say that the 90% of fantasy standard really falls more on the side of the honestly fantastic, and I'd like to understand how the opposite point of view comes about.
I mean one of my favorite fantasies is the Black Company series. It's widely hailed as gritty and produced an RPG that was also widely hailed as gritty. I freakin love some of the gritty elements. In both the series and the game people do die in horrible and mundane ways, and yet by the time you reach the high level or the end of the book, heck even in the begining, people are still well within the realm of the bad ass and at a very high level. I'm not saying everyone in the books and games has GAWD-LIKE power, but a number of them do and the rest are well well above the introductory level of competency that in a game like DnD would result in accusations of Munchkinery.
And I'd easilly say the same is true of almost all of the fantasy I've read, including A Song of Fire and Ice, and where it doesn't I'm ok with that. Not all fantasy is going to hit all of the levels of fantasy all of the time and with every character, but in a fantasy RPG I think it's probably better that it hits more of them and in an awesome fantasy RPG I think it actually has more of an obligation to do so.
At the same time, I haven't read Thieves World in either RPG or Fictional form so there may be something to the form there that I'm missing and I'm willing to entertain the notion that the criticism has something to it beyond prejuidice, and even here I mean prejuidice in a the very best and lightest of senses, or that I'm missing something entirely.
So I don't know, is it something? Is it a question of degree? Or is it really a prejuidice I can and should dismiss?
Not that I would cause, you know, even if Black Company got made and sold for wrong reasons it was still made and sold and its still awesome. GoO's Game of Thrones I'm a little less certain about, seems like their aesthetic agenda took over their sense from what I've seen so far. Though again, hey, great to have a good compendium on the material.
Azgulor said:Specifically, that Iron Lore classes COULD play on par with their D&D counterparts when I should have been reading that Iron Lore classes WILL play on par. So Xena & Samurai Jack definitely fit the bill. Unfortunately 90% of fantasy film and fiction MAY not.
Which is fine. Given D&D's popularity, I'd have to admit that it's the largest target audience. It's just not the kind of game I want to run or play in. However, given the limited info thus far, I can't rule out a purchase. It's just changed from "Salivating must-have! when is August going to get here?" to "Research carefully and examine closely before buying."
(Fortunately Game of Thrones and Thieves' World are coming out soon, so my need for "gritty" may be satisfied anyway.)
Just to discuss this not to challenge Azgulor's taste, decisions, or the corrections in his assumptions, cause Iron Lore is certainly not a correction to DnD so much as an elaboration, but I have to say that I find this attitude mystifying.
Or at least two aspects of it anyways:
That super-heroic is somehow in conflict with gritty fantasy, when really I've almost always assumed it was the point.
And that DnD is the primary originator of the super-heroic fantasy trope.
I mean, don't get me wrong, there are some very good gritty fantasies that never really enter the realm of the bad ass or include it but they strike me as supremely rare. And there are some very good gritty fantasy systems out there, but it strikes me that they and the current of disfavor often heaped on the 'DnD' style of play is more a prejuidice than a legitimate critical perspective. Which isn't to say that they aren't fun to play either, just that I don't understand the basis for the hate.
I'm pretty dang widely read and I'd say that the 90% of fantasy standard really falls more on the side of the honestly fantastic, and I'd like to understand how the opposite point of view comes about.
I mean one of my favorite fantasies is the Black Company series. It's widely hailed as gritty and produced an RPG that was also widely hailed as gritty. I freakin love some of the gritty elements. In both the series and the game people do die in horrible and mundane ways, and yet by the time you reach the high level or the end of the book, heck even in the begining, people are still well within the realm of the bad ass and at a very high level. I'm not saying everyone in the books and games has GAWD-LIKE power, but a number of them do and the rest are well well above the introductory level of competency that in a game like DnD would result in accusations of Munchkinery.
And I'd easilly say the same is true of almost all of the fantasy I've read, including A Song of Fire and Ice, and where it doesn't I'm ok with that. Not all fantasy is going to hit all of the levels of fantasy all of the time and with every character, but in a fantasy RPG I think it's probably better that it hits more of them and in an awesome fantasy RPG I think it actually has more of an obligation to do so.
At the same time, I haven't read Thieves World in either RPG or Fictional form so there may be something to the form there that I'm missing and I'm willing to entertain the notion that the criticism has something to it beyond prejuidice, and even here I mean prejuidice in a the very best and lightest of senses, or that I'm missing something entirely.
So I don't know, is it something? Is it a question of degree? Or is it really a prejuidice I can and should dismiss?
Not that I would cause, you know, even if Black Company got made and sold for wrong reasons it was still made and sold and its still awesome. GoO's Game of Thrones I'm a little less certain about, seems like their aesthetic agenda took over their sense from what I've seen so far. Though again, hey, great to have a good compendium on the material.