Slaying the Dragon: The Secret History of Dungeons & Dragons Review

Slaying the Dragon: The Secret History of Dungeons & Dragons by Ben Riggs focuses on the creation, rise, and downfall of TSR. It's a compelling, page-turner instead of the boring business book it could have been. It's also going to make some people angry.

Slaying the Dragon2.jpg

Gamers are drawn to clear good-versus-evil stories. The book starts with Jim Ward's version of TSR's success and eventual sale to Wizards of the Coast fits that narrative, but it's wrong. Ward wasn't lying. Instead, TSR's management, no matter the president, hid both the company's mistakes and valuable information the creative team could have used to be successful.

For example, the development team had no idea what the sales numbers were so they often continued making products for lines that weren't selling. Worse, some products, like the Encyclopedia Magica, had such high production costs that TSR made no money on them and the Dark Sun spiral bound flipbooks lost money.

Riggs' meticulous research, which includes sales material and business contracts unavailable to prior chroniclers of D&D's history, places the commonly known story in greater context , adding nuance. It shows the terrible decisions made by beloved figures that could have destroyed the company earlier, and the usual villain of TSR's story, while still vindictive, extended the company's lifespan and is revealed as having done the right thing a few times. It makes for a fascinating story filled with human foibles and avoidable mistakes that doomed TSR despite talent and hard work.

Other books have chronicled the creation of Dungeons & Dragons, the life of Gary Gygax, and the evolution of war games into role-playing games. Slaying the Dragon focuses on TSR itself, which is why Riggs' access to everything from sales figures to extensive interviews, makes such a difference. He even got a copy of the Random House contract that was TSR's golden goose for a time and then became an anchor pulling it toward bankruptcy.

But Riggs also has a great way of setting a scene and turning a phrase that makes the facts and interviews as compelling as any novel. Early on he tries to explain why winters in Wisconsin were a fertile ground for the creation of D&D. He writes:

“The winters are so frigid that Lake Michigan steams, sending great gouts of silver billowing skyward, girding the horizon from north to south....In winter, the world recedes to the circle of warmth around a fire, a heater, or the side of a loved one. Or the basement. It's always warm. The furnace is down there, after all. There might be games, too. Might as well play. What else are you going to do during the endless white-gloom nightmare that reigns between the fall of the last yellow leaf and the spring thaw?”

Riggs talked to everyone involved who is still alive, except Lorraine Williams, who declined. For those he couldn't interview, Riggs used a mix of existing interviews combined with comments from those who knew them best. This means that people such as Brian Thomsen, who could have been a cartoonish villain in another telling, is depicted as a complex person who made bad decisions for the company.

It's also amazing how many questions and challenges TSR wrestled with that are still plaguing the game industry today. The RPG consumption problem is a big one that troubles most game companies. When to create a new edition, when to announce it, and how to maintain sales in the meantime. How many settings are too many? Is the fish bait strategy worthwhile and if so, for how long?

But the biggest problem was that TSR, according to those involved and those who studied its finances, repeatedly made foolish mistakes over and over. Whether it was buying a needlepoint company (yes, that happened under the Blumes), Gygax partying in a Hollywood mansion, or driving away talent, TSR's management was the architect of its eventual demise.

It didn't have to be that way. TSR could have been a multimedia fantasy juggernaut long before there was an MCU. A potentially viable plan was even created for TSR West (which is different than Gygax's Hollywood escapades) before it became another expensive, failed venture. Mary Kirchoff and James Lowder built the book department into a greater commercial success than the games department. TSR discovered Tracy Hickman and Margaret Weis, R.A. Salvatore, Elaine Cunningham, Mary Herbert, etc.—and then Brian Thomsen's strategies threw it all away.

Because at TSR, why make a mistake once when you can repeat it over and over? That's TSR's ultimate tragedy, and Riggs has the evidence to document TSR's successes and failures in a scope and detail previously not seen. If you want to see the actual sales numbers, Riggs has been posting them on his Twitter account, but Slaying the Dragon makes the story of TSR as dramatic as any Drizzt novel. It's worth reading for fun, to learn the true history of D&D, and to learn what not to do when running a game company.
 
Last edited by a moderator:

log in or register to remove this ad

Beth Rimmels

Beth Rimmels

Mannahnin

Scion of Murgen (He/Him)
The take on Mazes and Monsters two pages later as a foreshadowing of 9/11 was so bad I laughed, and so out of place in this book that I'm sure anyone reading this post who hasn't read the book is gonna think I'm making it up.
Yeah, that was honestly terrible.
 

log in or register to remove this ad







Pretending I'm not a gamer for a second, it's interesting a defunct company from 20 years ago gathers so much ink. (Can you imagine this many books about Blockbuster in 10 years? Can you imagine people looking at sales figures for Radio Shack from the 80s, for all the importance it had to many tech people from that era?) Shows the emotional power and connection their products held over their fans, I think.
Hadn't seen this before. I think that probably these things exist, just not in as direct a form. The end of Blockbuster is probably included in a lot of textbooks for Communications, Media Studies, and Entertainment Industry classes and degrees. Individual companies like Radio Shack maybe less so, but I bet a lot of books about economic development in the 80s (and there are a grip of those, as in economic circles people never get tired of rehashing old battles) cover the company. Further afield, I read the memoir of Minnesota Governor Elmer Anderson, and the book contains a huge amount of information about the H B Fuller company in the '40s through '70s. I imagine there are similar situations across every industry.
 

Michael Linke

Adventurer
Hadn't seen this before. I think that probably these things exist, just not in as direct a form. The end of Blockbuster is probably included in a lot of textbooks for Communications, Media Studies, and Entertainment Industry classes and degrees. Individual companies like Radio Shack maybe less so, but I bet a lot of books about economic development in the 80s (and there are a grip of those, as in economic circles people never get tired of rehashing old battles) cover the company. Further afield, I read the memoir of Minnesota Governor Elmer Anderson, and the book contains a huge amount of information about the H B Fuller company in the '40s through '70s. I imagine there are similar situations across every industry.
The Last Blockbuster is a pretty good documentary. I don't want to throw shade at Jon Peterson or Ben Riggs, but I think more people have streamed Last Blockbuster than will ever read Game Wizards and Slaying the Dragon combined.
 




Mannahnin

Scion of Murgen (He/Him)
Finished the book Saturday night. It was a good read, and either I got more used to Ben's prose idiosyncrasies, or they improved as the book went on (although his continual lauding of dozens of people as "geniuses" was a bit over the top throughout).

The latter half definitely had a lot of interesting stuff, and some significant new details I wasn't familiar with already, like the details of TSR West and its debacle, including the full story of how they screwed up the DC relationship.
 
Last edited:

el-remmen

Moderator Emeritus
My copy arrives today. The charts had me teetering on ordering it, but [the Weiss] excerpt sealed the deal (well that and my mom sending me some money to buy myself a gift for my birthday).


Edit: I just realized I managed to put this post in the wrong thread - though it is the same general topic. :LOL:
 
Last edited:


Parmandur

Book-Friend
Every time I read this kind of thing about TSR:

it gobsmacks me every single time. Just - how? How could nobody in creative or sales think that maybe, just maybe, having a meeting to hash out the things that were selling and the things that weren't might be a good idea? I've never taken a business management class but it really seems like you wouldn't need to have one to think that seeing how product going out and money coming in might just be a good idea.
That was what fhe WotC people thought when they took over and started due diligence work.
 

darjr

I crit!
Ben Riggs is interviewed on the GenCon channel and I have to say it's super interesting and almost surreal to watch Peter Adkison while Ben is talking. Peter is the former CEO of WotC who bought TSR. Also there are more hints on what his next book will be about.

The link is at the time stamp it starts.
 

darjr

I crit!
Posting this here for reference

Oh and this. Gary QA
 



Visit Our Sponsor

An Advertisement

Advertisement4

Top