The Sigil
Mr. 3000 (Words per post)
A fair critique of my position. Here is a slightly more detailed explanation of my POV.WizarDru said:I was in agreement with Sigil right until the part where he put forth that a creator holding on to his intellectual rights and profiting from them more than once was immoral. I respectfully disagree. I believe that eventually such properties should enter the public domain...but I think the creator has the right to earn as much as possible from his work. I see few greater disincentives than telling an artist or creator that he is only allowed to profit to a point that YOU determine to be sufficient. I know I wouldn't like to be told that I make enough money by someone unrelated to my situation, and I doubt Stephen King or Paul McCartney disagree. Or J.R.R. Tolkien, for that matter.
I feel that the big problem with copyrighted material is that particularly when it is held by a major corporation, the material is, in effect, sat upon. A company releases something, profits from it, eventually demand wanes, and the company no longer sees a profit in releasing it. It then archives it and sits on it on the odd chance that "someone, somewhere, sometime" might try to profit from it, and then we can sock them for royalties.
I have no problem with a writer, artist, what have you continuing to get paid for print run after print run of the same work. So long as there is a demonstrable demand for the product, clearly they deserve to be compensated.
I am rather against the idea of sitting on something for which there is no demand on the odd chance that someday there might be a demand.
I think the best solution I have seen is the "chessboard" rule. Create a work and you own the copyright for a year. To renew it for another year, you must pay one cent. To renew it for a third year, you must pay two cents. To renew it for a fourth year, you must pay four cents. The fifth year, the cost is eight cents. And so on. Of course, this would have to be normalized to a certain year's dollars to keep inflation from running rampant, but you get the idea.
This allows artists, writers, and others to generously benefit from their work in the short term (most studies I am familar with agree that a movie, book, song, software title, etc. makes over 95% of its profits in the first two years after its creation), while making it increasingly difficult to "sit" on something. If a property is really that enduring in value, it will continue to generate sufficient revenue to pay off the increases in "copyright fees" but is all but guaranteed to eventually fall into the public domain.
Further, the oft-repeated line of "yes, but how will the writer/composer be incented to continue to create stuff?" has worn hollow. I highly doubt Gershwin or Tolkien or John Lennon needs an incentive to create more stuff (they're dead). Their estates don't create more stuff (with the exception of the Tolkien estate); clearly they do not need the incentive of receiving greater profits.
This is getting political, so let's just say that including that little phraseology was my response as a consumer to having been beaten around the head with draconian copyright measures and seeing a need to make things a little less ridiculous. While I think it is not proper to put a limit on copies sold and say, "this is how many you get to profit from," I think it is more than proper to put a time frame on things and say, "you can profit for this long and then that's enough - if you can't make enough money on the idea in that time period, tough bananas for you." Exactly what that period should be is of course a matter of debate, but I personally think that once something is "out of circulation," it's time to put it into the public domain. I don't need to see Disney re-re-re-re-re-re-release Snow White to try to milk a few more dollars out of it.
--The Sigil