The_Gneech
Explorer
I always enjoy a good analysis of REH and/or JRRT (and HPL for that matter), but I do have a couple of objections to raise...
I don't know where you get this last line. Who in the world could possibly be more trustworthy than Sam Gamgee? And who, by the end of the story, is more respected and deserving of that respect?
See above. Who is it that you seem to think JRRT is looking down on? The orcs? It's not lack of lineage that makes orcs objectionable -- particularly if you go with the "once elves" origin -- it's the fact that they're cruel, petty, greedy, tyrranical, and hate beautiful things.
I'm not sure what you're getting at here -- Aragorn has a very specific reason to be paranoid, namely that Frodo is carrying the Ultimate MacGuffin of Doom that will either save or destroy the world, and using it to show off dancing on the tables of the Prancing Pony where anybody and their brother might see it.
I saw a quote somewhere, now lost to the mists of memory, where someone asked Tolkien if he'd read any of Howard's work, and Tolkien replied that he had and enjoyed it. Whether he specifically drew from this, I have no idea. But he was a big believer in both borrowing, and being borrowed from.
HPL's creatures as a rule are not strictly inimical to human life either; it's more that on a cosmic scale, human life just doesn't matter. Individual creatures on a similar scale, such as the Mi-Go in "Whisperer in Darkness," can and do get along with humans just fine, and the Old Ones in "Mountains of Madness" are described as being "men," for all their being 12' green barrels with starfishes for heads.
The "Was it all a dream?" flavor of this ending, along with others like "Frost Giant's Daughter," is inherited from the earlier "trip of faerieland" literary tradition, which is a well that JRRT draws from often as well. The two of them also employed deliberately archaic language in order to "heighten" their tale, although Tolkien (being a linguist first and a writer second) had a slight edge on Howard in that department, as well as drawing on historical and world mythical sources (where Howard may have had more of the edge, due to his voracious historical reading as a youth). In a lot of ways, the two writers are a lot more similar to each other than people often think.
-The Gneech
REH has unjustly been criticized for creating a world where men are cynical, and where betrayal is more common than actual friendship. But, instead, REH created a world in which friendship comes fast among those who deserve it, and who treat each other with mutual respect. And, opposed to Tolkien’s world, those who deserve it come from all walks of life.
I don't know where you get this last line. Who in the world could possibly be more trustworthy than Sam Gamgee? And who, by the end of the story, is more respected and deserving of that respect?
It is as easy to find a worthy thief in a REH story as it is to find a worthy noble. REH doesn’t look down on people for their walk in life.
See above. Who is it that you seem to think JRRT is looking down on? The orcs? It's not lack of lineage that makes orcs objectionable -- particularly if you go with the "once elves" origin -- it's the fact that they're cruel, petty, greedy, tyrranical, and hate beautiful things.
Now, some might consider this as part of the “cynical world” REH draws. But, if so, we must remember as well that Taurus and Conan met perhaps 15 minutes ago. And Conan trusts Taurus enough to do as he is told.
Compare this, in LotR, to the hobbits’ first meeting with Aragorn, where the “ranger Strider” has a far more difficult time convincing him to accept him as a companion, and tells them that they are still not being cautious enough.
I'm not sure what you're getting at here -- Aragorn has a very specific reason to be paranoid, namely that Frodo is carrying the Ultimate MacGuffin of Doom that will either save or destroy the world, and using it to show off dancing on the tables of the Prancing Pony where anybody and their brother might see it.
Please note that this story was published in 1933; The Hobbit in 1937.
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One might wish to re-read “Spiders and Flies” in The Hobbit with that passage in mind, and note the similarities. Did Tolkien read Howard? If so, he certainly took images and details from this story.
I saw a quote somewhere, now lost to the mists of memory, where someone asked Tolkien if he'd read any of Howard's work, and Tolkien replied that he had and enjoyed it. Whether he specifically drew from this, I have no idea. But he was a big believer in both borrowing, and being borrowed from.
Note the relationship to a HPL story, “A civilized man in his position would have sought doubtful refuge in the conclusion that he was insane”. REH and HPL were long-term correspondents, and the use of HPL-like material in REH’s writing is not an accident.
But REH is not writing a story about how the universe is inimical to human life; he is writing a story about compassion:
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Again, one hears claims that REH’s world is one in which everything non-human is essentially evil. But this creature “from the green planet Yag, which circles for ever in the outer fringe of this universe”, who “swept through space on mighty wings…quicker than light” is clearly related to similar beings in Lovecraft’s pantheon.
Moreover, REH is suggesting that the ancient forces in HPL’s stories may not be as they are depicted by HPL’s narrators – “A civilized man in his position would have sought doubtful refuge in the conclusion that he was insane.”
REH is suggesting a world which “ancient horrors” may well be benevolent, and mortal men may be the greatest monsters:
HPL's creatures as a rule are not strictly inimical to human life either; it's more that on a cosmic scale, human life just doesn't matter. Individual creatures on a similar scale, such as the Mi-Go in "Whisperer in Darkness," can and do get along with humans just fine, and the Old Ones in "Mountains of Madness" are described as being "men," for all their being 12' green barrels with starfishes for heads.
REH ends the story in the only way possible:
Into the waving green gardens came the Cimmerian, and as the dawn wind blew upon him with the cool fragrance of luxuriant growths, he started like a man waking from a dream. He turned back uncertainly, to stare at the cryptic tower he had just left. Was he bewitched and enchanted? Had he dreamed all that had seemed to have passed? As he looked he saw the gleaming tower sway against the crimson dawn, its jewel-crusted rim sparkling in the growing light, and crash into shining shards.
The Tower of the Elephant is, altogether, among the best fantasy stories ever written. It certainly rewards a careful reading.
The "Was it all a dream?" flavor of this ending, along with others like "Frost Giant's Daughter," is inherited from the earlier "trip of faerieland" literary tradition, which is a well that JRRT draws from often as well. The two of them also employed deliberately archaic language in order to "heighten" their tale, although Tolkien (being a linguist first and a writer second) had a slight edge on Howard in that department, as well as drawing on historical and world mythical sources (where Howard may have had more of the edge, due to his voracious historical reading as a youth). In a lot of ways, the two writers are a lot more similar to each other than people often think.
-The Gneech
