D&D General Reading Ravenloft the setting

Nova Vaasa is a domain that was never one of my favorites (it occupied an important place geographically, but the domain never really spoke to me like many of the others). I think it also made less sense once it wasn't bordering the nightmare lands (I liked the idea of those plains leading to the NL).
Now that actually makes a lot of sense geographically as well as thematically. Perhaps shift the populated centres of Nova Vaasa to the west of the domain, have the plains stretching out to the east and instead of reaching the sea, becoming the Nightmare Lands and beyond that perhaps some of the more desolate and fantasy-heavy domains like G’Henna, Bluetspur, and the Burning Peaks domains.
 

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Now that actually makes a lot of sense geographically as well as thematically. Perhaps shift the populated centres of Nova Vaasa to the west of the domain, have the plains stretching out to the east and instead of reaching the sea, becoming the Nightmare Lands and beyond that perhaps some of the more desolate and fantasy-heavy domains like G’Henna, Bluetspur, and the Burning Peaks domains.

That would be an interesting way to go. I still like G'henna where G'henna is in RoT (I just like my Ravenloft stitched together like Frankenstein's monster), but I have to admit this would be a smooth way to satisfy both camps

For those interested, and even for those looking to hate listen, I started a read through of black boxed set on my podcast (fair warning, I don't hold back my opinions on WW Ravenloft---though I will try to be fair in characterizing opposing views to mine as this goes forward): RAVENLOFT REALM OF TERROR BOXED SET DISCUSSION PART ONE
 

Was there ever a "Wicker Man" domain, where all the locals are happy, welcoming and friendly, right up until they stuff you inside some quaint rustic artwork and set you on fire?
Surprisingly, no. There were the Quvari, who were effectively were-cannibals--plenty welcoming and friendly until the night of the full moon when they suddenly turned Chaotic Evil and tried to eat you.
 

Surprisingly, no. There were the Quvari, who were effectively were-cannibals--plenty welcoming and friendly until the night of the full moon when they suddenly turned Chaotic Evil and tried to eat you.

The Quvari also had more of a quaker or amish vibe too (there was an X Files episode that kind of reminded me of them for some reason)
 



Surprisingly, no. There were the Quvari, who were effectively were-cannibals--plenty welcoming and friendly until the night of the full moon when they suddenly turned Chaotic Evil and tried to eat you.
I had better make one then.

Sommershire is a rural domain full of gently rolling hills, fertile fields and lush orchards. The population is 99% halfling.

Story: The mighty wizard Christov the Lee became jealous of how popular a fellow wizard was amongst halflings, decided to beat his rival's annual firework display by reviving the worship of an ancient halfling fertility goddess. This worked splendidly, increasing the fertility of the land for the small price of a sacrifice, burned inside a giant wicker rabbit, every summer solstice. The delighted halflings made the wizard their leader, renaming him Lord Sommershire. However, the burning sacrifices drew the attention of the dark powers of Ravenloft, and the whole of Sommershire was drawn into the mists, and Lord Sommershire became the dark lord. The land was cursed with a summer solstice every week, and very stringent demands for suitable sacrifices, which the locals where incapable of meeting. Thus the entire land spends most of it's time holding festivals to lure in and test strangers as potential sacrifices. In addition, Lord Sommershire is personally cursed with a craving for a certain herb, the one thing that will no longer grow in Sommershire.
 
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Reading the summary on Nova Vassa, if I were to redo Tristan, this would have been my take:

Tristan's father, Romir (a Hiregaard) and mother, Kavela (a Vistin) were bound together in an arranged marriage that was meant to give the two houses enough combined power to eventually seize power permanently from the other families). It was a marraige with little love, though it born them a single heir - Tristan.

Romir, however, was too caught up in duty and shoring up the two families to have much to do with his family. In many ways, the father had been placed under great duress to present a face of strength and dignity internally to the family and an air of aloofness towards the other families to belie the two family's growing power - especially that of the Hiregaard. Internally, this created a black heart of jealosy in Romir, especially towards thing he deemed as rightfully "his". Likewise, Tristan's father drilled his own sense of duty into his own son.

Tristan's mother was a much freer spirit, and though she was not allowed to dote on the youth, had much more latitude to interact with him and guide his hand in matters away from the affair of state. She was, in many ways, his conscience. However, as Tristen grew up, Kavela's despair at the lack of love between her and their father wore deeper and deeper. Then, one day, everything changed.

As royal functionaries, it was the duty of Tristen's father and mother to attend and host various functions - among them, dances for the nobility. A new dance had recently made its way through the nobility and with the approval of Romir, the young boy's mother hired a bardic instructor to teach them the new dances. She did not expect, however, to become attracted to the rakish bard, all under the watching eyes of her son.

One day, young Tristen was with his father when the elder asked how the dance lessons were proceeding. Tristen answered truthfully - a little too positively and eagerly that intrigued Romir to visit and see for himself. Arriving unannounced, he observed teacher and student in an intimate dance upon the ballroom floor and observed in secret and silence, all as he fumed in rage. Tristen watched from beside his father, fear gathering on his face as he watched his father's expression fall away to hate.

As the young rake was departing, Romir emerged from his hiding place. With a single sweep of his blade, he cut down the bard without a word. He moved to his wife and grasping her, accused her of infidelity. Tristen, shocked and unmoving, could only watch. At first, his mother pleaded with his father, insisting no wrong had been done. But Tristen's father would hear none of her words. As he pronounced his judgement upon her, her pleading ceased and the years of regret and despair she had endured sprang to the fore. She did not spare her growing anger as the two bickered, but she placed the burden of raising Tristen alone on Tristen's father as well. Enraged beyond all reason now, hurt by his own mother's words against not only his father but himself, Tristen leapt from his hiding space, tears smearing his face and he bodily rammed his father's blade into his own mother. As his mother, collapsed, shocked at her son's own betrayal, she cursed them both. The power the family had craved would never be realized, and she furthered cursed that her murderer to never enjoy love - murdering it as she had been murdered.

Tristen, coming to his senses, was deeply shaken by his act. But his father remained stern, convinced Kavela had brought her own death upon her by her faithlessness. Tristen had no choice but to agree. Tristen's father covered up the death, twisting it to use as propaganda against the other houses to sow fear and suspicion that the other families had been behind the plot.

A handful of years passed, and Tristen's father continued to immerse himself into the politics of the houses. However, his attempts to consolidate power began to alienate the Visten family, who began to chafe at his callousness towards their deceased heiress. The other families treated Tristen's father as "unlucky" and his attempts to woo them only drove them away and towards the rising Bolshnik family.

When Tristen was sixteen, a young scullery maid in his household, named Ivanava, caught his eye. Under his father's tuteage, the young man was not hesitant to approach her, though he did do in secret to avoid any appearance of impropriety. This continued for several months in absolute secrecy, until Tristen began to suspect that Ivanava was speaking of the courtship to others in her family. Tristen then lured Ivanava to a secluded area of the keep and murdered her with a blade through her heart. However, after he done so, he felt great remorse and confessed his act to his father. Though his father was stern and rebuked him for his weakness for love, he covered up the murder, making it appear the young lady had fallen from the tower accidentally.

Shortly thereafter, Ivanava was replaced with the young woman's twin sister, Vivianista. When she made a remark after meeting Tristen that her sister had been right about how handsome he was, Tristen's blood ran cold. Afterward, Tristen made attempts to find out how much Vivianista knew about his former love for Ivanava, and as he associated with Vivianista more and more, he inadvertently fell in love with her. However, their love was doomed - Tristen eventually confessed his deeds, which horrified Vivianista. She fled the castle from him, and again Tristen turned to his father and admitted his latest mistake.

Romir flew into a great rage, and ordered Tristen track down the girl and ensure her silence. Tristen obeyed, and rode out alone in search of Vivianista. His trek lasted several weeks as he followed the fleeing girl's trail. In several cases, he found himself forced to kill someone who he suspected had sheltered the girl or who he believe she had confided his dark secret with. Eventually on the night of a waning moon, Tristen tracked her down to a barn on the edge of Vaasa's lands. He found her inside, hiding - and she begged Tristen for the love they shared that he spare her. Citing his duty, Tristen refused to requite his love and struck her down. Afterward, he burned down the house of the accompanying farm and slew its fleeing occupants before the dawn broke, ensuring he left no witnesses.

Tristen returned to his father under the cover a thick night's mist, with bloody proof of his deed. Romir, however, was not pleased at his son's performance and berated him liberally for allowing his foolish desires to interfere with his duties. Thoroughly chastised, Tristen agreed, "If I am not to have love, then I will have duty!" - and ran his father through. As Romir faded, he bemoaned, "what monster have I created?" and the mists outside the family castle thickened and engulfed him.

Tristen awoke to a changed realm, and after concealing his father's murder, took to his new duty as lord of the Hiregaard lands. But once a month, on the night that matches the moon above the barn where he found Vivianista, he transforms into a hideous monster, bent on slaying those he had once cared for, among his own household and the surrounding lands.
 


The name is quevari, and they are dreadful because they are beings really you don't want to hurt, they are innocent and nice people almost always but when the curse is active. Maybe they are perfect antagonists in some scary kid-friendly story where nobody is hurt and violence is taboo.

Maybe you don't believe it, but if you think about it, the gnomes are the halflings are perfect for survival folk horror because they are cute, causing a contrast with the horror (something like the doll Chucky from "Child's play"). They aren't the one-man-army hero who destroy walls with their own fists, but people who want to enjoy a peaceful live without troubles. Have you imagined anything like the movie "Midsommar" but with halflings? Or to cause surprises with touches of dark comedy, for example a halfling becoming a werehare.

2021 horror movie can't be like the ones from 1990, the year when the boxed set was published, or 1983, the original module. Not only because authors and players are a different generation, but the audence is used to decades of movies and teleseries. Now they are lots of new sources of inspiration, for example videogames, but also other TTRPGs.
 

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