Situation: a problem or circumstance faced by the character.How do you define "situation" in a way that exclude my example, and still matches everyday usage?
Situation: a problem or circumstance faced by the character.How do you define "situation" in a way that exclude my example, and still matches everyday usage?
Seem like a very strong change in situation. From "Do I manage to pick this lock?" To "What the **** should I do now?"
Bidet of Endless Water and Loofahs of Prestidigitation. Totally going in my next Eberron game.The real question I have - do rich people have tame water mephits acting as bidets or do they just have a low level magic user servant that casts shape water? Perhaps that magic user servant has prestidigitation instead. It would be useful for removing stains or would that be too gauche? Enquiring minds want to know!
Ok. But in my games a specific attribute roll is for determining the success or failure of a specific task associated with that attribute, often modified by your knowledge and facility with a skill associated with that specific task (and possibly other circumstances as determined by setting logic). The connection between roll and result, even if there are more possible results than simple success or failure, is through the adjudication of that specific task.It is talking about succeeding or failing on a roll.
Also, there is an assumption in most of the posts on this thread that all that is at stake, in a roll, is some tactical or operational question, such that the only way to fail is for the attempted task to not produce all the goodies that were hoped for.
@thefutilist pointed to this not too far upthread:
In the Burning Wheel game in which Aedhros was singing, and was accosted by the guard, the significance of the failure is not that he couldn't sing (of course he can sing), and not even that he didn't get a bonus die to resist Thoth's bullying (although that would have been nice), but that his attempt to re-orient himself as an Elf, rather than a spiteful Igor-like figure, failed. This was reinforced when the Circles test failed, no Elf came to his aid, and so he found himself having to bribe the guards to get them to leave him alone.
This is not quite moral ( @thefutilist's term) but still sits within the realm of value, and could be characterised as ethical.
I made a similar point in reply to @The Firebird upthread: not all connections, or relations, between things are causal/instrumental ones.
Maybe because you're friends, everyone feels comfortable doing their own thing, even if that means not aligning with the tone.This makes me wonder.
If alignment were rare by default, nearly everyone would share your frustration.
If alignment were common by default, nearly no one would share your frustration.
The fact that some do, and some don’t, suggests to me that a modifiable factor is at play. So I wonder what that factor is? Session 0s? Vetting players? Clarifying expectations early? Something else entirely? Can we ever know for sure?
What I find curious is that every game I’ve run for strangers seems to end up with everyone on the same page. But games I run for friends often don’t. This all has me thinking. Maybe alignment isn’t a happy accident but a product of how we do things.
I tend to overthink things, so maybe I'm doing that here. But it all makes me wonder.
This seems to assume that nothing dramatic that "brings the story forward" will happen on a success, such that players who want such things should aim to fail their rolls even if this means not advocating for their characters.Now imagine a fictional game that is exactly like D&D5ed except the following: When declaring an action, both task and intent must be specified. If you roll equal or over dc, task succeed and intent happen. If you roll less than DC the GM has to narrate something really dramatic that brings the story forward. GM are in this case free to decide if the task succeed or not, but the intent at least isn't fully acheived.
If we now look at the mechanic of strength, we still have the same claim regarding what it represents. But what it does has changed. It no longer (purely) affect task success probability. Indeed it more strongly correlates with intent achievement. It also strongly affects the probability of dramatic stuff happening in situations where strength is involved.
How does this affect the functions? Depending on the motivations of the group 2 and 3 might still be relevant, but for groups that really seek mayhem and drama it could have the oposite effect! And the first function is almost completely obliterated, as a weak character that inspires the GM to think of good succeed with complications might very well succeed more often in strength tasks than a high strength character that inspires the GM to think of more failure with twist scenarios.
This is where my claim about FF/intent on success games come from.
Agreed. I would have much more detail in my games as player or GM if I thought my fellow gamers would let me get away with it.Please stop with the absolutes. This is very much (one of) the sort of thing I enjoy doing in RPGs. Admittedly, I don't always get to indulge in it because others at the table aren't really into it and I don't want to hold them hostage as it were, but that's a playstyle clash/table culture problem.
Especially when nobody complains that the fighter somehow magically got a new combat-oriented ability or feat out of nowhere without showing how they learned them.It doesn't even need to be a sustained period - given how short 5e levels 1 and 2 can be in terms of encounters it's very straightforward for them to be obtained over a day or two for which we can account for all of the Wizards time. The point is that there are no rules as to what actions a wizard needs to declare in order to get their spells. And considering how time compressed 5e campaigns can be it seems a bit unfair to single out Wizards by claiming they need an (unspecified) amount of free time to obtain their class features.
I complain about both things. I'd much we use downtime and training more often, but my players mostly want to, "get to the action"Especially when nobody complains that the fighter somehow magically got a new combat-oriented ability or feat out of nowhere without showing how they learned them.
I don't know why you don't acknowledge that I introduced the example as an illustration of a player's action declaration establishing some backstory element; and I even drew the contrast with TB2e which takes a different approach to backstory from MHRP/Cortex+ Heroic:
You seem to think that this is some shocking confession or revelation. When it's the point of adducing the example.