To qualify as Fair Use? Yes. Ethically, I confess I’m not sure. Its difficult to judge that in the abstract. I’d be more confident in assessing a concrete example.
To qualify as Fair Use? Yes. Ethically, I confess I’m not sure. Its difficult to judge that in the abstract. I’d be more confident in assessing a concrete example.
Yes, that is explicitly commentary on the uniformity of commercial graphic design.
Though I often disagree with your stances (although I agree just as often), I always appreciate your rationality and your willingness to understand the views of those you are arguing with.I mean, by making “sufficiently different” part of the framing of the question, I can only conclude that it must be acceptable, otherwise it wouldn’t be sufficiently different. I think what you might be trying to ask is, is there any degree to which an artist can transform another artist’s work that would make it sufficiently different to the source material as to render it an original work? And I would say yes, there is. Generally though, such transformation involves some sort of commentary on the source material.
Thanks! I try my best.Though I often disagree with your stances (although I agree just as often), I always appreciate your rationality and your willingness to understand the views of those you are arguing with.
Exactly, how dare those stock photos to copy Marvel's art?Not so. Rather, they want artists who make Spider-Man fan art by tracing or otherwise copying art from the comics (or, well, any other art of Spider-Man) and altering that copy get permission from the artist of the work they copied, and potentially pay that artist - that’s something they’d presumably have to negotiate.
That’s just the same composition. It literally can’t be directly copied because they’re completely different media.Exactly, how dare those stock photos to copy Marvel's art?
I agree! To be clear, I am making no claims about 1, and arguing that the answer to 2 is “it’s not, and compensation should be negotiated between the artist and whoever is training the AI.”As a follow up: I think keeping these two questions separate is important:
1) Is what computers produce art? is It very good? Poor? Can it evoke genuine responses from people interacting with it?
2) Is using art as training data a fair use? Must compensation be provided for such use?
TomB
I think there’s also 2 questions there.I agree! To be clear, I am making no claims about 1, and arguing that the answer to 2 is “it’s not, and compensation should be negotiated between the artist and whoever is training the AI.”